[Frameworks] 40 Experimental Film books for sale

2017-05-07 Thread Joel Wanek
/downloads/books1.JPG joelwanek.com/downloads/books2.JPG joelwanek.com/downloads/books3.JPG If anyone is interested in purchasing these in their entirety, please let me know. I'm not interested in selling them individually. Make me an offer! ;-) Cheers, Joel Wanek

Re: [Frameworks] Film and Photo resources in Hamburg/Germany

2015-08-13 Thread Joel Wanek
Chris, The folks at Lichtmess should be able to help you out. They are a film- only screening venue in Hamburg. http://www.lichtmess-kino.de www.joelwanek.com ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com

Re: [Frameworks] tableau vivante : experimental film and single frames

2014-10-10 Thread Joel Wanek
I'm not sure if this fits your idea of experimental film, but Sergei Paradjanov's masterpiece The Color of Pomegranates is full of tableaux. www.joelwanek.com ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com

[Frameworks] Film In The House Of The Word, vol. v

2013-03-15 Thread Joel Wanek
) and Joel Wanek (MFA Experimental + Documentary Arts). NATHANIEL MACKEY has written numerous books of poetry including Nod House (New Directions, 2011); Splay Anthem (2006), which won the 2006 National Book Award in Poetry; Whatsaid Serif (1998); Eroding Witness (1985), which was selected

Re: [Frameworks] voyeurism / street photography in exp cinema

2013-01-27 Thread Joel Wanek
Chuck, Helen Levitt's still camera was nothing specially design to trick people. She used an eyepiece that is not unlike many of the optical viewfinders that folks attach to DSLRs today. But, it did allow her to point her body in a different direction, away from her subjects, while she shot. But,

Re: [Frameworks] voyeurism / street photography in exp cinema

2013-01-27 Thread Joel Wanek
interesting, Jeff. perhaps the marketing of it was different than the intention for inventing it. from what i've always understood, they were designed to photograph at strange angles or when the camera was lower/higher than comfortable for the eye. in an interview i read once, levitt referred to