the mistakes, why not fix the mistakes
rather than make it all look like mush?
Of course if you want it all to look mushy, why work in HD in the first place?
A generation of VHS will do many things, some of which you may like and others
you may not. Choice of format is important.
Jeff Kreines
Beware that the Steenbeck may scratch your negative. Also Steenbecks (which I
love, we have 3) are very hard on shrunken film given the long wrap around the
picture sprocket.
Use it to edit (newer) film. It's a terrible telecine!
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
On Aug 13
an encoder input.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
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and prevented colds if you
hand-processed, or so I was told.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
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tracks -- very well. Plus, no added wow-and-flutter
from analog reproduction. Kudos to the father of AEo-Sound, Greg Wilsbacher at
the University of South Carolina, who scans a lot of 35mm newsreel negative
with AEO-Light negative VD tracks on his Kinetta.
Jeff Kreines
Kinetta
j...@kinetta.com
luck!
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
On May 25, 2013, at 4:45 PM, Marco Poloni mar.pol...@gmail.com wrote:
Dear frameworkers,
I have another question. This one is specific to de-dusting scanned
film footage (e.g. S-8mm) in a digital workflow (e.g. final cut pro
On May 22, 2013, at 3:35 PM, Buck Bito - Movette b...@movettefilm.com wrote:
Even on the most serious Super-8 scanner
I know of in the U.S. at Cinelicious I
An old Spirit that only does interlace? Not so much.
Ever hear of Kinetta? :-)
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film!
Hurry, it's the last few days. Email me at j...@kinetta.com.
Info and sample images at kinetta.com. Any format from 8mm to 35mm.
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
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https
or positive or print, damaged or shrunken, no
problem.
Jeff Kreines
Kinetta
kinetta.com
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/New Directors
festival at the end of March.
Thank you Owen for your kind offer of a place to scan.
So of you have film of any format and want the highest quality digital files,
email me at j...@kinetta.com.
And if you are in Paris or San Francisco, there are Kinettas there, too.
Jeff Kreines
The Kinetta in SF is at Movette Film Transfer (formerly VTC) run by Buck Bito
and Jennifer Miko. They recently moved to a new location in the Mission.
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
On Mar 2, 2013, at 5:57 PM, eric stewart e.l.j.stew...@gmail.com wrote:
Where
). Kinetta's
Hypergamma technology makes it possible to scan the most contrasty prints or
reversal original without sacrificing highlights or shadow detail.
Special rates for Frameworks subscribers. Email me offlist at j...@kinetta.com
if you have any questions.
Best,
Jeff
Jeff Kreines
I should mention I am still in Boston doing some scans, and could do others
early next week if anyone is interested.
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
On Feb 27, 2013, at 9:37 PM, Jeff Kreines jeffkrei...@mindspring.com wrote:
I will be in NYC next week (and possibly beyond
Bruce Conner's Report
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
On Feb 23, 2013, at 9:43 PM, Shelly Silver silver...@earthlink.net wrote:
small lies, Big Truth
(the starr report)
On Feb 23, 2013, at 12:19 PM, matt's frameworks address wrote:
Hello Frameworkers,
After
On Jan 27, 2013, at 2:42 PM, Joel Wanek wrote:
Chuck, Helen Levitt's still camera was nothing specially design to
trick people. She used an eyepiece that is not unlike many of the
optical viewfinders that folks attach to DSLRs today. But, it did allow
her to point her body in a different
Joel:
These finders are different from the later right angle finders -- they usually
were designed for Leica rangefinder cameras and were fixed in orientation, so
you looked into the side of the camera. They didn't use the camera's finder.
There was also a waist level finder called the
Obvious, but two films made right before their directors ruined Hollywood
filmmaking:
Sugarland Express
American Graffiti
Of course Kustom Kar Kommandos, too.
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
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Nicholas:
The resolution and bit depth of your files are a bit low, IMHO. The higher
resolution the scan, the better the output, whatever res it is.
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
On Dec 2, 2012, at 7:15 PM, Nicholas Kovats nkov...@gmail.com wrote:
Hi Scott,
Thank you
when you crop the image back to its normal size. Kinetta
scans at 3296 x 2472, so there's plenty of latitude for reframing.
You might want to download this for more information:
http://db.tt/5SlAVkbT
I am offering scans at a discount to Frameworks folks this month.
Best,
Jeff Kreines
Kinetta
If you are shooting color film, note that monitors are usually balanced at
about 6500 degrees kelvin, which is essentially daylight -- so use a
daylight-balanced film.
Also I would use a shutter speed of 1/30th in case there are any field-issues
depending on the video source (interlaced or
...@kinetta.com.
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
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.
Brian and Penny will be showing excerpts from their film, as well as raw camera
rolls, at the Museum of Modern Art in NYC on October 28th.
It's a good chance to see this unseen footage, and to see 3.3K scans of Super-8
(made with a Kinetta Archival Scanner) on the big screen.
Jeff Kreines
any analog decks, according to tests by Wilson Chao, who
had to do this for some broadcast stuff a while back.
Jeff Kreines
Kinetta
kinetta.com
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On Sep 28, 2012, at 2:13 PM, Chuck Kleinhans chuck...@northwestern.edu wrote:
So, given that he's several years into a PhD program, I'm sure he has a high
tolerance for pendants like me.
He's wearing one now.
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
Buck and Jennifer do excellent work, and now have a shiny new Kinetta Archival
Scanner.
They are moving (a few blocks away) and changing their name soon:
http://movettesf.com/
Highly recommended.
Jeff Kreines
*disclaimer -- I make Kinetta scanners
On Jul 9, 2012, at 2:28 PM, charles chadwick
On Jul 3, 2012, at 12:03 AM, David Tetzlaff wrote:
With that equipment list, the premise just doesn't work very well. The heyday
of value for 16mm post stuff probably starts to poop out circa 1975, so it
wasn't that expensive by 1980, and some of it is still used by people who
deal with
, and
35mm.
Disclosure: they have a shiny new Kinetta Archival Scanner, which I make.
Jeff Kreines
Kinetta
On Jun 23, 2012, at 8:18 AM, David Tetzlaff djte...@gmail.com wrote:
They're called telecine projectors. There were some made as 5 blade versions
originally, others converted after the fact
Tom Palazzolo's films are hilarious -- my favorites being early ones like
America's in Real Trouble, The Bride Stripped Bare, Your Astronauts, etc.
Framerworkers!
I'd love to pick your brains. I'm interested to watch more ( learn more
about) experimental films that are humorous. Either
George Fardy at The Design Shop in Newton Mass is very good.
On Apr 7, 2012, at 10:20 AM, Jay Hudson jkh30...@gmail.com wrote:
Hello:
The Millennium film Workshop has an Oxberry Animation stand that
needs repair. Would anyone know of people familiar with this?
Preferable someone in
converted to 23.976 or 25 or 29.97
fps. Film chains are typically a video camera and projector wedded in an
unholy alliance.
OK, the old note, with links to frames at various resolutions, follows.
Jeff Kreines
Kinetta
jeff@kinetta
Disclaimer: I designed and build Kinetta scanners
encoder to slave them to your transfer device
if you are going to a video format (vs. files from a scanner). Otherwise you
will have sync drift.
Best,
Jeff Kreines
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While I have always felt you should cut your own negative, since you are on the
east coast, Noelle Penraat is very good. She still does projects, but now works
at home since there is a lot less negative cutting being done. She's in NYC,
probably in the phone book.
On Feb 6, 2012, at 3:43
(some have been known to push
everything 1.5 stops for convenience) and then see what you have. If there was
really no light at all you may not have anything useful on the film. If you are
lucky, there might be an image that can be recovered to some degree.
But sadly, it ain't magic!
Jeff Kreines
The Cinelarger and Duplikin are total pieces of junk. Don't waste your time.
On Jan 3, 2012, at 12:07 PM, Myron Ort z...@sonic.net wrote:
http://www.ebay.com/sch/?
_nkw=cinelargerclk_rvr_id=304125622581mfe=search
On Jan 3, 2012, at 10:02 AM, mariah garnett wrote:
Hey guys
does
Wouldn't it be easier to modify the device that requires double-perf film --
assume it is an optical printer or projector -- to accept single perf film?
Far less traumatic to the film.?
It would be difficult to design a reperforator because film shrinks at
different rates, as does the size of
A typically foolish Kodak move -- licensing patents that might be significant
(in terms of digital projection) to a small company without deep pockets. A
larger company who manufactures digital projectors might have turned this into
something significant for Kodak in terms of royalties --
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