Re: [Frameworks] Affect

[Santiago Fernandez]

Affection and cinema right away brings to mind the affection-image from Gilles 
Deleuze’s cinema studies. Primary developed from Henri Bergson, affection is 
the intermediary state of the nervous system between perception and action.

Sent from my iPhone

> On 15 Feb 2020, at 20:37, Gene Youngblood  wrote:
> 
> 
> Academic Frameworkers: I like to keep abreast of trends in academic language, 
> and I've noticed an increased use of the word “affect” in scholarly papers. 
> It has become fashionable, but the spin being put on it isn’t clear to me. 
> Could someone please tell me what “affect” means here for example: "gestures 
> of affect and intervention.” It seems different from something like “that 
> doesn’t affect me.” Respond off list if you wish ato...@comcast.net. Thanks.
> 
> 
> 
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] Affect

[Fred Camper]

I'd bve interested if someone up on the latest in academicese weighs in 
with something different, but to me this looks like a standard use of 
the word "affect" as a noun. Here is what I take the be the relevant 
definition from the OED:


"the outward display of emotion or mood, as manifested by facial 
expression, posture, gestures, tone of voice, etc."


Fred Camper
Chicago

On 2/15/2020 8:37 PM, Gene Youngblood wrote:
Academic Frameworkers: I like to keep abreast of trends in academic 
language, and I've noticed an increased use of the word “affect” in 
scholarly papers. It has become fashionable, but the spin being put on 
it isn’t clear to me. Could someone please tell me what “affect” means 
here for example: "gestures of affect and intervention.” It seems 
different from something like “that doesn’t affect me.” Respond off 
list if you wish ato...@comcast.net . Thanks.





___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

[Frameworks] Affect

[Gene Youngblood]

Academic Frameworkers: I like to keep abreast of trends in academic language, 
and I've noticed an increased use of the word “affect” in scholarly papers. It 
has become fashionable, but the spin being put on it isn’t clear to me. Could 
someone please tell me what “affect” means here for example: "gestures of 
affect and intervention.” It seems different from something like “that doesn’t 
affect me.” Respond off list if you wish ato...@comcast.net. Thanks.



___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] Cameraless film in the university

[Myron Ort]

My camera less film


https://www.youtube.com/watch?v=4atEmXsA92A 







> On Feb 14, 2020, at 11:37 PM, lindsay mcintyre  wrote:
> 
> At Emily Carr University of Art + Design I teach an Analogue Practices course 
> as well as an Advanced Analogue course, both of which include extensive 
> amounts of cameraless or handmade film. Students complete a 1-3 minute Film 
> Destroy Project and incorporate cameraless techniques into their own shot 
> footage for a second longer assignment as well. It becomes a large part of 
> their toolkit for this particular mode of media making (which is entirely 
> non-commercial in focus, although there are films that include a great deal 
> of cameraless techniques that have had commercial success). In a 12 or 13 
> week semester their first month is in cameraless. This gets them familiar 
> with all the infrastructure and concepts - steenbecks, projectors, splicers, 
> winders, optical sound, frames per second, animation, sprockets, etc - but 
> also gets them source material for their next assignment - optical printing. 
> It's a pretty popular course and students love working this way. It is also 
> sometimes included in foundation courses (art).
> 
> Lindsay
> 
> 
> On Thu, Feb 13, 2020 at 7:19 AM Scott Hammen  > wrote:
> I’ve been following these posts hoping that there would, sooner or later, be 
> some mention of actual films. 
> 
> Perhaps the “old masters” like Man Ray, Len Lye, and Brakhage don’t need 
> special mention, but, before closing the thread, it would be great to see 
> some recommendations of a few cameraless films worth trying to see.
> 
> Any suggestions ?
> 
> Scott Hammen
> 
> On Thu, 13 Feb 2020 at 16:08, Ignacio Tamarit  > wrote:
> Hi Albert!
> 
> I do know that there was a class of cameraless animation at FUC (Fundación 
> Universidad del Cine) for the people that study the animation degree, but I 
> think that is over.  Also at FUC, at the Técnicas Audiovisuales subject, 
> which is the one where students can have a insight in experimental cinema, 
> there is a coverage of found footage and cameraless films. For two years I 
> was invited to this classes to do a lecture on Cameraless cinema and project 
> films on 16 mm.
> 
> 
> All the best,
> 
> Ignacio 
> 
> El jue., 13 feb. 2020 a las 11:00, Albert Alcoz ( >) escribió:
> Thank you very much for these positive answers.
> 
> Today Frameworks has given me a joy.
> 
> It's great to see cameraless film is an important issue in the university.
> 
> I will use all these thoughts for the academic paper.
> 
> Best,
> Albert
> 
> On Thu, Feb 13, 2020 at 10:56 AM Carolina Cappa  > wrote:
> Hola Alberto,
> 
> At the University of Buenos Aires we regularly include a 16 mm cameraless 
> film workshop as part of the Audiovisual Technology biannual subject. We've 
> been doing it since 2015 and in crowded classrooms as this university is 
> public and free. I don't actually know if students finally get to use it in 
> the audiovisual industry though I've seen some products using other animation 
> techniques derived from this.
> 
> Saludos
> Carolina
> 
> 
> El jue., 13 feb. 2020 a las 3:43, Ruth Hayes ( >) escribió:
> At The Evergreen State College we teach direct animation and cameraless film 
> in our foundation program and in some other classes depending on the subject. 
> As with others responding, I’ve found it a great way to bring fine arts 
> students in to animation and media production. Also, Devon Damonte teaches a 
> summer course here, Visual Music on 16mm and 35mm Film that involves all 
> sorts of cameraless techniques including making photograms and 
> hand-processing. Students appreciate the materiality of working with film and 
> photo processes, especially if all they’ve done before is digital. It’s also 
> a way to get them into thinking about forms beyond the narrative and single 
> channel presentation.
> 
> Ruth 
> 
> http://www.randommotion.com- 
> sites.evergreen.edu/ruthhayes/ 
> 
> 
> 
>> On Feb 12, 2020, at 3:58 AM, Albert Alcoz > > wrote:
>> 
>> Hello,
>> 
>> Does anyone know if cameraless film is a common subject at university?
>> 
>> I am investigating the role of cameraless film in the studies of Fine Arts 
>> and Media Studies.
>> 
>> Most of cameraless film workshops are organized by art centers, alternative 
>> spaces or private film schools but i wonder the role it has within the 
>> university. 
>> 
>> Is it taught as a technique that can be applied in the audiovisual industry 
>> (such as video clips, advertisements, fiction animated films, etc.) or as a 
>> line to develop artistic projects or personal film developments?
>> 
>> Would be great to know personal experiences 

[Frameworks] seeking Bolex in Rome for three days

[FrameWorks Admin]

Dear FrameWorkers,
My friend Giuseppe Zevola is preparing to shoot ten minutes of 16mm film in 
Rome but he forgot his Bolex in Napoli.
Would anybody have a lead to anyone in Rome with a Bolex? Or anyone in Italy 
with a Bolex willing to travel to Rome?
Please contact me off list and I will connect you.
Thank you,
Pip Chodorov
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

[Frameworks] FW: This week [February 15 - 23, 2020] in avant garde cinema

[weeklylisting]

 







  

 

 





This week
[February 15-23, 2020]
in avant garde cinema








Enter your event announcements by going to the  

 Flicker Weekly Listing Form.

To receive the weekly listing via email:  

 Subscribe. 

  

 
Jodie Mack: Patterns, Posthaste [February 16, Los Angeles, California] 

   
Musical Sequence: Music For the Eyes, Film For the Ears [February 16, 
Barcelona, Spain] 

   
Masks. Noemia Delgado [February 23, Barcelona, Spain] 

NEW CALLS FOR ENTRIES:
Fracto Experimental Film Encounter (Berlin, Germany; Deadline: April 01, 2020)
  

 http://hi-beam.net/cgi-bin/ann.pl?type=calls=2068.ann

DEADLINES APPROACHING:
Another eXperiment by Women Film Festival (NY NY; Deadline: February 15, 2020)
  

 http://hi-beam.net/cgi-bin/ann.pl?type=calls=2064.ann

Events are sorted alphabetically BY CITY within each DATE.

This week's programs (summary):

*   39th Annual Thomas Edison Black Maria Film Festival - Hoboken Museum 
Debut [February 15, Hoboken, NJ]
*   Musical Sequence: Music For the Eyes, Film For the Ears [February 16, 
Barcelona, Spain]
*   Jodie Mack: Patterns, Posthaste [February 16, Los Angeles, California]
*   Live Kurt Schwerdtfeger: Reflektorische Farblichtspiele (Reflecting 
Color-Light-Play) [February 17, Brooklyn, New York]
*   Nick Pinkerton Presents Ann Hui'S Song of the Exile [February 18, 
Brooklyn, NY United States]
*   Parallel Cinema: Aleinikov, Yufit and Symptoms of the Collapse of the 
Soviet Era [February 20, Barcelona, Spain]
*   Visions : Tomonari Nishikawa [February 20, Montreal, QC Canada]
*   Visions : Tomonari Nishikawa | 20.02.20 [February 20, Montreal]
*   Ed Emshwiller: Program 1 [February 20, New York, NY]
*   Ed Emshwiller: Program 2: Hallelujah the Hills [February 21, New York, 
NY]
*   Black Life: Stephanie Hewett [February 22, Berkeley, CA United States]
*   Ed Emshwiller: Program 3: Image, Flesh and Voice [February 22, New 
York, NY]
*   Ed Emshwiller: Program 4 [February 22, New York, NY]
*   Masks. Noemia Delgado [February 23, Barcelona, Spain]
*   Ed Emshwiller: Program 5 [February 23, New York, NY]
*   Ed Emshwiller: Program 6 [February 23, New York, NY]


SATURDAY, FEBRUARY 15, 2020

2/15
Hoboken, NJ: Black Maria Film Festival
 

 http://blackmaria.org
7:30PM, Hoboken Historical Museum, 1301 Hudson Street, Hoboken, NJ
39TH ANNUAL THOMAS EDISON BLACK MARIA FILM FESTIVAL - HOBOKEN MUSEUM DEBUT
The 39th Annual Thomas Edison Black Maria Film Festival presents a program of 
award-winning selected shorts from the Festival's 2020 tour at the Hoboken 
Historical Museum. Works include Medium Rare by Luca Cioci, Pavia, Italy; 
Faithy, hey by Emily Hubley, East Orange, NJ; Movement in Structure by Shaun 
Clarke, Boston, MA; Box of Memories by Felicitas Yang, Heidelberg, Germany; 
DONT KNOW WHAT by Thomas Renoldner, Wien, Austria; Take Off Your Skin by Luke 
Jaeger, Northampton, MA; Code Ruth by Caroline Voagen Nelson, Astoria, NY; They 
Say I�m Your Teacher by Catherine Murphy, Portola Valley, CA; Freeze Frame by 
Soetkin Verstegen, Brussels, Belgium; Thin Places Iceland by Michael Chaney, 
Savannah, GA; and Cold Storage by Thomas Freundlich, Helsinki, Finland. Tickets 
can be purchased in advance on-line through the Hoboken Museum website for $10. 
https://www.hobokenmuseum.org. The night of, tickets are $15 at the door. Light 
refreshments will be served.


SUNDAY, FEBRUARY 16, 2020

2/16
Barcelona, Spain: Xcentric Cinema
 

 
http://xcentric.cccb.org/en/programas/fitxa/musical-sequence-music-for-the-eyes-film-for-the-ears/232544
18:30, CCCB (Centre de Cultura Contemporania de Barcelona)
MUSICAL SEQUENCE: MUSIC FOR THE EYES, FILM FOR THE EARS
The films in this session materially present music among their images, without 
attempting to illustrate or describe it. These are works that show the visible 
part of music on screen: sheet music, instruments, performers, rehearsals, 
recordings, recitals and audiences. Following the notes of Robert Bresson, here 
the music does 

Re: [Frameworks] Cameraless film in the university

[Albert Alcoz]

Thank you very much Lindsay to share your personal experience teaching
cameraless film.

Scott, I think there are dozens of actual filmmakers working in these area.
I recommend you to investigate some of the names you can read here:

https://monoskop.org/images/d/dd/Schlicht_Esther_Hollein_Max_eds_Zelluloid_Camera_Less_Film_Film_ohne_Kamera.pdf

http://www.filmlabs.org/docs/recipes_for_disaster_hill.pdf

Best,
Albert

On Sat, Feb 15, 2020 at 8:37 AM lindsay mcintyre 
wrote:

> At Emily Carr University of Art + Design I teach an Analogue Practices
> course as well as an Advanced Analogue course, both of which include
> extensive amounts of cameraless or handmade film. Students complete a 1-3
> minute Film Destroy Project and incorporate cameraless techniques into
> their own shot footage for a second longer assignment as well. It becomes a
> large part of their toolkit for this particular mode of media making (which
> is entirely non-commercial in focus, although there are films that include
> a great deal of cameraless techniques that have had commercial success). In
> a 12 or 13 week semester their first month is in cameraless. This gets them
> familiar with all the infrastructure and concepts - steenbecks, projectors,
> splicers, winders, optical sound, frames per second, animation, sprockets,
> etc - but also gets them source material for their next assignment -
> optical printing. It's a pretty popular course and students love working
> this way. It is also sometimes included in foundation courses (art).
>
> Lindsay
>
>
> On Thu, Feb 13, 2020 at 7:19 AM Scott Hammen 
> wrote:
>
>> I’ve been following these posts hoping that there would, sooner or later,
>> be some mention of actual films.
>>
>>
>> Perhaps the “old masters” like Man Ray, Len Lye, and Brakhage don’t need
>> special mention, but, before closing the thread, it would be great to see
>> some recommendations of a few cameraless films worth trying to see.
>>
>>
>> Any suggestions ?
>>
>>
>> Scott Hammen
>>
>> On Thu, 13 Feb 2020 at 16:08, Ignacio Tamarit 
>> wrote:
>>
>>> Hi Albert!
>>>
>>> I do know that there was a class of cameraless animation at FUC
>>> (Fundación Universidad del Cine) for the people that study the animation
>>> degree, but I think that is over.  Also at FUC, at the Técnicas
>>> Audiovisuales subject, which is the one where students can have a insight
>>> in experimental cinema, there is a coverage of found footage and cameraless
>>> films. For two years I was invited to this classes to do a lecture on
>>> Cameraless cinema and project films on 16 mm.
>>>
>>>
>>> All the best,
>>>
>>> Ignacio
>>>
>>> El jue., 13 feb. 2020 a las 11:00, Albert Alcoz ()
>>> escribió:
>>>
 Thank you very much for these positive answers.

 Today Frameworks has given me a joy.

 It's great to see cameraless film is an important issue in the
 university.

 I will use all these thoughts for the academic paper.

 Best,
 Albert

 On Thu, Feb 13, 2020 at 10:56 AM Carolina Cappa <
 carolinaca...@gmail.com> wrote:

> Hola Alberto,
>
> At the University of Buenos Aires we regularly include a 16 mm
> cameraless film workshop as part of the Audiovisual Technology biannual
> subject. We've been doing it since 2015 and in crowded classrooms as this
> university is public and free. I don't actually know if students finally
> get to use it in the audiovisual industry though I've seen some
> products using other animation techniques derived from this.
>
> Saludos
> Carolina
>
>
> El jue., 13 feb. 2020 a las 3:43, Ruth Hayes ()
> escribió:
>
>> At The Evergreen State College we teach direct animation and
>> cameraless film in our foundation program and in some other classes
>> depending on the subject. As with others responding, I’ve found it a 
>> great
>> way to bring fine arts students in to animation and media production. 
>> Also,
>> Devon Damonte teaches a summer course here, Visual Music on 16mm and 35mm
>> Film that involves all sorts of cameraless techniques including making
>> photograms and hand-processing. Students appreciate the materiality of
>> working with film and photo processes, especially if all they’ve done
>> before is digital. It’s also a way to get them into thinking about forms
>> beyond the narrative and single channel presentation.
>>
>> Ruth
>>
>> http://www.randommotion.com-
>>
>> sites.evergreen.edu/ruthhayes/
>>
>>
>>
>>
>> On Feb 12, 2020, at 3:58 AM, Albert Alcoz 
>> wrote:
>>
>> Hello,
>>
>> Does anyone know if cameraless film is a common subject at university?
>>
>> I am investigating the role of cameraless film in the studies of
>> Fine Arts and Media Studies.
>>
>> Most of cameraless film workshops are organized by art centers,
>> alternative spaces or private film