The same info, with a presentation. Yours.Just released (the complete Film Culture Index)FILM CULTURE INDEX, by Adeline Coffinier Victor Gresard
ISBN : 978-2-912539-43-4
bilingual (français-english) 180 p., 85 Euros Distribution: les Belles Lettres : www.bldd.fr
ask your bookseller or order it
The same info with a presentation. Yours.
Just released (the complete Jonas Mekas' oeuvre)JONAS MEKAS : FILMS, VIDEOS INSTALLATIONS (1962-2012): catalogue raisonné, ed. Pip Chodorov
ISBN : 978-2-912539-44-1--
bilingual (français-english) 280 p., 28.50 Euros Distribution: les Belles
Hi Ben and friends,
I just posted a short video of my op printer/roto set up. Hope it helps...
https://vimeo.com/57535369
Re: glass I have used frosted glass in the past but I have found that just
a sheet of clear glass with a piece of vellum taped to it works best.
Feel free to email with any
Thanks to all of you who responded on- and off-list to my query. I look
forward to following up on all these great leads!
Much appreciated,
Jen
On Sun, Jan 13, 2013 at 8:20 PM, Damon damonc...@gmail.com wrote:
Jen,
It has been ages since I've seen a copy, but there was an exhibition
Hello all,
I am teaching a Contemporary Animation Practices class this semester for the
first time. I have lots of great texts but would love to consider others to
supplement my own interests. Recommendations would be appreciated. I am
currently reading the Fischinger article that someone
I really love and highly recommend Hollywood Flatlands:
http://books.google.com/books/about/Hollywood_Flatlands.html?id=dhrYWYZWETIC
On Wed, Jan 16, 2013 at 3:37 PM, Stephanie Hutin stephanie_hu...@pitzer.edu
wrote:
Hello all,
I am teaching a Contemporary Animation Practices class this
Maureen Furniss was developing a book on animation, not sure if its available
yet, but sounds good. Includes or is based, I believe on direct app. Animation.
She also has several older animation books.
Sent from my iPod
On Jan 16, 2013, at 3:37 PM, Stephanie Hutin stephanie_hu...@pitzer.edu
When Phil Solomon showed work in Oklahoma City he said to his audience that he
preferred poetic to experimental, because the experimenting had all been
done already. What we were seeing then was not so much an experiment as a
poetic application of the results of that research.
I would like to
