Re: [Frameworks] if you are in need of original music

[Jared Hutchinson]

nice thanks! I'm editing for an educational science YouTube channel. Would
you feel okay with that use? will totallyl let you know if a piece winds up
in an edit
--jared

On Tue, Mar 15, 2016 at 1:01 AM, jaime cleeland 
wrote:

> Hello,
> If any of you are looking for original music for your film projects I have
> just released a new album and tracks available under CC license.  Contact
> me for more info.
>
> https://archive.org/details/EthnomitePuxCutItLoose
>
> https://soundcloud.com/you/tracks
>
> Jaime
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] Call for Submissions: Edinburgh International Film Festival

[Jared Hutchinson]

Hi Kim-
Would love to submit again this year (with online link).
Happy holidays!
Jared


On Tue, Dec 22, 2015 at 1:22 AM, Kim Knowles 
wrote:

> *Call for Submissions: 70th Edinburgh International Film Festival*
> *Deadline*: February 17, 2016
>
> Festival dates: June 15 - 26, 2016
>
> EIFF are inviting experimental submissions for the *Black Box *strand,
> now in its 14th year. We welcome short to medium length work on 16mm, 35mm
> and digital.
>
> Black Box is a distinctive section within the festival,
> which presents a diverse spectrum of experimental work from around the
> world. It is committed to supporting photochemical film and artisanal
> practice as well as digital.
>
> All films must be UK premieres and should be no more than 12 months old at
> the time of screening. Full rules and regulations can be found here:
> http://www.edfilmfest.org.uk/submissions/rules-regulations.
>
> As in previous years, I am able to offer fee waivers to EIFF alumni and
> Frameworks subscribers. To take advantage of this please contact me
> privately with an indication of whether you would like to submit online or
> by post.
>
> Happy holidays to you all!
>
> Kim Knowles
> Experimental Programmer
> Edinburgh International Film Festival
>
> ===
> KEEP IN TOUCH WITH EIFF
> Become a web member for FREE and receive news and offers:
> http://www.edfilmfest.org.uk/register
> Follow EIFF at: https://twitter.com/edfilmfest or
> http://www.facebook.com/edfilmfest
> ===
> t. +44(0)131 228 4051
> f. +44(0)131 229 5501
> w. http://www.edfilmfest.org.uk
> 88 Lothian Road, Edinburgh EH3 9BZ Scotland, United Kingdom
> The Edinburgh International Film Festival Limited is a subsidiary of the
> Centre for the Moving Image. Registered in Scotland No: SC132453. VAT No:
> 502 548861. Registered Office: 88 Lothian Road, Edinburgh.
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

[Frameworks] selling last run Fuji 16mm

[Jared Hutchinson]

Hi-
Just listed 400' cans of 250 and 500

http://www.ebay.com/itm/141658548743?ssPageName=STRK:MESELX:IT_trksid=p3984.m1555.l2649

http://www.ebay.com/itm/141658556219?ssPageName=STRK:MESELX:IT_trksid=p3984.m1555.l2649

Thanks!
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

[Frameworks] FUJIfilm for sale

[Jared Hutchinson]

Hello, all,
Here's my eBay listing for some last run 500 tungsten FujiFilm I'm selling.

http://www.ebay.com/itm/FUJI-16mm-500T-Color-Negative-LAST-RUN-of-FujiFilm-ETERNA-Vivid500-/141433882692

Thanks!
Jared
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] Optical Sound - filter

[Jared Hutchinson]

Thanks, Mark!
Really great stuff. Sorry I didn't thank you earlier (found these messages
in my spam). Oy.
Well thanks again. Hope all's well
Jared


On Fri, Apr 25, 2014 at 4:23 PM, Mark Toscano fiddy...@yahoo.com wrote:

 Jared and all -

 Most sound mixers will *not* take this into consideration, as making a
 16mm optical track these days is fairly uncommon from the point of view of
 pretty much all professional sound folks.  It tends to be something that
 only the old school film sound mixers and archivally oriented sound folks
 will even think about.

 What the sound house shooting your optical is referring to is the EQ'ing
 of your final sound in a manner that will help compensate for the loss of
 high and low end in your audio when it goes to optical.  (It's usually
 called Academy pre-emphasis, and the 'Academy' part refers to the Academy
 curve, which was a standard set in 1938 by the Academy of Motion Picture
 Arts and Sciences to help optimize sound for mono optical theatrical
 playback.)  You can EQ your track to emphasize the compromised high/low
 end, which will result in a better sounding optical.  Otherwise, the
 optical can sound a little squashed or muffled, though it depends on the
 nature of the sound content.  If your track is already lo-fi, and intended
 to sound lo-fi, I wouldn't worry about it.

 This said, there's no standard formula for EQ'ing for optical
 compensation.  In restoration projects (and some of my own films), I create
 an optical-ready version with John Polito at Audio Mechanics, and he
 tailors it beautifully each time to the track and its quality/content.  And
 the tracks always sound excellent as a result.

 All the best,

 Mark Toscano



   On Friday, April 25, 2014 1:27 PM, Roger Wilson 
 rogerdwil...@sympatico.ca wrote:
   Ok I'm not a sound guy but I think this is just an audio filter used to
 improve the signal to noise ratio. Did you have a final sound mix completed
 on the sound track for the film? I think your sound designer/final mixer
 would have taken this into account but you should check. I create my own
 sound designs for my films but then have a professional sound tech do the
 final sound mix and prep it for optical print.

 Hope this helps some!


 Roger D. Wilson
 Film Scientist
 613 324 - 7504
 rogerdwil...@sympatico.ca
 http://www.rogerdwilson.ca

 Without failure you can never achieve success. I have based my process and
 my career as an experimental film artist on this statement; and I welcome
 it as it pushes me forward as an artist to try something different,
 something new.


 --
 From: jaredphutchin...@gmail.com
 Date: Fri, 25 Apr 2014 14:46:44 -0500
 To: frameworks@jonasmekasfilms.com
 Subject: Re: [Frameworks] Optical Sound - filter

 Thanks for the quick reply. It's 16mm.


 On Fri, Apr 25, 2014 at 2:40 PM, Roger Wilson 
 rogerdwil...@sympatico.cawrote:

 I have had a number of optical tracks created over the years and have
 never had the lab (Skylight Studios in Toronto) make this request. Is it a
 16mm mono track or 35mm?


 Roger D. Wilson
 Film Scientist
 613 324 - 7504
 rogerdwil...@sympatico.ca
 http://www.rogerdwilson.ca

 Without failure you can never achieve success. I have based my process and
 my career as an experimental film artist on this statement; and I welcome
 it as it pushes me forward as an artist to try something different,
 something new.


 --
 From: jaredphutchin...@gmail.com
 Date: Fri, 25 Apr 2014 14:35:21 -0500
 To: frameworks@jonasmekasfilms.com
 Subject: [Frameworks] Optical Sound - filter


 Hello, all,
 I am almost ready to send out for an optical track for my first sync-sound
 print.
 I gave a call to the lab which photographs for optical tracks and I was
 told that my sound needed to be treated with an academy pre-emphasis
 filter. I was wondering if this (possibly expensive?) stage is necessary
 for my film sound. The soundtrack to my short is pretty primitive-sounding
 and not reliant on great fidelity.
 Thanks!
 Jared

 ___ FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks

 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks



 ___ FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks

 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks



 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks


___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com

[Frameworks] Optical Sound - filter

[Jared Hutchinson]

Hello, all,
I am almost ready to send out for an optical track for my first sync-sound
print.
I gave a call to the lab which photographs for optical tracks and I was
told that my sound needed to be treated with an academy pre-emphasis
filter. I was wondering if this (possibly expensive?) stage is necessary
for my film sound. The soundtrack to my short is pretty primitive-sounding
and not reliant on great fidelity.
Thanks!
Jared
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] Optical Sound - filter

[Jared Hutchinson]

Thanks for the quick reply. It's 16mm.


On Fri, Apr 25, 2014 at 2:40 PM, Roger Wilson rogerdwil...@sympatico.cawrote:

 I have had a number of optical tracks created over the years and have
 never had the lab (Skylight Studios in Toronto) make this request. Is it a
 16mm mono track or 35mm?


 Roger D. Wilson
 Film Scientist
 613 324 - 7504
 rogerdwil...@sympatico.ca
 http://www.rogerdwilson.ca

 Without failure you can never achieve success. I have based my process and
 my career as an experimental film artist on this statement; and I welcome
 it as it pushes me forward as an artist to try something different,
 something new.


 --
 From: jaredphutchin...@gmail.com
 Date: Fri, 25 Apr 2014 14:35:21 -0500
 To: frameworks@jonasmekasfilms.com
 Subject: [Frameworks] Optical Sound - filter


 Hello, all,
 I am almost ready to send out for an optical track for my first sync-sound
 print.
 I gave a call to the lab which photographs for optical tracks and I was
 told that my sound needed to be treated with an academy pre-emphasis
 filter. I was wondering if this (possibly expensive?) stage is necessary
 for my film sound. The soundtrack to my short is pretty primitive-sounding
 and not reliant on great fidelity.
 Thanks!
 Jared

 ___ FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks

 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks


___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks