Self-reflexivity in Vertov is a very complex topic, not least in relation
to the questions of how and when he ended up taking recourse to
self-reflexivity, and why he never thematizes it in his manifesta and other
theoretical writings. I've got a lot about this in my upcoming book on
Vertov, but here's something that looks at the film and its reflexivity
from a somewhat different angle:

https://www.academia.edu/4090580/_Man_with_a_Movie_Camera_An_Introduction_

On Mon, Nov 24, 2014 at 11:19 AM, Francisco Torres <[email protected]>
wrote:

> ''...the reflexive mode'' - that seems to apply to documentaries, and
> TMWAMC may not be a documentary but something else. Maybe something like an
> essay....
>
>
> 2014-11-23 20:48 GMT-04:00 Jonathan Walley <[email protected]>:
>
> I’m not sure anything’s ever been written about DV/MWMC that *didn’t*
>> address his/its reflexivity. Any source you consult will have something to
>> say about it. Some recommended sources include:
>>
>> http://www.ucpress.edu/book.php?isbn=9780520056305
>> http://ukcatalogue.oup.com/product/9780199388707.do
>> http://books.google.com/books/about/Documentary.html?id=qtZ91DNvgBMC
>>
>> This doesn’t mention TONS of scholarly essays on Vertov and MWMC. Lots to
>> work with.
>> JW
>>
>> Dr. Jonathan Walley
>> Associate Professor
>> Department of Cinema
>> Denison University
>> [email protected]
>>
>>
>> On Nov 23, 2014, at 4:08 PM, jaime cleeland <[email protected]>
>> wrote:
>>
>> Hello,  I am writing an academic essay about 'Man with the Movie Camera'
>> .  Any pointers on the reflexive mode within the film would be helpful.
>>
>> Jaime
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