Re: [Frameworks] 16mm -- HD -- 16mm

2012-08-02 Thread Pip Chodorov
Hi Jodie,
I had problems too - on my feature documentary, the sync drifted in 
FCP for no apparent reason, and we had a lot of tweaking to do in 
Cinema Tools. I was told that this is the fault of FCP which does not 
handle 2K very well, but I was assured by experts that if I had done 
it in Avid I would have had no problem. But you may save a headache 
and make an SD transfer, cut and print the film neg and simply HD 
telecine your answer print.
I had a similar problem on a 12-minute 16mm film that my friend 
insisted on cutting digitally and timing to a precise sound track on 
FCP. We cut the work print to conform to the video, threw it up on 
the steenbeck with the digital track synced on ProTools (steenbeck 
and mac are hardwired to stay in sync), but the cues did not line up. 
So we made a mag track, tweaked the cut to lock exactly, cut the neg 
accordingly and printed from that. In that case however her video 
edit can still serve as a master.
In both cases we got the final result we wanted and it didn't cost 
extra, but I think we wasted three times as much time.
Sorry to disappoint, but film is physical, frame for frame, locked to 
the sound, nothing can go wrong.
-Pip
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks


[Frameworks] Pip Chodorov's FREE RADICALS: A HISTORY OF EXPERIMENTAL FILM opens Friday at Anthology – with Pip in person!

2012-08-02 Thread rachelle
hi all!

passing on this special annoucement for anthology - we're very happy that
pip in the flesh will cross the threshold of the old courthouse this very
friday night for the opening to present his must-see, 'free radicials: a
history of experiment film,' and joined by the composers of the picture's
score, black lake, who will be giving a concert at anthology at 7.

-rr

**
Hi Frameworkers,
Just wanted to remind the list that Anthology is opening this Friday a
week-long run of FrameWorks founder (12/1995) Pip Chodorov's FREE RADICALS:
 A HISTORY OF EXPERIMENTAL FILM. Pip will be present for the opening night
screenings this Friday (at 7pm and 9pm) as well as this Saturday and Sunday
evening screenings, and the closing night screenings on Thursday August 9.

Here's the link on our website and the same info is also below and in our
printed calendars:
http://anthologyfilmarchives.org/film_screenings/calendar?view=listmonth=08year=2012#showing-39511

**

NEW YORK THEATRICAL PREMIERE RUN!

Pip Chodorov

FREE RADICALS: A HISTORY OF EXPERIMENTAL FILM

August 3 – 9

* *

This feature-length documentary provides a vivid, eye-opening, and
appropriatelypersonal introduction to one of the most important, yet
perpetually marginalized, realms of filmmaking: avant-garde cinema.



Achieving the near-impossible task of doing justice in a mere 82 minutes to
this incredibly rich, varied, and expansive domain, FREE RADICALS is as
expertly constructed an introduction to the topic as one could hope for,
thanks in large part to the film’s privileging of rare interviews with some
of the most importantfilmmakers in the avant-garde tradition (including
Jonas Mekas, Peter Kubelka, Stan Brakhage, and Hans Richter), and its
inclusion of several films in their entirety.



Narrated in a personal and plainspoken manner by Chodorov, the film’s
sincere admiration for its subject is best reflected by Chodorov’s own
description: “I wanted to share a few of the films I love and introduce you
to some of the free, radical artists who made them.”


“Named after the experimental film classic by Len Lye, FREE RADICALS is an
informative yet above all passionate film essay, as well as a fine
introduction to the world of avant-garde film. … Using a range of different
film formats along the way, Chodorov sketches out the genealogy of
avant-garde filmmaking in a playful, yet ultimately very accessible
documentary that aims to transmit this legacy to a new audience.”
–ROTTERDAM INTERNATIONAL FILM FESTIVAL


*The 7:00 opening night screening will feature a live performance by Black
Lake (Slink Moss  Susan Jennings), the composers of the FREE RADICALS
soundtrack.*

*–Friday, August 3 through Thursday, August 9 at 7:00  9:00 nightly.
Additional screenings on Saturday and Sunday at 5:00.*

*
*

*(FREE RADICALS, Pip Chodorov, 2010, 82 minutes, video. **Distributed by
Kino International.)*

*
*

*Additional info:*

*http://kinolorber.com/film.php?id=1315*

* *

*Trailer:*

*http://re-voir.com/pip/FreeRadTrailer.mp4*


-- 

...
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks


Re: [Frameworks] Chris Marker Free Screening Sun 26th August @ LightIndustry (NY?)

2012-08-02 Thread Freya

That's definitely one of the various reasons Cari! ;)

Sorry I've just turned into trouble lately ;) but yeah, for those who are on 
the East Coast right now I think it will be one not to miss! :)

love

Freya



--- On Wed, 8/1/12, Cari Machet carimac...@gmail.com wrote:

 From: Cari Machet carimac...@gmail.com
 Subject: Re: [Frameworks] Chris Marker Free Screening Sun 26th August @ 
 LightIndustry (NY?)
 To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
 Date: Wednesday, August 1, 2012, 7:09 PM
 i did not know you lived in nyc -
 freya
 
 On 8/1/12, Freya freya...@yahoo.com
 wrote:
 
  I was very sad to hear about the passing away of Chris
 Marker as you know,
  although I had a big smile on my face that afternoon
 remembering all the
  things I love about his film Sans-Soliel.
 
  You can see that and a whole marathon of Marker at
 lightindustry on the
  26th.
 
  http://www.lightindustry.org/forchrismarker
 
  Looks awesome, sadly I can't make it for various
 reasons but do check it
  out!
 
  love
 
  Freya
  ___
  FrameWorks mailing list
  FrameWorks@jonasmekasfilms.com
  https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 
 
 -- 
 Cari Machet
 NYC 646-436-7795
 carimac...@gmail.com
 AIM carismachet
 Skype carimachet - 646-652-6434
 Syria +963-099 277 3243
 Amman +962 077 636 9407
 Berlin +49 152 11779219
 Twitter: @carimachet https://twitter.com/carimachet
 
 Ruh-roh, this is now necessary: This email is intended only
 for the
 addressee(s) and may contain confidential information. If
 you are not
 the intended recipient, you are hereby notified that any use
 of this
 information, dissimination, distribution, or copying of this
 email
 without permission is strictly prohibited.
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks


Re: [Frameworks] Super 8 camera recommendations?

2012-08-02 Thread David Dvorchak
Thanks for all the tips!

So far, I was gifted a Minolta Autopak-8 d6 and given a dirt cheap price on
a Canon 814xl. Can't wait to start testing!


On Monday, July 30, 2012, Mike Kartje mkar...@siu.edu wrote:
 I own a Minolta XL400 and Canon 512, and both are - or should I say
were - fine cameras: the features that make them nice are some of the
first things to fail. Internal metering and manual aperture control became
unreliable and eventually stopped working all together. Shutter release
becoming erratic is also a concern. Still usable cameras, just not as
feature-filled anymore. Used cameras like this, unless professionally
cleaned  serviced, will have accumulated 30+ years of grime and corrosion,
so the chances for a manual aperture control/etc. not working (or failing
over time with a lot of use) are pretty high.

 I was gifted Rollei SL 85 - a re-badged Bauer - and think its the best of
the lot. Basic features and built like a tank. My kind of camera. Feels
like it could be dropped off building and it'd still keep clicking away (I
am curious but not willing to test this).

 Mike Kartje


 On 07/29/2012 09:17 PM, Steve Polta wrote:

 The Canon 814 XL-S and the Canon 1014 XL-S are great cameras, although
the S (for sound) is superfluous at this moment in history. Note that
these are completely different (and superior) machines from the Canons 814
and 1014 that do not bear the XL-S tag. The Nikon R-10 is also a really
interesting camera that has a lot of really cool options for
super-impositions. I think it's the camera Paul Clipson uses if that holds
any significance...

 Steve Polta

 --- On Sun, 7/29/12, David Tetzlaff djte...@gmail.com wrote:

 From: David Tetzlaff djte...@gmail.com
 Subject: Re: [Frameworks] Super 8 camera recommendations?
 To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
 Date: Sunday, July 29, 2012, 4:55 PM

 Since you want cost to come together with features and reliability, I'll
assume Beaulieus, stock or rebuilt, are out. I'd say it hard to do better
than the various iterations of Canon 814 and 1014. For something cheaper
than that, you might look at a Sankyo, but I think they're not quite as
reliable as the Canons. Minoltas don't have much in the way of features,
but they should work pretty well...

 My thoughts are largely based on now distant recollections, I'm sure
other folks will have recs about cameras they're using right now, which
means they've held up quite some time past their dates of manufacture and
expected life of service.

 Good luck.
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks


 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks


___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks


Re: [Frameworks] Looking for a good lab

2012-08-02 Thread Lourdes Portillo
Pip,
So many thanks its great to have all this information,
I will talk to him.
Lourdes
On Aug 2, 2012, at 12:06 AM, Pip Chodorov wrote:

 Lourdes,
 I get my films printed by Jack Rizzo at Metropolis. 115 W 30th
 Street. 212-563-9388. He has printed for MoMA before.
 He is sort of an artisan and does very careful work, a real lab guy
 that listens to what you want, and his prices are very good. Also he
 works right in the heart of midtown Manhattan so you can meet him and
 discuss what you want. They also do video color correction, 2K/4K
 scans and film outs to 16mm and 35mm. A small lab dedicated to the
 independent filmmaker. There are many good labs out there and others
 may have their preferences but with very few exceptions Jack's first
 answer prints have been spot on perfect for me every time. I've been
 with him for over ten years now.
 -Pip
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks

___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks


[Frameworks] Buying super8 in Paris

2012-08-02 Thread Mason Shefa
Where can I buy Super8 film in Paris?

Thanks

Mason Shefa
Yale University
Jonathan Edwards College '15
mason.sh...@yale.edu
www.masonshefa.com
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks


Re: [Frameworks] Buying super8 in Paris

2012-08-02 Thread Pip Chodorov
We sell Super-8 film at Re:Voir/The Film Gallery, 43 rue du Faubourg 
Saint Martin, open M-F 11a-6p.


At 19:10 +0200 2/08/12, Mason Shefa wrote:
Where can I buy Super8 film in Paris?

Thanks
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks