Hi,
We suddenly find ourselves in need of at least 8 feet high by 12 feet wide
projection screen for Sunday night in Brooklyn. Let us know if you have one
we might borrow for a few hours.
Thanks very much.
Elle
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I have heard that USA Projects takes a 15-20% commission from each project-
which is significantly higher then the 5-10% that Kickstarter takes.
I am very curious to hear whether artists feel like USA Projects is earning
that extra 10%. Keep us posted Gene!
-Matt
On Fri, May 25, 2012 at 4:16 PM
and while not a filmmaker's website, the Cinema Project site is very clean
and nice to look at:
http://cinemaproject.org/
On Thu, May 31, 2012 at 6:27 PM, matt's frameworks address <
li...@rodeofilmco.com> wrote:
> great inquiry, i look forward to seeing other people's suggestions.
>
> miranda
great inquiry, i look forward to seeing other people's suggestions.
miranda july has a fantastic site:
http://mirandajuly.com
and Cory Arcangle's site is entertaining:
http://www.coryarcangel.com/
here are a couple others i like.
Ben Russell: http://dimeshow.com
Vanessa Renwick: http://odoka.or
I'm in the process of creating a major overhaul and condensing of my three
websites, and would like to compile a short list of favorite filmmaker websites
for inspiration. Suggestions?
Thanks, Ken
www.crookedbeautythefilm.com (Academic)www.crookedbeauty.com
(Public)www.kenpaulrosenthal.com
Anyone have an email contact for Scott Stark?
Thanks,
Alain
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40 FRAMES
Alain LeTourneau
Pam Minty
40 FRAMES
5232 North Williams Avenue
Portland, Oregon 97217
USA
+1 503 231 6548
www.40frames.org
www.16mmdirectory.org
www.emptyquarterfilm.org
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The work of Peter Mettler would probably be up your alley.
-John
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For anyone who makes use of the Bolex instructional webpages of mine, they
will no longer be at the old URL. The new one is:
http://www.joelschlemowitz.com/bolex
cheers,
Joel
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~~
http://www.joelschlemowitz.comBlog: http://cinesoiree.bl
Dear Matt and list members,
Re Matt's question on experimental documentary, I'd like to point out
that there are also lots of newer experimental, documentary-oriented
films available online, and some slightly older works on DVD (eg via
Marsha Kinder's Labyrinth Project). These are generally intera
The "normal" lens for 16mm film is the 50mm lens, which is what you've got,
which of course may or may not be the right focal length for a given situation,
it's simply the most common lens. I'm not sure what lenses fit an Elf, but for
other makes 38mm lenses are fairly common and you can find th
I don't know about the squealing, but I'd look at the clutch assembly and
make sure it's not torn up and that mechanically the lever is opening the
clutch properly. Also verify that it's dropping the heat-absorbing glass
and the glass is not sticking.
The threading guide issue is also just apt to
Hi Frameworks,
Following on from the belts for my Elf RT... I fitted the new belts and it
seems to work wonderfully.
There does seem to be a few small problems with it however. The most dramatic
one seems to be the still picture lever. I assume you're meant to pull the
leaver down and then the
For tomorrow, June 1. This didn't make This Week in AG Cinema listings:
Optical Poetry: Oskar Fischinger Retrospective
presented by Tate Film and Center for Visual Music
Featuring 35mm restored prints of his classic abstract films
Friday, June 1, Tate Modern, London, Starr Auditorium 7pm.
http:/
Thank you to Tom Whiteside, Daniel Maldonado, and Adam Hyman for writing
back to me, and this list, about fundraising. Your comments were helpful
and reassuring. I've been a member of this list for several years, and I
have to say that I have learned a lot from the many questions, the generous
re
And also from the UK, I'd point you in the direction of:
Cordelia Swann http://www.luxonline.org.uk/artists/cordelia_swann/index.html
(Desert Rose specifically)
Sandra Lahire http://www.luxonline.org.uk/artists/sandra_lahire/essay(1).html
who (you might say) 'line up' alongside Su Friedrich.
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