Yes, mixing filters can be great. There is a real science to it, but you can
also play around. As for testing on the cheap...
What I did when doing more precise colour projects... I bought a really good
little light table... Geppe makes a portable 4x5 inch light table (more of a
tablet) that
Thank you, Scott, Jeff and Bill (who replied to me directly) for your
advice. I'm always experimenting, and neither of the "off" colors
seriously alters the point of the project. I'll use your suggestions and
see where they take me. I'll also have a talk with my lab.
Happy New Year.
CC
On Sat
Agreed, a test is never a bad idea.
Also, put the filter over your eye and look at the positive print see
how many CC of cyan or cyan+magenta it takes to get the color to look right.
--scott
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With the filters Scott suggests, shoot a series of single frames with different
filter combinations and exposures — 5 feet of film will give you a lot of tests
cheaply, especially if your lab is friendly about running tests.
> On Dec 27, 2014, at 4:57 PM, Scott Dorsey wrote:
>
> Sure, you coul
Sure, you could use CC filters on the light source. Ask your local camera
store for a CC filter kit like people with B&W enlargers used to use for
printing still color work.
But you could also just let it go blue, and correct it in the final print
when you print the interneg. You won't have as m
Hello Frameworkers:
I'm working on a project using my optical printer, and I'm wondering about
using filters to color correct under specific and perhaps contradictory
circumstances. Here's what I've got:
I'm shooting Kodak 7203/50D with an 80A filter to get to a slow ASA and
correct for "indoor"