At The Evergreen State College we teach direct animation and cameraless film in
our foundation program and in some other classes depending on the subject. As
with others responding, I’ve found it a great way to bring fine arts students
in to animation and media production. Also, Devon Damonte
Hi Albert.
I have a curriculum which is a camera less film making work shop at
University of Pécs. If you want i can give you details
Péter lichter
ezt írta (időpont: 2020. febr.
12., Sze 18:58):
> Send FrameWorks mailing list submissions to
> frameworks@jonasmekasfilms.com
>
> To
Hi Albert & everyone:
In the context of South America, speaking for Brazil, Argentina, and
Colombia, isn't very common to deal with handmade cinema as part of the
curriculum. Sometimes it is introduced as a minor technique in the context
of animation and with luck as one of the tendencies in the
Hi Albert & everyone:
I’m the person Nicole Baker was referring to, teaching a “handmade film” unit
as part of a course I call Low Tech Cinema at Portland State University. This
is a 400-level course offered through the School of Art + Design and attracts
mainly 3rd and 4th year Art majors, as
Hi Albert!
In the Intro to Production course I teach every fall at Bucknell
University, the students make all their projects on digital video, but we
spend a week early in the semester on 16mm. One day we go out with a Bolex
and while half of the group is out filming, the other half is making
*Roy's World: Barry Gifford's Chicago*, a documentary about the
Chicago-born and bred writer (*Wild at Heart*, *Lost Highway*, *City of
Ghosts*), has been selected to premiere at the *Glasgow Film Festival*
I include at least one day of cameraless in my intro animation,
experimental animation, and intro film classes at NSCAD university here in
Nova Scotia. I always have a critical mass of students interested in trying
it, since most of them have never seen celluloid. Our university has a
fairly
Albert,
I'm prepping to screen some hand drawn 16mm loops right now - 15 of them.
Students get here (University of Tampa) in an hour.. gotta go.
Warren
On Wed, Feb 12, 2020 at 6:59 AM Albert Alcoz wrote:
> Hello,
>
> Does anyone know if cameraless film is a common subject at university?
>
> I
I teach cameraless filmmaking (or 'handmade film') in my Intro to 16mm film
production course every Spring at Visual Studies Workshop in Rochester,
NY. Students explore techniques such as collage, direct animation,
tinting, dyeing, hole-punching, scratching and anything else they can come
up
I teach cameraless film (both painting and scratching into black leader) as
the first part of a course on "alternative" processes and techniques of
animation that is focused on various physical and material ways to work
with moving images. It also includes other historical processes such as
video
Hello,
among other activities I’ve done this for twenty years in LUCA school of arts
Brussels, film department, now I’m retired, but it has always been considered,
and certainly in the beginning, as « passé, old fashioned ».
I had always to defend this atelier and convince the colleagues that
Albert,
I’ve taught a cameraless filmmaking class every few years for the last decade
or so at two large public universities in the US (the University of Florida and
Ohio State University). That class is definitely not industry-oriented—it’s an
end in itself (i.e., fully in the experimental
HI Albert!
I recently completed my MFA in Visual Studies at an art school in the US. I
can tell you that cameraless film is taught there, but only for a couple
weeks as part of a larger introductory course in Animation. At another
University in the same city there is a Media Art class that focuses
I teach cameraless filmmaking for one week out of a 15-week semester in
experimental filmmaking.
For that class, I bring in materials including 16mm black film to scratch,
transparent film, found footage, paint and markers and scratching tools,
tinters and toners, sink unclogging acid and
Hello,
Does anyone know if cameraless film is a common subject at university?
I am investigating the role of cameraless film in the studies of Fine Arts
and Media Studies.
Most of cameraless film workshops are organized by art centers, alternative
spaces or private film schools but i wonder the
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