Re: [Frameworks] Derek Lamb's Housemoving

[Scott MacDonald]

*Hey Brian,*

*Was it done for the NFB? Much of their stuff is on line.*

*Hope you're doing well.*

*Scott*

On Tue, Jun 21, 2016 at 4:23 PM, Brian Frye  wrote:

> Does anyone on the list know where I can rent/borrow a print (or video?)
> of Derek Lamb's short film Housemoving? Thanks!
>
> BLF
>
> --
> Brian L. Frye
> Assistant Professor of Law
> University of Kentucky College of Law
> brianlf...@gmail.com
> brianlf...@uky.edu
> 145 Woodland Avenue
> Lexington, KY 40502
> (859) 218-0632 (office)
> (917) 273-2382 (cell)
> http://copyrightlawcasebook.blogspot.com/
> 
> http://waste-book.tumblr.com/
> You can access my papers on SSRN at: http://ssrn.com/author=646621
>
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Re: [Frameworks] 35mm KEM OR STEINBECK in NYC

[40 Frames]

Hi Jack,

Have you tried Paul Tomasko?

Best,
Alain

On Tuesday, June 21, 2016, John Rizzo  wrote:

> Hello List menbers
>
> does anybody know of a 35mm 35MM faltbed editorial machine for rent in
> NYC?
>
>
>
> John T. Rizzo
>   President
>  Metro Post
> 212 563 9388 O
> 201 681 7996 C
>


-- 
40 FRAMES
Portland, Oregon USA

+1 503 231 6548
www.40frames.org
www.16mmdirectory.org
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[Frameworks] Derek Lamb's Housemoving

[Brian Frye]

Does anyone on the list know where I can rent/borrow a print (or video?) of
Derek Lamb's short film Housemoving? Thanks!

BLF

-- 
Brian L. Frye
Assistant Professor of Law
University of Kentucky College of Law
brianlf...@gmail.com
brianlf...@uky.edu
145 Woodland Avenue
Lexington, KY 40502
(859) 218-0632 (office)
(917) 273-2382 (cell)
http://copyrightlawcasebook.blogspot.com/

http://waste-book.tumblr.com/
You can access my papers on SSRN at: http://ssrn.com/author=646621
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[Frameworks] 35mm KEM OR STEINBECK in NYC

[John Rizzo]

Hello List menbers
does anybody know of a 35mm 35MM faltbed editorial machine for rent in NYC?  



John T. Rizzo
  President
 Metro Post
212 563 9388 O
201 681 7996 C
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Re: [Frameworks] Sally Berger, film curator, fired at MoMA

[Fred Camper]

I understand and agree. And I hate all these confidentiality agreements 
-- we should get the IRS to require transparency of not for profits, 
which, as a result of their tax exempt status, operate in effect with 
huge subsidies from all of us.


None of this, however, encourages me to want to sign an online petition 
without more information.


Fred Camper
Chicago

On 6/21/2016 7:23 AM, Chris Kennedy wrote:

"At the very least, it seems to me that someone who cares about this
curator should try to do the work a good journalist would do and get to
the bottom of the situation. An authoritative analysis that could show
the firing was really wrong might actually help." -Fred Camper

That's a nice idea, but journalists at least have institutional protection 
against libel laws. Any organization even half as  big as MoMA has a large HR 
dept and is lawyered up to prevent the bottom of the situation from ever being 
reached. In short, no one besides Berger's immediate confidants and those that 
did the firing are ever going to know what happened. An online petition is 
likely all that anyone can do, unless local NYers are willing to boycott the 
MoMA.

Chris
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[Frameworks] Projection Screens

[contact]

Hi, list,

Any recommendations/sources/resources for decent projection screens (ideally 
16ft by 9ft).

Used or build-it-yourself is preferred to keep the budget down...

I had a quick look through the archives but didn't find anything, but surely 
this has already been discussed...

Benjamin R. Taylor
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Re: [Frameworks] Sally Berger, film curator, fired at MoMA

[chris bravo]

"An online petition is likely all that anyone can do"

there is a lot of energy here in NY to confront issues around sexism and
racism in curatorial practice. particularly at the moment there are people
trying to bring pressure to bear on Anne Pasternak, the Brooklyn Museum and
their cozy relationship with real estate developers. here are a couple good
projects off the top of my head (I am sure there are others) if people want
to get involved:

http://notanalternative.org
http://occupymuseums.org




On Tue, Jun 21, 2016 at 8:23 AM, Chris Kennedy 
wrote:

> "At the very least, it seems to me that someone who cares about this
> curator should try to do the work a good journalist would do and get to
> the bottom of the situation. An authoritative analysis that could show
> the firing was really wrong might actually help." -Fred Camper
>
> That's a nice idea, but journalists at least have institutional protection
> against libel laws. Any organization even half as  big as MoMA has a large
> HR dept and is lawyered up to prevent the bottom of the situation from ever
> being reached. In short, no one besides Berger's immediate confidants and
> those that did the firing are ever going to know what happened. An online
> petition is likely all that anyone can do, unless local NYers are willing
> to boycott the MoMA.
>
> Chris
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:::*www.controldocumentary.com/ *
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Re: [Frameworks] research

[Myron Ort]

Hi Monise,

There seems to be some discussion about films made with the DeVry 35mm 
(“lunchbox)  camera here:
http://www.nitrateville.com/viewtopic.php?f=7=15678 


Some footage I shot with this camera provided a large area for hand painting 
and can be seen in my film “Regatta” which can be viewed from my webpage. 
(Films from the 60s-70s, DVD Volume 8.)
http://www.zeno-okeanos.com/films/60s-70s/dvd-vol-8 




Myron Ort


> On Jun 21, 2016, at 4:34 AM, Monise Nicodemos  
> wrote:
> 
> Dear Myron,
> 
> Thanks for your reply. Do you know if they made a movie with this camera?
> 
> Best,
> Monise
> 
> On Sat, Jun 18, 2016 at 7:52 PM, Myron Ort  > wrote:
> I like the full “Edison” frame shooting the old  1920s DeVry 35mm lunchbox 
> camera, (wind up or hand crank options),  the equivalent of “super 35mm”.
> 
> 
> http://processreversal.org/devry-standard/ 
> 
> 
> http://processreversal.org/ftp/DeVry/DeVry_Brochure.pdf 
> 
> 
> 
> 
> 
> Myron Ort
> 
> 
> 
> 
> 
>> On Jun 18, 2016, at 10:36 AM, Monise Nicodemos > > wrote:
>> 
>> Hello,
>> 
>> I want post a question to the forum:
>> 
>> I'm looking for filmmakers who have started using and combining pieces of 
>> out–of–date analog technologies as part of their artworks. Mainly filmmakers 
>> who have used some old cameras, like Pathé Baby, or other cameras that have 
>> made a time and are no longer commercially available.
>> 
>>  Do you have any advice for someone interested in this field?
>> 
>> Best regards,
>> Monise Nicodemos
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>> 
> 
> 
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> 
> 
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Re: [Frameworks] Sally Berger, film curator, fired at MoMA

[Chris Kennedy]

"At the very least, it seems to me that someone who cares about this 
curator should try to do the work a good journalist would do and get to 
the bottom of the situation. An authoritative analysis that could show
the firing was really wrong might actually help." -Fred Camper

That's a nice idea, but journalists at least have institutional protection 
against libel laws. Any organization even half as  big as MoMA has a large HR 
dept and is lawyered up to prevent the bottom of the situation from ever being 
reached. In short, no one besides Berger's immediate confidants and those that 
did the firing are ever going to know what happened. An online petition is 
likely all that anyone can do, unless local NYers are willing to boycott the 
MoMA.

Chris 
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Re: [Frameworks] research

[Monise Nicodemos]

Dear Myron,

Thanks for your reply. Do you know if they made a movie with this camera?

Best,
Monise

On Sat, Jun 18, 2016 at 7:52 PM, Myron Ort  wrote:

> I like the full “Edison” frame shooting the old  1920s DeVry 35mm lunchbox
> camera, (wind up or hand crank options),  the equivalent of “super 35mm”.
>
>
> http://processreversal.org/devry-standard/
>
> http://processreversal.org/ftp/DeVry/DeVry_Brochure.pdf
>
>
>
>
> Myron Ort
>
>
>
>
>
> On Jun 18, 2016, at 10:36 AM, Monise Nicodemos 
> wrote:
>
> Hello,
>
> I want post a question to the forum:
>
> I'm looking for filmmakers who have started using and combining pieces of
> out–of–date analog technologies as part of their artworks. Mainly
> filmmakers who have used some old cameras, like Pathé Baby, or other
> cameras that have made a time and are no longer commercially available.
>
>  Do you have any advice for someone interested in this field?
>
> Best regards,
> Monise Nicodemos
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>
>
>
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>
>
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