;>
>>>
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>>
>> --
>> http://visionaryfilm.net/
>> http
I'm no longer using Frameworks, and don't foresee a future need. Would you
kindly take me off the mailing list?
Roger
On Wed, Oct 2, 2019 at 6:56 PM FrameWorks Admin
wrote:
> Dear Alix,
> I think there are many. Of course Paul Sharits, as can be seen in the
> documentary on him by François
Congrats on all this work promoting the reels in tribute to Peter Hutton. Great
job and I know this is a lot of work.
Dominic
> On Oct 2, 2019, at 8:55 PM, Eric Theise wrote:
>
> Hey Frameworkers,
>
> A Roll for Peter, the Peter Hutton tribute compilation that crisscrossed
> North America
Not exactly what you’ve asked for, but there was a pretty interesting
exhibition of visual scores (for music) at the Miller Gallery at Carnegie
Mellon a few years ago:
http://millergallery.cfa.cmu.edu/exhibitions/aftersound/
FYI,
Roger
From: FrameWorks on behalf of Alix
Blevins
Reply-To:
Rose Lowder does not score her films before shooting. Her notebooks are
transcriptions of the films made after they are shot.
Tara Merenda Nelson
> On Oct 3, 2019, at 4:12 AM, Albert Alcoz wrote:
>
> Dear Alix,
>
> Concerning this field the major recommendation would be the PhD dissertation
Dear Alix,
Concerning this field the major recommendation would be the PhD
dissertation written by Michelle Adrianna Puetz.
"Variable Area: Hearing and Seeing Sound in Structural Cinema, 1966–1978"
is the title of an awesome study you can find online as a pdf.
In 2018 the (S8) film festival
