Upcoming AUGUST fréttir :: AKTUELLES :: news :: BERICHT :: etc
View this email in your browser
(http://us8.campaign-archive1.com/?u=e7a83ffa52c183e9e15926f98id=0b9f048dbae=a07efb4c13)
unsubscribe from this list
Frameworkers:
I'm looking for research suggestions of artists, filmmakers, and works that
utilize Max MSP/Jitter as their main software tool. I am specifically
interested in FILM and analog video makers and works (experimental,
abstract, avant-garde) that have used Max to explore or investigate
Sue Slagle (Sue-C):
http://www.sue-c.net/
From: Warren Cockerham warrencocker...@gmail.com
Reply-To: Experimental Film Discussion List
frameworks@jonasmekasfilms.com
Date: Tuesday, August 5, 2014 at 7:50 AM
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Subject:
A lot of work that I've seen in Max MSP/Jitter that attempts to mimic analog
processes are making use of Vade's v002 GLSL shaders, which he offers as free
Quartz Composer plugins here:
http://v002.info/
To see what these shaders look like when applied to moving images, check out:
sue-c
Nice.
Lynn-Marie Kirby, too, has a fair amount of prior work in MAX-Jitter.
Couple thoughts more:
Anton Marini wrote some shaders and other processes for MAX to resemble
film temperature profiles (technicolor-1, 2, 3, bleach bypass, etc).
( I see David Han has now also mentioned Anton
Greetings Frameworkers,
I'm looking for experimental films that engage with the Fibonacci sequence -
suggestions?
Thanks!
Cade ___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
Abigail Child mentioned that the structure of “Surface Noise” is based on the
Fibonacci sequence when she screened it at the Harn Museum a decade ago. I’m
not sure I understood exactly what she meant—I hadn’t sensed it in watching the
film—but I’d be curious to look again with that in mind.
Dan Sandin’s Spiral Series 1-5 are Fibonacci algorithms driving a
vector-graphics display. Not film, but lovely. Spiral 5 is especially striking.
I think the Data Bank has them.
From: Beebe, Roger W.
Sent: Tuesday, August 05, 2014 3:41 PM
To: Experimental Film Discussion List
Subject: Re:
Roberta Friedman and Grahame Weinbren's excellent FUTURE PERFECT from 1978 uses
a Fibonacci series (among others) as a basis for some precisely placed
graphical forms marked onto (and conceptually relating to) the film's
underlying photography.
Mark Toscano
On Aug 5, 2014, at 2:26 PM, c b
Hello all:
I'm searching for a source for adaptors for Super 8mm and Reg 8mm hand cranked
viewers and reels.
Any suggestions appreciated!
Best regards,
Stephen Parr
Director
Oddball Film+Video
www.oddballfilm.com
Oddball Films
www.oddballfilms.blogspot.com
275 Capp Street
San Francisco, CA
I have quite a few of these.
Contact me at:
bolext...@gmail.com
Jean-Louis
Sent from my iPod
On Aug 5, 2014, at 8:54 PM, Info i...@oddballfilm.com wrote:
Hello all:
I'm searching for a source for adaptors for Super 8mm and Reg 8mm hand
cranked viewers and reels.
Any suggestions
Some of you may have already seen this, as it came across The Temenos'
mailing list a few days ago, but I thought I'd forward it along for those
who weren't aware.
The Visible Press is pleased to announce its first
publication.View
this email in your browser
You can also get them from Spectra Film and Video:
http://www.spectrafilmandvideo.com/Products.html
From: i...@oddballfilm.com
Date: Tue, 5 Aug 2014 17:54:41 -0700
To: frameworks@jonasmekasfilms.com
Subject: [Frameworks] Adaptor Sources for Super 8mm and Reg 8mm viewers
Hello all:
I'm
13 matches
Mail list logo
