Vertov and Svilova!
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> On Feb 10, 2017, at 3:26 PM, Pip Chodorov wrote:
>
> Sorry I forgot
> Alexander Alexeieff and Claire Parker
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
>
Tarkovsky's Mirror.
On Fri, Jan 1, 2016 at 9:27 AM, wrote:
> Après le bal (Georges Méliès, 1897)
> Nana (Dan Wolman, 1983)
>
> 2016-01-01 14:39 GMT+01:00 Pip Chodorov :
>
>> "Window Water Baby Moving" seems seminal...
>>
>>
>> At 15:14 -0500 31/12/15,
that carries the work.
Thirdly, what is your new book ?
Jaime
On Monday, 24 November 2014, 17:57, John MacKay johnmacka...@gmail.com
wrote:
Self-reflexivity in Vertov is a very complex topic, not least in relation
to the questions of how and when he ended up taking recourse to
self-reflexivity
Self-reflexivity in Vertov is a very complex topic, not least in relation
to the questions of how and when he ended up taking recourse to
self-reflexivity, and why he never thematizes it in his manifesta and other
theoretical writings. I've got a lot about this in my upcoming book on
Vertov, but
Sans Soleil; Level 5.
Best
John
Sent from my iPhone
On Jun 8, 2013, at 6:13 AM, David Tetzlaff djte...@gmail.com wrote:
I'm thinking of films that are being used as a medium to either: explore the
nature/experience of memory and how it works
Unstuck-in-time narratives can be considered