Body Double Series - Brice Dellspringer
And there’s a Godzilla remake circulating on YouTube that’s pretty fun
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Magnetic stock works really well and is quite cheap/free if you can find it.
The stock projects pitch black with sharp scratches
C
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> On Apr 2, 2018, at 8:00 AM, frameworks-requ...@jonasmekasfilms.com wrote:
>
> I suspect that there's an element here of things that
> seemed passionate and committed to one generation now seeming outrageous to
> another.* - Scott MacDonald
Is there a moment in film history when that wasn’t
Ironic that Fred points that the idea of relationship was "understood to
mean sexual, when it doesn't always" and then ends with yet another tale
of that randy ol' genius Hollis Frampton.
It's true that I'm trained as a frameworker to respond quickly to all
frameworks queries in the drinking game
Couples once, maybe and still:
Guvnor Nelson and Robert Nelson
Henry Hills and Abigail Child
Lewis Klahr and Jeanie Geisler
Ben Russell and Basma Alsharif
George Kuchar and Curt McDowell
Sandra Davis and Larry Jordan (?)
Yuiko Matsuyama and Takashi Ishida
Peggy ahwesh and keith sanborn
Morgan
"At the very least, it seems to me that someone who cares about this
curator should try to do the work a good journalist would do and get to
the bottom of the situation. An authoritative analysis that could show
the firing was really wrong might actually help." -Fred Camper
That's a nice idea,
Hi Mike,
In undergrad at Queen's University in Kingston, I tried to do a small film
salon with a couple other people in the film department (arty films at
that point; I don't think they were experimental) but we were actually
shut down by the Student Union(!), who had their own lucrative contract
Today's Topics:
1. things (Bernard Roddy)
2. Re: things (Chuck Kleinhans)
I just noticed that Ann Arbor gave it an award. This is not a comment on
the jurors, of course (although we probably need to at least remark on
the prominence of women's voices in these matters, both as jurors
Oh, yeah, and importantly, soundtracks... How close are we to loosing the
ability to make those?
C
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The past couple years I've actually been heartened by the other film
manufacturing companies out there, as we've been working to stock LIFT's store
with options. Even while kodak's offerings are diminishing, there have been a
lot of replacement options (many which have been hiding in plain
As an interesting aside, $10k in 1964 is $76k in today's cash. Pretty generous
grants from the ford foundation.
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Chris Kennedy - Executive Director
Liaison of Independent Filmmakers of Toronto (LIFT)
1137 Dupont Street, Toronto, Ontario, M6H 2A3
Tel: 416.588.6444
Fax: 416.588.7017
Web: www.lift.on.ca
Charitable # 125986406RR0001
are submitted on the understanding that the projects execution
is contingent on funding yet to be secured.
Questions to:
Executive Director: Chris Kennedy at submissions(at)lift.on.ca
Subject Heading: LIFT International Artist Residencies 2013/14
Mail applications to:
International Artist
There's Steve Reinke's Speculative Anthropology, which ends with one of the
viewed throwing something at the camera.
On 1/27/13 1:00 PM, frameworks-requ...@jonasmekasfilms.com
frameworks-requ...@jonasmekasfilms.com wrote:
Hello Frameworkers,
I am trying to drum up a list of
films/videos that
There's Rosario Sotelo's Spectra vimeo.com/2276
And Neil Henderson's Polaroid Films
C
On 1/25/13 1:21 AM, frameworks-requ...@jonasmekasfilms.com
frameworks-requ...@jonasmekasfilms.com wrote:
Hi All,
Mimi Brody at Northwestern University¹s Block
Cinema is looking for
films/videos that use
Message: 16
Date: Tue, 7 Aug 2012 16:31:09 -0700 (PDT)
From: Bernard Roddy
I wish I knew what Halter said about institutionalization.
You can find out. Most of the audio from the congress is available for
streaming or download online:
http://www.experimentalmediacongress.org/
best
Chris
This is great. I just got it and just listened to it. Worth getting the old
sony walkman out for. Well recommended. The music stands the test of time.
Want to (re?) see the films now.
Chris
On 3/29/12 12:42 AM, frameworks-requ...@jonasmekasfilms.com
frameworks-requ...@jonasmekasfilms.com wrote:
Hi Mark,
Is Tortured Dust spliced with tape or hot splicing?
And is Brakhage's signature method of using two frames of black leader a way
to hide the splice in a single-roll of hot-spliced original or just a way to
pop out the image on screen a bit more (or a little of both)?
Best,
Chris
On
From: Fred Camper f...@fredcamper.com
Subject:
Lately I am part time and
junior at a strongly tuition-driven
school in which avant-garde film
is certainly not the focus. So I don't show a
lot of that. But I have
found that if you intelligently and passionately make
the case to students
for,
By the end of 2012, the share of 35mm will decline to 37 percent of global
cinema screens, with digital accounting for the remaining 63 percent. This
represents a dramatic decline for 35mm, which was used in 68 percent of
global cinema screens in 2010. In 2015, 35mm will be used in just 17 percent
Chris Gehman's Refraction Series (CFMDC)
Christina Battle's Hysteria (CFMDC)
Joost Rekveld's 37 (Light Cone)
Tomonari Nishikawa's Lumphini 2552 (Canyon?)
Bart Vetgar's Zwerk (Light Cone)
Pat O'Neill's Horizontal Boundaries (the ultimate 35mm film, imho)
Gustav Deutsch's Film Ist (Six Pack)
Sami
I'm sorry, is there something wrong with playing the fiddle while Rome
burns? You've got your fire-resistant vest and you're happy. Some people are
choosing similar options and others are choosing to keep fiddling. We like
the warmth, but its awfully hard to finish our tunes when you keep aiming
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