Thanks for the quick reply. It's 16mm.
On Fri, Apr 25, 2014 at 2:40 PM, Roger Wilson <rogerdwil...@sympatico.ca>wrote:
> I have had a number of optical tracks created over the years and have
> never had the lab (Skylight Studios in Toronto) make this request. Is it a
> 16mm mono track or 35mm?
> Roger D. Wilson
> Film Scientist
> 613 324 - 7504
> Without failure you can never achieve success. I have based my process and
> my career as an experimental film artist on this statement; and I welcome
> it as it pushes me forward as an artist to try something different,
> something new.
> From: jaredphutchin...@gmail.com
> Date: Fri, 25 Apr 2014 14:35:21 -0500
> To: firstname.lastname@example.org
> Subject: [Frameworks] Optical Sound - filter
> Hello, all,
> I am almost ready to send out for an optical track for my first sync-sound
> I gave a call to the lab which photographs for optical tracks and I was
> told that my sound needed to be treated with an academy pre-emphasis
> filter. I was wondering if this (possibly expensive?) stage is necessary
> for my film sound. The soundtrack to my short is pretty primitive-sounding
> and not reliant on great fidelity.
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