Hi all,
Of course anything can happen in any domain, whether in a university
or in a community film lab. No community is immune from people who
use their position of authority inappropriately. I'm sure Fred is
right about filmmakers exhibiting inappropriate behavior, and I'm
sure filmmakers
Thanks, Chuck and Pip, for starting the discussion on this. I recommend
looking at this article by Mary Celeste Kearney, Guest Post: How Film
Schools Lead to Pipelines Full of Weinsteins:
This utopian view of experimental cinema seems to me to be incorrect.
Some of those I would call the very greatest experimental filmmakers
were also sexual harassers. Remember that many filmmakers had a position
of profesorship, which certainly conveys an aura of authority, or other
positions
interesting perspective pip…
sadly, sexual harassment and assault do not only result from the hierarchical
power structures of industrial or commercial productions…
nor are they limited to territoriality and competition….
sometimes, these things can happen precisely because we are working
Asking for a friend? Hilarious subject line.
I think experiemental film's freedom comes from its marginality.
In this business there is no money or power because these films are
outside the film industry and outside the art market. There is only
passion, sharing, and working in cooperative
Given the proliferation of items in the news about sexual harassment in the
film industry, and entertainment, and politics and academe, etc. why is this
listserv so quiet on these issues? Nothing to report?
Chuck Kleinhans
___
FrameWorks mailing list
Greetings and happy holidays, film artists.
I was wondering whether there are thoughts here on where to go to read
strong writing about art of the kind you might like to make (or see), or
that you in fact see.
For a moment there I had some doubts about the nature of programming, the
kind of
