[Frameworks] 16mm transfer in England
Dear Frameworkers For a small film preservation project we are looking for a lab in/near London, England for film transfers from 16mm (color negative) to digital. The transfer should be 2k at least. Can anyone recommend us a company that does good work? thanks! fred ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Video works unviewable due to lost apparatus?
Hi there there's been a show in the Kunstmuseum Lucerne (Switzerland) in 2008 with video-art from the 70ies and 80ies (Swiss Video) curated by a group of art historians and restaurators. the catalogue has texts also on the difficulties of presenting such work after 20-30 years. there is an english version of this with the ISBN 978-3-03764-053-1. it's been published through jrp ringier and distributed also in the US. Schubiger, Irene: Schweizer Videokunst der 1970er und 1980er Jahre. Eine Rekonstruktion. English: Reconstructing Swiss Video Art from the 1970s 1980s see e.g.: http://www.artbook.com/9783037640548.html cheers! Fred Am 15.05.2013 um 10:24 schrieb Lundgren: I know that once on this list somebody mentioned that there was a Andy Warhol work that was done on a video system which had no surviving video players. I've tried to search the list unable to find any information. Does anyone know of this and have a decent (preferable academically scrutinize-able) source for it? Or those anyone have examples of other famous artist with video works (or similair) lost due to the fact that we don't have any machines to watch it anymore? Björn Lundgren Sweden ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Texts on appropriation, collage and ethics/fair use
hi all this is an excerpt of a list I made a couple of years ago with materials on ff-film. some of it is in german even for texts originally written in english. you should be able to find these in english, too. hope it helps, fred Arthur, Paul: Lost and Found: American Avant-Garde Film in the Eighties. In: Nelly Voorhuis: A Passage Illuminated. The American Avant-Garde Film 1980-1990. Amsterdam 1991. S. 15-29. Arthur, Paul: The Status of Found Footage. In: Spectator, 20.1, Fall/Winter 2000. Los Angeles 2000. S. 57-69. Baldwin, Craig: From Junk to Funk to Punk to Link. In: Anker, Steve; Geritz, Kathy; Seid Steve (Hrsg.): Radical Light. Alternative Film Video in the San Francisco Bay Area, 1945-2000. Berkeley 2010. S. 95-100. Basilico, Stefano: Cut. Film as Found Object in Contemporary Video. Milwaukee 2004. Beauvais, Yann: Found Footage. Vom Wandel der Bilder. In: Blimp, Heft 16. Graz 1991. S. 4-11. Beauvais, Yann: Verloren und wiedergefunden. In: Cecilia Hausheer, Christoph Settele: Found Footage Film. Luzern 1992. S. 8-25. Blümlinger, Christa: Zwischen den Bildern/Lesen. In: Christa Blümlinger; Constantin Wulff (Hrsg.): Schreiben Bilder Sprechen. Texte zum essayistischen Film. Wien 1992. Blümlinger, Christa: Kino aus zweiter Hand. Zur Ästhetik materieller Aneignung im Film und in der Medienkunst. Berlin 2009. Bovier, François (Hrsg.): Is This What You Were Born For? Strategies of Appropriation and Audio-Visual Collage in the Films of Abigail Child. Geneva 2011. Cahill, James Leo: ...and Afterwards? Martin Arnold's Phantom Cinema. In: Spectator, 27.3: Supplement 2007. Los Angeles 2007. S. 19-25. Child, Abigail: This is Called Moving. A Critical Poetics of Film. Tuscalosa, Alabama 2005. Christine N. Brinckmann: Die poetische Verkettung der Bilder. In: montage/av. 20/1/2011. Marburg 2012. S. 29-43. Danks, Adrian: The Global Art of Found Footage Cinema. In: Linda Badley; R. Barton Palmer; Steven Jay Schneider (Hrsg.): Traditions in World Cinema. Edinburgh 2006. Halter, Ed: Recycle it. Internet: http://www.movingimagesource.us/articles/recycle-it-20080710 (Internetzugriff am: 1.2.2012). Hauptmann, Jodi: Joseph Cornell. Stargazing the Cinema. New Haven 1999. Hausheer, Cecilia; Settele, Christoph: Found Footage Film. Luzern 1992. Hoolboom, Mike; MacKenzie, Alex: Loop, Print, Fade and Flicker. David Rimmer's Moving Images. Vancouver 2009. Horwath, Alexander; Loebenstein, Michael (Hrsg.): Peter Tscherkassky. Wien 2005. James, David E.: Allegories of Cinema. American Film in the Sixties. Princeton 1989. Kirchmann, Kay: Bildermüll und Wiederverwertung. Eine medientheoretische Perspektive auf Formen und Funktionen des Bilderrecyclings im Found-Footage-Film. In: Thomas Koebner; Thomas Meder (Hrsg.): Bildtheorie und Film. München 2006. S. 497-512. Leyda, Jay: Films beget Films. In: London. London 1964. O'Pray, Michael: From Dada to Junk. Bruce Conner And the Found-Footage Film. In: Monthly Film Bulletin. London 1987. S. 315-316. Peterson, James: Bruce Conner and the Compilation Narrative. In: Wide Angle, Vol. 8, Nr. 3/4. Special Issue Narrative/Non-Narrative. Ann Arbor 1986. S. 53-62. Peterson, James: Making Sense of Found Footage. In: Cecilia Hausheer, Christoph Settele: Found Footage Film. Luzern 1992. S. 54-75. Peterson, James: Dreams of Chaos, Visions of Order. Understanding the American Avant-Garde Cinema. Detroit 1994. Sandusky, Sharon: Archäologie der Erlösung. Eine Einführung in den Archivkunstfilm. In: Blimp, Heft 16. Graz 1991. S. 14-22. Sitney, P Adams: The Cinematic Gaze of Joseph Cornell. In: McShine, Kynaston (Hrsg.): Joseph Cornell. München 1990. S. 69-89. Sitney, P. Adams: Visionary Film: The American Avant-Garde. Oxford 1979. Sitney, P. Adams: Eyes Upside Down. Oxford 2008. Sjöberg, Patrik: The World in Pieces: A Study of Compilation Films. Stockholm 2001. Skoller, Jeffrey: Shadows, Specters, Shards. Making History in Avant-Garde Film. Minneapolis 2005. Taylor, Henry McKean: Der Krieg eines Einzelnen. Eine fimische Auseinandersetzung mit der Geschichte. Zürich 1995. Ursula Blickle Stiftung et. al. (Hrsg.): Bruce Conner. Die 70er Jahre. Nürnberg 2010. Vertov, Dziga: Kinoki – Umsturz. In: Texte zur Theorie des Films (Reclam). Stuttgart 1979. S. 24-38. Wees, William C: Recycled Images. New York 1993. Wees, William C.: Old Images, New Meanings: Reontextualizing Archival Footage of Nazism and the Holocaust. In: Spectator, 20.1, Fall/Winter 2000. Los Angeles 2000. S. 70-76. Zryd, Michael: Found Footage-Film als diskursive Metageschichte. Craig Baldwins TRIBULATION 99. In: montage/av. 11/1/2002. Berlin 2002. S. 113-134. Am 24.05.2013 um 18:50 schrieb Adam R. Levine: Hello, I'm looking for any books or short texts that might offer a survey of the history and practice of the appropriation and collage in the field of moving images. In addition, if there is any such work that also address questions of copyright, ethics and fair use, that would be great.
[Frameworks] found footage: working with the (complete) oevre of another filmmaker
Dear Frameworkers I am looking for found footage films that deal (almost) excusively with the oevre of one filmmaker and re-interpret or re-read the contents and motifs of these films. the model for the query would be the Phoenix Tapes by Girardet/Müller. Are there any films you can recommend? Thank you! Fred ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Looking for Morgan Fisher interview with Jack Goldstein (1977)
Dear Frameworkers I have been asked to give an introduction to some films by Jack Goldstein next week. Because no library in Zurich, Switzerland has a copy of any magazine or book in which it has been published, I would like to ask you: Does anyone have a digital copy of Morgan Fishers Interview with Jack Goldstein from 1977 and would agree to send it to me? It was published in the LAICA Journal, no. 14, April-May 1977. p. 42-45. Then reprinted in: Jack Goldstein. (Exposition, Grenoble, Le Magasin, Centre National d' Art Contemporain, 3 fév. - 28 avr. 2002. Eds. Yves Aupetitallot; Lionel Bovier. Le Magasin-Centre National d'Art Contemporain (2002) and in: Jack Goldstein. Films, Records, Performances and Aphorisms 1971 - 1984, ed. by Daniel Buchholz and Christopher Müller, Cologne 2003. And again (in Germain and in extracts this time) in: Morgan Fisher im Gespräch mit Jack Goldstein, in: Sie träumt von ihrem Lieblingsstar. Er spricht mit einer fremden Sprache. Vier Räume aus der Sammlung Schürmann, ed. by Julian Heynen und Doris Krystof, exh. cat. K 21 Kunstsammlung NRW, Düsseldorf 2002. Any help? Thank you! – Fred___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Films about labor and leisure--by women
if you speak german the films of jürgen boettcher are worth a good look at. they do deal with work and leisure. especially Wäscherinnen is worth looking at: boettcher portrays young workers in a industrial laundry in their working environment and interviews them about their dreams and everyday activities. ... hard to find, though, in german only (i guess), and from a long bygone period in the history of our societies... -fred Am 13.05.2014 um 17:17 schrieb Chuck Kleinhans: If we could think about domestic labor, there’s a whole lot of other films, many by women, to consider: Chantal Akerman, Jeanne Dielman 23 quai de Commerce Gunvor Nelson and Dorothy Wiley, SCHMEERGUNTZ Carikee Schneenman, Kitch’s Last Meal Lizzie Borden, Working Girls Michelle Citron, Queer Fest (interactive media) Marjorie Keller, Misconcneption (and many other films by her) Joyce Weiland, Water Sark Chick Strand, Fake Fruit Laura Kipnis, Ecstasy Unlimited and all birth films, even those made by men like Water Window Baby Moving, contain representations of women’s labor/women in labor and many many more films if we think about women’s emotional labor in dealing with the family, or a man Chuck Kleinhans ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks smime.p7s Description: S/MIME cryptographic signature ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Islands in experimental film and video
GB is an island: William Raban: Island Race andrew koetting: Gallivant: http://bfi.muvies.com/reviews/1485-gallivant if you take into account more metaphoric islands you might also consider two animation films: w c lauenstein: Balance: http://www.youtube.com/watch?v=-flKGPW9QCwfeature=kp Konstantin Bronzit: Au bout du monde: http://www.youtube.com/watch?v=7-tcJPIMwhk cheers! fred Am 22.06.2014 um 23:31 schrieb Pigott, Michael: Dear Frameworkers, I'm putting together a piece about the use of islands as locations in recent experimental film and video. I'm focussing on Ben Rivers' Slow Action and Simon Faithfull's Stromness. I am building a list of other work that involves islands at the moment, and I would be very grateful for your suggestions of other experimental and artists' work (recent or historical) that are about islands or use islands as locations. Thanks in advance! Michael Pigott ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks smime.p7s Description: S/MIME cryptographic signature ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Bruce Conner Prints
Dear Dominic If I'm not too late for this, I'd be interested in the films and catalogs of Mr. Conner. Anything still there? To what price? Best from Switzerland, Fred Am 29.07.2014 um 17:46 schrieb Dominic Angerame dominic.anger...@gmail.com: I still have a couple of Bruce Conner prints for sale. These are prints meant for private use only and were given to me or I bought directly from Bruce before he passed away. Also have several gallery/exhibiition catalogs and a copy of Bruce Conner Story (hardcover). All are signed. I will be placing these items on ebay soon. I am giving Framworkers the first chance to purchase these at a discount. Contact me off the list for prices. domi...@cinemod.net. Prints for sale: Report--used Valse Triste new estar Crossroads used Thanks Dominic ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks smime.p7s Description: S/MIME cryptographic signature ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Books on the History of Avant-Garde film in US
@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- *Dr. Fred Truniger* Grünmattstrasse 52 CH - 8055 Zürich Tel: +41 - 43 - 3445220 Mobile: + 41 78 8258864 *Office* Sihlquai 67 8005 Zürich fred.truni...@gmail.ch ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Experimental shorts with science-fiction themes?
hi gina Johannes Hammel's Die Schwarze Sonne (see in english: http://www.sixpackfilm.com/en/catalogue/show/579) Michael Palm's Low Definition Control – Malfunctions #3 (http://www.sixpackfilm.com/en/catalogue/show/1925) cheers! Fred Am 12.01.15 um 03:31 schrieb gina marie napolitan: Hello all, I'm looking for recommendations for experimental film and animated works that have science-fiction/visionary themes, both overt (like La Jetee or Tribulation 99) and subtle (maybe more along the lines of Christopher MacLaine's The End or These Hammers Don't Hurt Us by Michael Robinson). Thank you! Gina ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- *Dr. Fred Truniger* Grünmattstrasse 52 CH - 8055 Zürich Tel: +41 - 43 - 3445220 Mobile: + 41 78 8258864 *Office* Sihlquai 67 8005 Zürich fred.truni...@gmail.ch ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Experimental shorts with science-fiction themes?
Chris Marker's La Jetée, of course. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Night films
Hi Esperanza Clemens Klopfenstein's Night Films come to my mind: Geschichte der Nacht (to be found on ubu); Transes; Das Schlesische Tor. These have been shot around 1980 in 16mm entirely at night without any additional light. Emily Richardson's Petrolia is another random guess. cheers, fred Am 13.05.15 um 14:55 schrieb peter snowdon: Hi Esperanza, At the more documentary end of the experimental spectrum, there is Laura Waddington's Border, much of which was shot at night. There are also these four short YT videos which speak, I think, to the question of what the night conceals, and what it makes visible (sensible): http://www.mightierthan.com/2009/07/poem-for-the-rooftops-suite/ best Peter On Tue, May 12, 2015, at 07:49 PM, Esperanza Collado wrote: Dear frameworkers, A friend is preparing a film in which she will work in the limits of visibility, in the night, trying to force perception. Would you please recommend experimental film references apart from Liotta, Dorsky, Dwoskin? It would be interesting to get references of films and videos in which there is no use of special camera techniques such as time-lapse or night-shot. Many thanks! -- Esperanza Collado - - - - - - - - - - - - - - www.esperanzacollado.org http://www.esperanzacollado.org _ FrameWorks mailing list FrameWorks@jonasmekasfilms.com mailto:FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- The term 'experimental cinema' is like 'organic agriculture' or 'participatory democracy': we only need the adjective because there's something wrong with the noun. Nicolas Rey ___ gourna films www.redrice.net ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- *Dr. Fred Truniger* Grünmattstrasse 52 CH - 8055 Zürich Tel: +41 - 43 - 3445220 Mobile: + 41 78 8258864 *Office* Sihlquai 67 8005 Zürich fred.truni...@gmail.ch ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Night films
I guess you can rent the film both from the Arsenal in Berlin and the lichtspiel kinemathek in Berne, Switzerland. (www.lichtspiel.ch). not 100% sure, though. cheers, fred Am 14.05.15 um 09:15 schrieb nicky.ham...@talktalk.net: The Klopfenstein is the one I was trying to remember. The LFMC had a print of it long ago. Might be worth asking LUX, Nicky. -Original Message- From: Christopher Ball cbifi...@gmail.com To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Sent: Thu, 14 May 2015 5:47 Subject: Re: [Frameworks] Night films Peter Mettler, Picture of Light, http://www.imdb.com/title/tt0110831/combined On Wed, May 13, 2015 at 12:46 PM, Esperanza Collado esperanzacolla...@gmail.com mailto:esperanzacolla...@gmail.com wrote: Thank you all for your superb recommendations. 2015-05-13 17:09 GMT+02:00 fred truniger fred.truni...@gmail.com mailto:fred.truni...@gmail.com: Hi Esperanza Clemens Klopfenstein's Night Films come to my mind: Geschichte der Nacht (to be found on ubu); Transes; Das Schlesische Tor. These have been shot around 1980 in 16mm entirely at night without any additional light. Emily Richardson's Petrolia is another random guess. cheers, fred Am 13.05.15 um 14:55 schrieb peter snowdon: Hi Esperanza, At the more documentary end of the experimental spectrum, there is Laura Waddington's Border, much of which was shot at night. There are also these four short YT videos which speak, I think, to the question of what the night conceals, and what it makes visible (sensible): http://www.mightierthan.com/2009/07/poem-for-the-rooftops-suite/ best Peter On Tue, May 12, 2015, at 07:49 PM, Esperanza Collado wrote: Dear frameworkers, A friend is preparing a film in which she will work in the limits of visibility, in the night, trying to force perception. Would you please recommend experimental film references apart from Liotta, Dorsky, Dwoskin? It would be interesting to get references of films and videos in which there is no use of special camera techniques such as time-lapse or night-shot. Many thanks! -- Esperanza Collado - - - - - - - - - - - - - - www.esperanzacollado.org http://www.esperanzacollado.org _ FrameWorks mailing list FrameWorks@jonasmekasfilms.com mailto:FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- The term 'experimental cinema' is like 'organic agriculture' or 'participatory democracy': we only need the adjective because there's something wrong with the noun. Nicolas Rey ___ gourna films www.redrice.net http://www.redrice.net ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com mailto:FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- *Dr. Fred Truniger* Grünmattstrasse 52 CH - 8055 Zürich Tel: +41 - 43 - 3445220 Mobile: + 41 78 8258864 *Office* Sihlquai 67 8005 Zürich fred.truni...@gmail.ch mailto:fred.truni...@gmail.ch ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com mailto:FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- Esperanza Collado - - - - - - - - - - - - - - www.esperanzacollado.org http://www.esperanzacollado.org ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com mailto:FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com mailto:FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- *Dr. Fred Truniger* Grünmattstrasse 52 CH - 8055 Zürich Tel: +41 - 43 - 3445220 Mobile: + 41 78 8258864 *Office* Sihlquai 67 8005 Zürich fred.truni...@gmail.ch ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] countryside film
Austrian Film! Knittelfeld, by Gerhard Friedl! (see: http://www.sixpackfilm.com/en/catalogue/show/722) It's exactly what you are looking for. I guess there is a subtitled version. cheers, fred Am 13.07.15 um 22:58 schrieb Lawrence Brose: Definitely The Garden by Derek Jarman a complex and hauntingly beautiful film filled with restrained rage Lawrence Brose (716) 491-9062 On Jul 13, 2015, at 1:40 PM, Francisco Torres fjtorre...@gmail.com mailto:fjtorre...@gmail.com wrote: Experimental- Maybe those early 70s S8 films of the British countryside by Derek Jarman, I always feel they contain menace in the pastoral views. This is the most ''famous'' one.. https://www.youtube.com/watch?v=xi-HFQOsJcE 2015-07-13 12:19 GMT-04:00 Tim Halloran televis...@hotmail.com mailto:televis...@hotmail.com: Post Tenebras Lux. Carlos Reygadas. Tim Sent from my iPad On Jul 13, 2015, at 1:04 AM, franco base frenk.ca...@gmail.com mailto:frenk.ca...@gmail.com wrote: Hi I'm looking for experimental films where the idyllic vision of the countryside is overturned. Films that show the violence and ignorance that reign in the little villages in opposition, for example, with the hippie vision of the countryside. Non experimental films are welcome also. I think to: Hunting Scenes from Bavaria little village La Poison Straw Dogs Thanks a lot. f ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com mailto:FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com mailto:FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com mailto:FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- *Dr. Fred Truniger* Grünmattstrasse 52 CH - 8055 Zürich Tel: +41 - 43 - 3445220 Mobile: + 41 78 8258864 *Office* Sihlquai 67 8005 Zürich fred.truni...@gmail.ch ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Archival Footage on Iran
last year swiss filmmaker samir, who is of iraqui origin, premiered his documentary IRAQUI ODYSSEY. Its a (hi)story of his family in which he used mainly private but also - if I remember correctly - other archival footage. you might want to contact him @ the production company dschoint ventschr. this is the webpage of the film: http://www.dschointventschr.ch/en/inproduction/documentaries/iraqi-odyssey good luck! Fred Am 16.09.15 um 19:40 schrieb Roshanak Elmendorf: Hello Friends, I am looking for archival footage or photographs on 1979 revolution in Iran and on the events after that, which I can use in my recent film. I am familiar with Prelinger archives but I find very little on the subject. Please advise. Thanks in advance. https://vimeo.com/137631818 aroomwithoutaviewfilm.com <http://aroomwithoutaviewfilm.com/> Best Roshanak roshanakelmendorf.com <http://roshanakelmendorf.com> ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- *Dr. Fred Truniger* Grünmattstrasse 52 CH - 8055 Zürich Tel: +41 - 43 - 3445220 Mobile: + 41 78 8258864 *Office* Sihlquai 67 8005 Zürich fred.truni...@gmail.ch ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] 360 degrees
does straub/huillet's repeated drive around the roundabout of la bastille in 'trop tot, trop tard' qualify? if so, i'd strongly recommend volko kamensky's short film 'divina obsesión' from 1997 (Germany). it's doing 23 drive-troughs in french roundabouts. great film! unfortunately completely unknown. i guess also the opening-scene in tarantino's 'reservoir dogs' is circling around the table, however there are many cuts. you are probably not looking for this kind of mise-en-scène, are you? cheers, fred > Am 18.02.2016 um 01:06 schrieb Gene Youngblood: > > Friends, > I need recommendations of films that contain 360-degree dolly (or Steadicam) > shots. Like for example circling around people seated at a restaurant table, > but it can be anything. It seems to me there are “famous” ones in the French > New Wave, and there must be many others before and after that. > ___ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Exhibition: Film Implosion! Experiments in Swiss Cinema. Re-opened in Zurich. (Feb 3 - April 9, 2017)
Dear Frameworkers We proudly present the re-opening of our exhibition FILM IMPLOSION! EXPERIMENTS IN SWISS CINEMA in Zurich, Switzerland! The exhibition was initially conceived from Nov. 2015 to Feb. 2016 by FRI-ART, Centre d’art (http://www.fri-art.ch/en) in the small swiss town of Fribourg and is now presented in a scaled-down version in the Museum für Gestaltung in Zurich (http://www.museum-gestaltung.ch/en/). Film Implosion presents for the first time an overview of the history of the avant-garde film in Switzerland from 1950 until today. – After all, the first Swiss film-ooop, the Zurich based ‚FilmForum’, was funded in 1966, in the same year as London and two years prior to Hamburg, Munich, Cologne – just didn’t last as long… :) The exhibition is based on a research project by the Zurich University of Applied Arts, the Séction Cinema at the University of Lausanne, and the Lucerne University of Applied Science & Arts. Information about this project can be found at: https://intern.zhdk.ch/index.php?id=89962 If you happen to be in Switzerland in the next weeks, don’t miss it! For further information, you can contact me. cheers! fred ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks