What if you put them in a minifridge and cut a little hole in the door?
On Wed, Nov 16, 2011 at 1:17 PM, Jay Hudson jkh30...@gmail.com wrote:
consumer grade projectors will be even less resistant to heat. It
gets very hot in India.
On Wed, Nov 16, 2011 at 1:00 PM, Alex McCarron
now you're being facetious. The only way to do it is through air conditioning.
On Wed, Nov 16, 2011 at 1:22 PM, Alex McCarron alex.mccar...@gmail.com wrote:
What if you put them in a minifridge and cut a little hole in the door?
On Wed, Nov 16, 2011 at 1:17 PM, Jay Hudson jkh30...@gmail.com
I would really like you to be right and for there still be a reason for
distributors to release new films as prints just to cater to poor, hot
countries like India and that it would somehow be more affordable for
theaters in those countries to deal with the current distribution system
rather than
I'm quite skeptical about all these reports about the death of film we are
suddenly seeing. They seem to frequently turn out to have little substance to
them on further examination.
Aside from which, that last article seems to be more about the death of cinema
and the rise of video
DCI requires that exhibitors moving to the DCI platform *must* remove 35mm
projection capabilities from their booth, that is
in order to be in compliance. It's commercial interests working to advance
in short time to the new platform.
Makes me think of what happened in the US with public rail
I have never heard ofthe"IHS Screen Digest Cinema Intelligence Service".It sounds like a blogger who is practiced at stating opinions with authority and with a name that is meant to sound like an institution. Has anyone ever heard of "IHS Screen Digest Cinema Intelligence Service" before or
You forget that the most films per year are made in the Hindi
language. As for experimental film, orwo is now with north american
site, fuji could persist, and kodak's assets could be valuable.
Basically, it is all up in the air. For commercials, the writing is
clearly on the wall, but we are
The comparison to the well-documented rail atrocities committed by GM
and Firestone is apt. However, that does not stop reality from
existing. The removal of analog projectors from theaters, via
strong-arm tactics or not, is something that is happening and cannot
be stopped by us. It is wise
Programmers I know say that it is harder and harder to rent 35mm
prints. Studios try to offer blu-ray, or, better, 4 K files on hard
drives. Sometimes they don't make prints anymore. And archives, as a
result, are now overwhelmed with requests for prints, and are cutting
back and limiting
In a message dated 11/16/2011 5:21:07 P.M. Pacific Standard Time,
f...@fredcamper.com writes:
Sadly, we should probably be thinking about whether there are
improvements to 4K and digital projection systems that will get us
closer to the look of films that may soon not be available on
In a message dated 11/16/2011 20:26:01 -0500 (EST)
carli...@aol.com writes:
I also think that this look appeal-thing is like wanting to buy a
blow-up doll as a substitute for a girlfriend.
Indeed. Food for thought right there.
___
FrameWorks
Why use a potter¹s wheel when you can get something manufactured out of
plastic?
Film will be for the potters, and video will be for the plastics of the
commercial industry.
On 11/16/11 7:38 PM, Adam R. Levine ada...@gmail.com wrote:
In a message dated 11/16/2011 20:26:01 -0500 (EST)
I hate to break the news - but India, may not be holding out for
filmI'm also not so sure about lauding the volume of Bollywood
productions. Filmmakers working with film may actually have been better
off with fewer.
On Thu, Nov 17, 2011 at 6:34 AM, Jay Hudson jkh30...@gmail.com wrote:
By the end of 2012, the share of 35mm will decline to 37 percent of global
cinema screens, with digital accounting for the remaining 63 percent. This
represents a dramatic decline for 35mm, which was used in 68 percent of
global cinema screens in 2010. In 2015, 35mm will be used in just 17 percent
It is not just about replicating the look of film, whatever that means on a
physical surface level. It is more about what happens when you view real
film--the nature of projected film demands a kind of physiological and
cognitive processing that is simply absent with digital projection. In
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