Yes, welcome Ben! Enjoy your stay!
Kev
From: tom.whites...@duke.edu
To: frameworks@jonasmekasfilms.com
Date: Wed, 18 Apr 2012 01:45:20 +
Subject: Re: [Frameworks] wish to post
Ben, you just posted, it’s as easy as that.
Welcome to the forum, just speak up. Cheers.
-
Welcome.
Matt
http://www.youtube.com/user/matthelme007
From: Kevin Timmins on-on...@hotmail.com
To: FrameWorks frameworks@jonasmekasfilms.com
Sent: Wednesday, April 18, 2012 3:33 AM
Subject: Re: [Frameworks] wish to post
Yes, welcome Ben! Enjoy your
Does anyone have a good contact for him?
Thanks!
Adam Sekuler
Program Director
NORTHWEST FILM FORUM
1515 12th Ave.
Seattle, WA 98122
tel. (206) 329-2629
www.nwfilmforum.org
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
hey folks
stuck with paclab as long as i could, but my last batch came back with chemical
stains, i'll be using cinelab duanes from now on
passing it on, for what it's worth! think i'm probably not the first to come to
this conclusion ...
cheers moira
Thank you for the update on paclab. I'm glad they're still in business offering
b/w and Ekta rev. Processing at quite reasonable prices, but my recent 100D
ektachrome processing was questionable and therefore with a current 500' of the
same i will be sending elsewhere tomorrow. Although, PacLab
Hello all,
We are still stock-piling decks and other analog equipment here at
BAVC for preservation of analog video, however to free up some space,
we will be getting rid of some of the old production equipment that
preservation and our facility in general doesn't currently have room
to store.
Pac-Lab is just going through a bit of a transition, it will improve. I
believe this type of thing happens at every lab from time to time.
When you lose one of the greatest film chemists of all time, there are bound
to be a few hiccups
From: rahb...@yahoo.com
Date: Wed, 18 Apr 2012
paclab forever!
I hope so!
The Permanganate Bleach used in BW Reversal is hard to keep on top of and that
is what usually causes chemical burns on BW-Reversal. It does eliminate
chromium from the process and I think that is worth the difficulty.
Co Owner Cinelab Inc.
www.cinelab.com
Robert
Fossati, Giovanna. From Grain to Pixel: The Archival Life of Film in
Transition. Amsterdam University Press/Nederlands Filmmuseum, 2010
www.amazon.com/From-Grain-Pixel-Archival-Transition/dp/9089641394/ref=sr_1_1?s=booksie=UTF8qid=1334809786sr=1-1
or: http://amzn.to/I7Nxld
Fossati's book also
