Wowsers Ken!
A nice method - must have had many many layers in the timeline and lotsa
effects - slow renders... and I hope he had lots of memory!
That film looked beautiful.
- Flick
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Davinci Resolve has semi automated dust removal (only works with DPX frames)
and I think it works in the free version. You draw a circle around the dirt
particle and Resolve compares a set if previous and upcomming frames to paint
it out. Works very well, you can potentially use resolve to
A circle matte no larger than the size of the dust particle was made, then a
piece of the frame just before or after the dust spot--in its exact
position--was captured then laid over the offending piece of dust. That's it!
Worked like a charm. Perhaps David T can weigh in on his method?
A nice method - must have had many many layers in the timeline and lotsa
effects - slow renders... and I hope he had lots of memory!
Just two layers, and not that many effects. Just multiple iterations of the
garbage matte on those frames with more than one nasty dust spot. There was a
at all if you have no option, editing inside
photoshop with that same colour space, and then saving with Rec. 709 too.
edwin
Date: Sat, 25 May 2013 16:35:00 -0700
To: frameworks@jonasmekasfilms.com
From: aa...@digitalartsguild.com
Subject: Re: [Frameworks] de-dusting scanned film footage
Marco:
A scan from new (recently processed) film should not have a significant amount
of dirt, dust, or scratches -- hardly any. Color neg dust will be more obvious
since it shows up as white rather than black.
But the best way to deal with this is to clean the film and have it scanned by
Dear frameworkers,
I have another question. This one is specific to de-dusting scanned
film footage (e.g. S-8mm) in a digital workflow (e.g. final cut pro).
Sometimes dust, hair and scratches are detrimental to the visual
impression one tries to achieve. I have tried in the past to remove
hair
Might be time to try Premiere CS6.
I assume the color space matching is easier in Premiere as you can dynamically
link between the two progs - Photoshop and Premiere. If you take a freeze
frame (shift-E in either source or program monitor), re-import it (annoying)
and then right-click, Edit
It is absolutely necessary to have full control
over color spaces and codecs if you wish to move
digital imagees back and forth between applications.
What is the format/codec of the source video?
What is the format/codec of the FCP editing timeline?
To what format/codec are you exporting the
