Hello all,
I have been teaching in Korea and making experimental films and documentaries
as well since I graduated from San Francisco Art Institute in 2010 with MFA
degree in filmmaking. Now I am thinking about pursuing PhD in film studies in
the U.S. again and researching about schools and
Alexander Hammid worked for a well-known studio (I’m forgetting the man’s
name) that produced those kinds of films, often multiscreen.
> On Jul 30, 2016, at 3:15 PM, Chuck Kleinhans
> wrote:
>
> Given your interest in the Eames, you might consider as roughly
Given your interest in the Eames, you might consider as roughly within the
“experimental” realm films made for Fairs, Expositions, trade festivals, etc.
These were often one time installations, but broke from “conventional” forms..
Though they were often made by people who were established
This is absolutely true, and many of the space program films were very
beautifully made. Many are still available on 16mm from Marshall Space
Flight Center.
--scott
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Yes, James Blue's film THE MARCH was sUSIA film, and it's sympathetic picture
of the Civil Rights movement and acknowledgment of racism drew some
Congressional attacks.
Richard Herskowitz
Artistic Director, Houston Cinema Arts Festival
Director of Programming, Ashland Independent Film Festival
While not avant garde in the usual sense, various people who lived abroad at
that time told me that the films of the US Space Program were among the most
seen USIA films. They were available from Embassies and consulates and sought
after not only for their spectacular images, but for being not