Toronto filmmaker, James Gillespie, treated me to his wonderful work
in progress - a very special modified 1950's Specto all metal
projector specifically for the ultrawide UltraPan8 film format. Extra
rollers, modified step down transformer, brighter 300w halogen bulb
and blue LED fans! 8fest is
Hello Jerrett
Here at Metropolis Post we can scan your Super 8 footage on a laser
graphics Scan Station then record out to a 16mm Negative on our Laser
Graphics Film Recorder, the results will be superior to doing it on any
optical printer which usually yield very high contrast blown out
On which subject, I have one of the 5/8 f/2.1 Bell and Howell lenses
for the later BH projectors (500-series and on), for sale. I never
liked the things, they are just not all that sharp, but if you're stuck
with a short throw they do the job.
--scott
Another example that Toronto and Canada are world centres of small-format film.
John Porter, Toronto, Canada
http://www.super8porter.ca/
super8por...@yahoo.ca
On Sat, 12/7/13, Nicholas Kovats nkov...@gmail.com wrote:
Subject: [Frameworks] The
Hey folk,
Just curious about what the (presumably few) Premiere users among you do
when you're exporting a file for projection, what you've had good
experiences with etc. What say you?
--
--ekrem serdar
Austin, TX
(Sent from a toy)
___
FrameWorks
Can you export your work as a Pro Res file? That seems to be a standard
requirement for a lot of festivals. Pro Res can look pretty good if it's shown
on a good projector. I'm going on what I've seen at Media City, which has the
best projection in the World!
NIcky.
-Original
One important note - I'm on Windows. (Unleash the pukey sounds)
On Sunday, December 8, 2013, Ekrem Serdar wrote:
Hey folk,
Just curious about what the (presumably few) Premiere users among you do
when you're exporting a file for projection, what you've had good
experiences with etc. What
Hey Nicky,
I left the question a little open to see what would come of it, but I was
thinking of pro res (or equivalentish). The google is giving me a variety
of responses on whether a pro res codec is available for windows or not.
For Mac users it seems to be there.
On Sunday, December 8,
Assistant Professor of Video and FilmSearch:#326Date Posted:12/05/2013
Type/Department:Faculty in Humanities, Arts and Cultural StudiesSearch
Status:Searching for Candidates - Accepting ApplicationsApply Now:Would you
like to apply for this
If the cinema has DCP capabilities that would be bay far the best and most
stable way to show digital.
http://opendcp.org/
Opendcp is freeware to make your own. It's a little tricky and requires
exporting your movie as a tiff image sequence first. Check out the website.
dk
Date: Sun, 8 Dec
Unfortunately, the Apple ProRes encoder is not available for Windows.
There is a workaround involving ffmpeg, but it's a pain. You have to
render your clip to a lossless format such as QT Animation, then
convert using ffmpeg. This is a command line app, but there is a
front end gui available.
or you could try
http://www.cinemartin.com/cinec/
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Hi all,
I am wondering if anyone has experience/advice/formulas for processing E6
as BW reversal. I have some Ektachrome 160 (EM-26, so remjet) super 8
(expired in '97) that I'd like to experiment with. I haven't been able to
find too much information and I've only processed BW negative and
For the record, I don't think ProRes is strictly lossless. But yes,
it's always a good idea to create a digital master from which you can
strike compressed copies. I always master using a truly lossless
codec, such as Quicktime Animation at 100% quality. That preserves
the RGB color space and
You've got to wonder why people keep 'effing around with pc codecs and
searching around endlessly in hidden directories for files when there is
such a thing called a Mac. Add up your hours and I think you'll find a Mac
would pay for itself within a month. Heave the cryptic multi-tasking Edsel
into
The choice of tool depends on what you want to do. Windows is the
platform of choice for 3D artists, so that's why I don't have a Mac.
Anyway, Apple has pretty much abandoned the professional market. The
new Mac Pro has a lot of people really disappointed. // Aaron
At 12/8/2013, you wrote:
You've got to wonder why people keep 'effing around with pc codecs and
searching around endlessly in hidden directories for files when there is
such a thing called a Mac.
Bit of a hyperbolic statement, they are not that bad!!...lots of
professionals use PC's... Flexibility of hardware is one
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