Thanks for all your inputs. We did tests over the last year, whenever we
could. But shooting a documentary, and here there aren't any labs (that i
know of), so it's a little less than ideal. Bigger challenge is the monsoon
weather! Thank you again
On Thursday, July 25, 2019, Jeff Kreines wrote:
Hold the meter in the same light that strikes your subject, and point the dome
back at the camera lens. That’s how you use an incident meter. Don’t use the
slide unless you know what it does.
Use 1/50th of a second for most cameras at 24 FPS unless you have to compensate
for the camera’s
On Wed, Jul 24, 2019, 4:04 AM FrameWorks Admin
wrote:
> Hi Shumona,
>
> Actually the ASA depends on how you develop it. You can also push or pull
> by choosing your own ASA setting.
> If you develop as negative, the ASA is usually rated at 400, and as
> reversal at 200, in daylight.
>
> -Pip
>
>
> If I rate it at 200 ASA Daylight, and open up two stops, this should be
> correct, no?
Why opening two stops? Do you have a prism that loses 3/4 of the light
or some other reason your f-stop on the lens doesn't reflect the real t-stop?
--scott
___
Thanks!
On Wednesday, July 24, 2019, Els van Riel wrote:
> Be aware that every light meter has its own personality.
> A dirty hood can make a stop difference.
> Needles need rescaling and adjusting.
>
> always good to make tests first.
>
> Els
> Brussels
>
>
>
> On 24 Jul 2019, at 14:39,
Be aware that every light meter has its own personality.
A dirty hood can make a stop difference.
Needles need rescaling and adjusting.
always good to make tests first.
Els
Brussels
On 24 Jul 2019, at 14:39, Shumona Goel wrote:
Thanks, Jeff. I'm using a sekonic incidental (analog) light
Thanks, Jeff. I'm using a sekonic incidental (analog) light meter.
If I rate it at 200 ASA Daylight, and open up two stops, this should be
correct, no?
On Wed, Jul 24, 2019 at 6:07 PM Jeff Kreines wrote:
> How you use a light meter can also be a significant factor — poor metering
> technique
Thanks for your responses. It's 160 Tungsten and 200 D
On Wed, Jul 24, 2019 at 5:51 PM Scott Dorsey wrote:
> > I am not getting it. Is 200 ISO the native speed of the film? Or is it
> 160 ?
>
> It is both. The film is less sensitive to red light than to blue light,
> so if you expose it in
How you use a light meter can also be a significant factor — poor metering
technique can give readings that are several stops off. My personal preference
is an incident meter.
With reversal stock always err towards slight underexposure.
Good luck. Shoot short tests.
Jeff Kreines
Kinetta
> I am not getting it. Is 200 ISO the native speed of the film? Or is it 160 ?
It is both. The film is less sensitive to red light than to blue light,
so if you expose it in red light, the effective ASA is lower. If you
are exposing with tungsten light, you use 160 ASA, while if you are
Hi Pip & Shumona,
I am not getting it. Is 200 ISO the native speed of the film? Or is it 160 ?
Most Super-8 cameras have an orange filter for daylight.
But for b one would always open the filter right?
(Unless you want to use the orange filter in order to enhance the clouds…)
So then how are
Hi Shumona,
Actually the ASA depends on how you develop it. You can also push or pull by
choosing your own ASA setting.
If you develop as negative, the ASA is usually rated at 400, and as reversal at
200, in daylight.
-Pip
> On Jul 24, 2019, at 7:43 AM, Shumona Goel wrote:
>
> Dear
Thank you for these leads!
On Thu, Jan 9, 2014 at 7:14 PM, Jennifer Saparzadeh eteh...@gmail.comwrote:
Spectra film video in Los Angeles is a great place that carries tri-x
reversal. They also have special deal packages you can find on their site.
Jennifer Saparzadeh
On 9 janv. 2014, at
Hello,
B H photo is in Brooklyn, NY. They have a store, but if you're not in NY,
any of their film stocks can be purchased online. (bhphotovideo.com) Also
Tri-X is the only S8 stock that I've been able to find in well-stocked
photo supply stores, so depending on where you're at, and if you don't
I just bought a ton of Tri-X at Kodak NYC on Dec 31 before their
prices went up.
They are now located in the Panavision building, 150 Varick Street,
second floor.
At 17:52 +0500 9/01/14, Shumona Goel wrote:
Dear Frameworks,
Do you know where in the US I can purchase Tri x Reversal Super 8
Call Kodak at 1-800-621-FILM, tell them you're a cash custmer and you
want catalogue number 1889575. If you're in NY or Hollywood you can pick
it up at the will-call area, otherwise they will ship it to you.
--scott
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