Re: [Frameworks] optical/mechanical v. digital

Hi Gene, It's bit of a tangent - but here are two recent films I made using my own hackneyed attempt at a 16mm optical printer, the second of I've shown quite extensively on 16mm. Here <https://www.newcontemporaries.org.uk/news/bnc17-artist-interview-seth-pimlott> is an interview that

Re: [Frameworks] Narratives of Copyright Play

Hi Bernie, You must read this: Erika Balsom’s ‘After Uniqueness: A History of Film and Video Art in Circulation’ Extremely relevant to discussions of intellectual property/copying technologies/copyright connected to artist moving

Re: [Frameworks] Labyrinths and Avant-Garde Cinema or Experimental Media

welcomed. > > All the best, > Albert > -- > http://visionaryfilm.net/ <http://www.visionaryfilm.net/> > http://albertalcoz.com/ <http://www.albertalcoz.com/> > ___ > FrameWorks mailing list > FrameWorks@jon

Re: [Frameworks] avant-garde films about prostitution and pornography

Maybe worth looking at ‘Working Girls’ by Lizzie Borden who made ‘Born in Flames’. I’ve not seen it myself but have always wanted to track it down. Best, Seth > On 10 Jan 2019, at 09:46, Dorottya Szalay wrote: > > Dear Frameworkers, > > I am looking for avant-garde films made by women that

Re: [Frameworks] Conner/Marker and women of color suggestions

This a collaboration between me and Ladan Hussein from the group Cold Specks. It uses optical printing, in camera-collage and masking techniques to re-run footage shot on mobile phones of the protests in Ferguson USA through 16mm, ghosted onto a portrait of Ladan as she sings. It’s called

[Frameworks] question - 'the body/artist anatomies' in experimental film

other films that you might recommend - films that might be described as 'subjective' maps of the body in one way or another? Thank you very much for your time, Seth -- Seth Pimlott www.sethpimlott.com ___ FrameWorks mailing list FrameWorks

[Frameworks] Query about 16mm projector for 3 month exhibition

o: ELF EIKI RT-1 But perhaps I need to invest in something more robust - I'm not sure. Thank you very much for your time and help, Seth -- Seth Pimlott www.sethpimlott.com ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman