Hi, I'd like to submit this film to your screening series (the film is
called The Traditions of Men) https://vimeo.com/100773051 ... so, could
you fill me in on the fest a little bit? As I remember, the tumblr was
pretty information limited. Thanks! Let me know if you want to use it.
-charles
Hi Frameworkers!
I've got what I suspect is a kinda obscure question. I've been doing some
research in the paper archives of The Film-Makers' Co-op in New York.
Looking through early issues of the Co-op's newsletters, I discovered, in
1968's vol.1 no.3, a 'flip book'-style animation embedded in
Vintage Arri 2C, high-speed, MOS camera up for sale as-is, no registration
test done recently. It hasn't been used in a few years now, but is
mechanically sound and hits its speed range of 4 -60fps with no problems.
Lens mount is PL. There is no eyepiece with the kit, but it comes instead
with
As to your second question, there was an exhibition at Kunsthalle Dusseldorf in
2005, which I believe had a catalog.
7TH MAY — 21TH AUGUST 2005
DAUMENKINO
THE FLIP BOOK SHOW
DS
Sent from my iPhone
On Jul 15, 2014, at 1:16 PM, Heath Iverson h...@st-andrews.ac.uk wrote:
Hi Frameworkers!
Same as source means that your footage is encoded with the same
codec as your original footage, or perhaps the intermediate editing
codec you've chosen in your timeline/sequence.
H.264 is actually your best option for festivals. The contrast issue
is a bug in some versions of Quicktime and
I'm not an Avid expert, but I know they typically use proprietary codecs. What
container were they in? AVI?
If QT can't play the files, that could either be an issue with the codec per
se, or your Mac not being equipped with the extra widgets needed to handle the
headers of PC-based