Re: [Frameworks] Tri x reversal super 8

Thanks for all your inputs. We did tests over the last year, whenever we could. But shooting a documentary, and here there aren't any labs (that i know of), so it's a little less than ideal. Bigger challenge is the monsoon weather! Thank you again On Thursday, July 25, 2019, Jeff Kreines wrote:

Re: [Frameworks] Indigenous and Black Women Experimental Filmmakers

Thanks a lot Chris! [image: Mailtrack] Remetente notificado por Mailtrack 07/24/19, 09:27:40 PM Em qua, 24 de jul de 2019

[Frameworks] °*°- Directors Lounge Screening - Maria Manasterny - Eyeless Dreams and Ruined Carpet Foames -°*°-

Directors Lounge Screening Maria Manasterny Augenlose Träume und ruinierte Teppichschäume Thursday, 25 July 2019 21:00 | Z-Bar | Bergstraße 2 | 10115 Berlin-Mitte Eyeless Dreams and Ruined Carpet Foames Experimental shorts and animations The film work of Maria Manasterny combines a broad

Re: [Frameworks] Indigenous and Black Women Experimental Filmmakers

Film Feminisms: a Global Introduction by Kristin Hole and Jelaca Dijana may have some leads, as may other writings by those authors. On Wed, Jul 24, 2019 at 9:40 AM Sebastian Wiedemann < wiedemann.sebast...@gmail.com> wrote: > Hi, > Im looking for bibliography on Indigenous and Black Women

Re: [Frameworks] Tri x reversal super 8

Hold the meter in the same light that strikes your subject, and point the dome back at the camera lens. That’s how you use an incident meter. Don’t use the slide unless you know what it does. Use 1/50th of a second for most cameras at 24 FPS unless you have to compensate for the camera’s

Re: [Frameworks] Tri x reversal super 8

On Wed, Jul 24, 2019, 4:04 AM FrameWorks Admin wrote: > Hi Shumona, > > Actually the ASA depends on how you develop it. You can also push or pull > by choosing your own ASA setting. > If you develop as negative, the ASA is usually rated at 400, and as > reversal at 200, in daylight. > > -Pip > >

Re: [Frameworks] Tri x reversal super 8

> If I rate it at 200 ASA Daylight, and open up two stops, this should be > correct, no? Why opening two stops? Do you have a prism that loses 3/4 of the light or some other reason your f-stop on the lens doesn't reflect the real t-stop? --scott ___

Re: [Frameworks] Tri x reversal super 8

Thanks! On Wednesday, July 24, 2019, Els van Riel wrote: > Be aware that every light meter has its own personality. > A dirty hood can make a stop difference. > Needles need rescaling and adjusting. > > always good to make tests first. > > Els > Brussels > > > > On 24 Jul 2019, at 14:39,

[Frameworks] Indigenous and Black Women Experimental Filmmakers

Hi, Im looking for bibliography on Indigenous and Black Women Experimental Filmmakers. For example about the work of Akosua Adoma Owusu or Ng'endo Mukii. Until now the only source I found was an essay about the Maori experimental filmmaker, Nova Paul. Thanks a lot for any help you can give me,

Re: [Frameworks] Tri x reversal super 8

Be aware that every light meter has its own personality. A dirty hood can make a stop difference. Needles need rescaling and adjusting. always good to make tests first. Els Brussels On 24 Jul 2019, at 14:39, Shumona Goel wrote: Thanks, Jeff. I'm using a sekonic incidental (analog) light

Re: [Frameworks] suggestions for experimental road movies and/or experimental films about automobility

I couldn't resist suggesting my own "'On the Road'by Jack Kerouac" jejeje: http://jorgelorenzocine.mx/en/on-the-road-by-jack-kerouac/ De: FrameWorks en nombre de Hardin, Ted Enviado: martes, 23 de julio de 2019 03:40 p. m. Para: Experimental Film Discussion

Re: [Frameworks] Tri x reversal super 8

Thanks, Jeff. I'm using a sekonic incidental (analog) light meter. If I rate it at 200 ASA Daylight, and open up two stops, this should be correct, no? On Wed, Jul 24, 2019 at 6:07 PM Jeff Kreines wrote: > How you use a light meter can also be a significant factor — poor metering > technique

Re: [Frameworks] Tri x reversal super 8

Thanks for your responses. It's 160 Tungsten and 200 D On Wed, Jul 24, 2019 at 5:51 PM Scott Dorsey wrote: > > I am not getting it. Is 200 ISO the native speed of the film? Or is it > 160 ? > > It is both. The film is less sensitive to red light than to blue light, > so if you expose it in

Re: [Frameworks] Tri x reversal super 8

How you use a light meter can also be a significant factor — poor metering technique can give readings that are several stops off. My personal preference is an incident meter. With reversal stock always err towards slight underexposure. Good luck. Shoot short tests. Jeff Kreines Kinetta

Re: [Frameworks] Tri x reversal super 8

> I am not getting it. Is 200 ISO the native speed of the film? Or is it 160 ? It is both. The film is less sensitive to red light than to blue light, so if you expose it in red light, the effective ASA is lower. If you are exposing with tungsten light, you use 160 ASA, while if you are

Re: [Frameworks] Tri x reversal super 8

Hi Pip & Shumona, I am not getting it. Is 200 ISO the native speed of the film? Or is it 160 ? Most Super-8 cameras have an orange filter for daylight. But for b one would always open the filter right? (Unless you want to use the orange filter in order to enhance the clouds…) So then how are

Re: [Frameworks] suggestions for experimental road movies and/or experimental films about automobility

Hello Bryan, Here's another suggestion of an experimental road movie, in this case with electronic music. The White Room was created by the musical group The KLF in 1991: https://www.youtube.com/watch?v=ZG3A0jebU0A "The White Room a road movie, about the KLF's search for the mystical White Room

Re: [Frameworks] Tony Conrad images

Hi Jonathan, Re:Voir published the DVD of The Flicker and we prepared that by scanning the negative in 2K so we have DPX files and TIFF images of every frame! Pip Chodorov, Re:Voir > On Jul 24, 2019, at 2:53 AM, Jonathan Walley wrote: > Does anyone know who one would contact if one (me) was

Re: [Frameworks] Tri x reversal super 8

Hi Shumona, Actually the ASA depends on how you develop it. You can also push or pull by choosing your own ASA setting. If you develop as negative, the ASA is usually rated at 400, and as reversal at 200, in daylight. -Pip > On Jul 24, 2019, at 7:43 AM, Shumona Goel wrote: > > Dear