[Frameworks] Exhibition: Film Implosion! Experiments in Swiss Cinema. Re-opened in Zurich. (Feb 3 - April 9, 2017)

[Fred Truniger]

Dear Frameworkers
We proudly present the re-opening of our exhibition FILM IMPLOSION! EXPERIMENTS 
IN SWISS CINEMA in Zurich, Switzerland!
The exhibition was initially conceived from Nov. 2015 to Feb. 2016 by FRI-ART, 
Centre d’art (http://www.fri-art.ch/en) in the small swiss town of Fribourg and 
is now presented in a scaled-down version in the Museum für Gestaltung in 
Zurich (http://www.museum-gestaltung.ch/en/).

Film Implosion presents for the first time an overview of the history of the 
avant-garde film in Switzerland from 1950 until today. – After all, the first 
Swiss film-ooop, the Zurich based ‚FilmForum’, was funded in 1966, in the same 
year as London and two years prior to Hamburg, Munich, Cologne – just didn’t 
last as long… :)
The exhibition is based on a research project by the Zurich University of 
Applied Arts, the Séction Cinema at the University of Lausanne, and the Lucerne 
University of Applied Science & Arts. Information about this project can be 
found at: https://intern.zhdk.ch/index.php?id=89962

If you happen to be in Switzerland in the next weeks, don’t miss it!
For further information, you can contact me.
cheers!
fred




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Re: [Frameworks] 360 degrees

[Fred Truniger]

does straub/huillet's repeated drive around the roundabout of la bastille in 
'trop tot, trop tard' qualify?

if so, i'd strongly recommend volko kamensky's short film 'divina obsesión' 
from 1997 (Germany). it's doing 23 drive-troughs in french roundabouts. great 
film! unfortunately completely unknown.

i guess also the opening-scene in tarantino's 'reservoir dogs' is circling 
around the table, however there are many cuts. you are probably not looking for 
this kind of mise-en-scène, are you?

cheers, fred

> Am 18.02.2016 um 01:06 schrieb Gene Youngblood :
> 
> Friends,
> I need recommendations of films that contain 360-degree dolly (or Steadicam) 
> shots. Like for example circling around people seated at a restaurant table, 
> but it can be anything. It seems to me there are “famous” ones in the French 
> New Wave, and there must be many others before and after that.
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Re: [Frameworks] Archival Footage on Iran

[fred truniger]

last year swiss filmmaker samir, who is of iraqui origin, premiered his 
documentary IRAQUI ODYSSEY. Its a (hi)story of his family in which he 
used mainly private but also - if I remember correctly - other archival 
footage. you might want to contact him @ the production company dschoint 
ventschr.
this is the webpage of the film: 
http://www.dschointventschr.ch/en/inproduction/documentaries/iraqi-odyssey

good luck! Fred



Am 16.09.15 um 19:40 schrieb Roshanak Elmendorf:

Hello Friends,
I am looking for archival footage or photographs on 1979 revolution in 
Iran and on the events after that, which I can use in my recent film. 
I am familiar with Prelinger archives but I find very little on the 
subject. Please advise.

Thanks in advance.

https://vimeo.com/137631818
aroomwithoutaviewfilm.com <http://aroomwithoutaviewfilm.com/>

Best
Roshanak
roshanakelmendorf.com <http://roshanakelmendorf.com>



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*Dr. Fred Truniger*
Grünmattstrasse 52
CH - 8055 Zürich
Tel: +41 - 43 - 3445220
Mobile: + 41 78 8258864

*Office*
Sihlquai 67
8005 Zürich
fred.truni...@gmail.ch
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Re: [Frameworks] countryside film

[fred truniger]

Austrian Film!
Knittelfeld, by Gerhard Friedl! (see: 
http://www.sixpackfilm.com/en/catalogue/show/722)

It's exactly what you are looking for. I guess there is a subtitled version.
cheers, fred

Am 13.07.15 um 22:58 schrieb Lawrence Brose:
Definitely The Garden  by Derek Jarman a complex and hauntingly 
beautiful film filled with restrained rage





Lawrence Brose
(716) 491-9062

On Jul 13, 2015, at 1:40 PM, Francisco Torres fjtorre...@gmail.com 
mailto:fjtorre...@gmail.com wrote:



Experimental-
Maybe those early 70s S8 films of the British countryside by Derek 
Jarman, I always feel they contain menace in the pastoral views.

This is the most ''famous'' one..

https://www.youtube.com/watch?v=xi-HFQOsJcE

2015-07-13 12:19 GMT-04:00 Tim Halloran televis...@hotmail.com 
mailto:televis...@hotmail.com:


Post Tenebras Lux. Carlos Reygadas.

Tim

Sent from my iPad

On Jul 13, 2015, at 1:04 AM, franco base frenk.ca...@gmail.com
mailto:frenk.ca...@gmail.com wrote:


Hi
I'm looking for experimental films where the idyllic vision of
the countryside is overturned. Films that show the violence and
ignorance that reign in the little villages in opposition, for
example, with the hippie vision of the countryside.

Non experimental films are welcome also.
I think to:
Hunting Scenes from Bavaria little village
La Poison
Straw Dogs

Thanks a lot.


f

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*Dr. Fred Truniger*
Grünmattstrasse 52
CH - 8055 Zürich
Tel: +41 - 43 - 3445220
Mobile: + 41 78 8258864

*Office*
Sihlquai 67
8005 Zürich
fred.truni...@gmail.ch
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Re: [Frameworks] Night films

[fred truniger]

I guess you can rent the film both from the Arsenal in Berlin and the 
lichtspiel kinemathek in Berne, Switzerland. (www.lichtspiel.ch).

not 100% sure, though.
cheers, fred

Am 14.05.15 um 09:15 schrieb nicky.ham...@talktalk.net:
The Klopfenstein is the one I was trying to remember. The LFMC had a 
print of it long ago. Might be worth asking LUX,


Nicky.



-Original Message-
From: Christopher Ball cbifi...@gmail.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Thu, 14 May 2015 5:47
Subject: Re: [Frameworks] Night films

Peter Mettler, Picture of Light, 
http://www.imdb.com/title/tt0110831/combined


On Wed, May 13, 2015 at 12:46 PM, Esperanza Collado 
esperanzacolla...@gmail.com mailto:esperanzacolla...@gmail.com wrote:


Thank you all for your superb recommendations.

2015-05-13 17:09 GMT+02:00 fred truniger fred.truni...@gmail.com
mailto:fred.truni...@gmail.com:

Hi Esperanza
Clemens Klopfenstein's Night Films come to my mind: Geschichte
der Nacht (to be found on ubu); Transes; Das Schlesische Tor.
These have been shot around 1980 in 16mm entirely at night
without any additional light.
Emily Richardson's Petrolia is another random guess.
cheers, fred


Am 13.05.15 um 14:55 schrieb peter snowdon:

Hi Esperanza,
At the more documentary end of the experimental spectrum,
there is Laura Waddington's Border, much of which was shot at
night.
There are also these four short YT videos which speak, I
think, to the question of what the night conceals, and what
it makes visible (sensible):
http://www.mightierthan.com/2009/07/poem-for-the-rooftops-suite/
best
Peter
On Tue, May 12, 2015, at 07:49 PM, Esperanza Collado wrote:

Dear frameworkers,
A friend is preparing a film in which she will work in the
limits of visibility, in the night, trying to force
perception. Would you please recommend experimental film
references apart from Liotta, Dorsky, Dwoskin? It would be
interesting to get references of films and videos in which
there is no use of special camera techniques such as
time-lapse or night-shot.
Many thanks!
-- 
Esperanza Collado

- - - - - - - - - - - - - -
www.esperanzacollado.org http://www.esperanzacollado.org
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The term 'experimental cinema' is like 'organic agriculture'
or 'participatory democracy': we only need the adjective
because there's something wrong with the noun. Nicolas Rey
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-- 
*Dr. Fred Truniger*

Grünmattstrasse 52
CH - 8055 Zürich
Tel: +41 - 43 - 3445220
Mobile: + 41 78 8258864

*Office*
Sihlquai 67
8005 Zürich
fred.truni...@gmail.ch mailto:fred.truni...@gmail.ch

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-- 
Esperanza Collado

- - - - - - - - - - - - - -
www.esperanzacollado.org http://www.esperanzacollado.org

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CH - 8055 Zürich
Tel: +41 - 43 - 3445220
Mobile: + 41 78 8258864

*Office*
Sihlquai 67
8005 Zürich
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Re: [Frameworks] Night films

[fred truniger]

Hi Esperanza
Clemens Klopfenstein's Night Films come to my mind: Geschichte der Nacht 
(to be found on ubu); Transes; Das Schlesische Tor.
These have been shot around 1980 in 16mm entirely at night without any 
additional light.

Emily Richardson's Petrolia is another random guess.
cheers, fred


Am 13.05.15 um 14:55 schrieb peter snowdon:

Hi Esperanza,
At the more documentary end of the experimental spectrum, there is 
Laura Waddington's Border, much of which was shot at night.
There are also these four short YT videos which speak, I think, to the 
question of what the night conceals, and what it makes visible 
(sensible):

http://www.mightierthan.com/2009/07/poem-for-the-rooftops-suite/
best
Peter
On Tue, May 12, 2015, at 07:49 PM, Esperanza Collado wrote:

Dear frameworkers,
A friend is preparing a film in which she will work in the limits of 
visibility, in the night, trying to force perception. Would you 
please recommend experimental film references apart from Liotta, 
Dorsky, Dwoskin? It would be interesting to get references of films 
and videos in which there is no use of special camera techniques such 
as time-lapse or night-shot.

Many thanks!
--
Esperanza Collado
- - - - - - - - - - - - - -
www.esperanzacollado.org http://www.esperanzacollado.org
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--
The term 'experimental cinema' is like 'organic agriculture' or 
'participatory democracy': we only need the adjective because there's 
something wrong with the noun. Nicolas Rey

___
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www.redrice.net


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CH - 8055 Zürich
Tel: +41 - 43 - 3445220
Mobile: + 41 78 8258864

*Office*
Sihlquai 67
8005 Zürich
fred.truni...@gmail.ch
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Re: [Frameworks] Books on the History of Avant-Garde film in US

[fred truniger]

@jonasmekasfilms.com
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Tel: +41 - 43 - 3445220
Mobile: + 41 78 8258864

*Office*
Sihlquai 67
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Re: [Frameworks] Experimental shorts with science-fiction themes?

[fred truniger]

Chris Marker's La Jetée, of course.

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Re: [Frameworks] Experimental shorts with science-fiction themes?

[fred truniger]

hi gina
Johannes Hammel's Die Schwarze Sonne (see in english: 
http://www.sixpackfilm.com/en/catalogue/show/579)
Michael Palm's Low Definition Control – Malfunctions #3 
(http://www.sixpackfilm.com/en/catalogue/show/1925)

cheers! Fred


Am 12.01.15 um 03:31 schrieb gina marie napolitan:

Hello all,

I'm looking for recommendations for experimental film and animated 
works that have science-fiction/visionary themes, both overt (like La 
Jetee or Tribulation 99) and subtle (maybe more along the lines of 
Christopher MacLaine's The End or These Hammers Don't Hurt Us by 
Michael Robinson).


Thank you!
Gina


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Tel: +41 - 43 - 3445220
Mobile: + 41 78 8258864

*Office*
Sihlquai 67
8005 Zürich
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Re: [Frameworks] Bruce Conner Prints

[Fred Truniger]

Dear Dominic
If I'm not too late for this, I'd be interested in the films and catalogs of 
Mr. Conner.
Anything still there? To what price?
Best from Switzerland,
Fred


Am 29.07.2014 um 17:46 schrieb Dominic Angerame dominic.anger...@gmail.com:

 I still have a couple of Bruce Conner prints for sale. These are prints meant 
 for private use only and were given to me or I bought directly from Bruce 
 before he passed away. Also have several gallery/exhibiition catalogs and a 
 copy of Bruce Conner Story (hardcover). All are signed. I will be placing 
 these items on ebay soon. I am giving Framworkers the first chance to 
 purchase these at a discount. Contact me off the list for prices. 
 domi...@cinemod.net.
 
 Prints for sale:
 
 Report--used
 Valse Triste new estar
 Crossroads used
 
 
 Thanks
 
 Dominic
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Re: [Frameworks] Islands in experimental film and video

[Fred Truniger]

GB is an island:
William Raban: Island Race
andrew koetting: Gallivant: http://bfi.muvies.com/reviews/1485-gallivant


if you take into account more metaphoric islands you might also consider two 
animation films:
w  c lauenstein: Balance: http://www.youtube.com/watch?v=-flKGPW9QCwfeature=kp
Konstantin Bronzit: Au bout du monde: http://www.youtube.com/watch?v=7-tcJPIMwhk

cheers!
fred


Am 22.06.2014 um 23:31 schrieb Pigott, Michael:

 Dear Frameworkers,
  
 I'm putting together a piece about the use of islands as locations in recent 
 experimental film and video. I'm focussing on Ben Rivers' Slow Action and 
 Simon Faithfull's Stromness. I am building a list of other work that involves 
 islands at the moment, and I would be very grateful for your suggestions of 
 other experimental and artists' work (recent or historical) that are about 
 islands or use islands as locations.
  
 Thanks in advance!
  
 Michael Pigott
  
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Re: [Frameworks] Films about labor and leisure--by women

[Fred Truniger]

if you speak german the films of jürgen boettcher are worth a good look at. 
they do deal with work and leisure.
especially Wäscherinnen is worth looking at: boettcher portrays young workers 
in a industrial laundry in their working environment and interviews them about 
their dreams and everyday activities.
... hard to find, though, in german only (i guess), and from a long bygone 
period in the history of our societies...
-fred


Am 13.05.2014 um 17:17 schrieb Chuck Kleinhans:

 If we could think about domestic labor, there’s a whole lot of other films, 
 many by women, to consider:
 
 Chantal Akerman, Jeanne Dielman 23 quai de Commerce
 Gunvor Nelson and Dorothy Wiley, SCHMEERGUNTZ
 Carikee Schneenman, Kitch’s Last Meal
 Lizzie Borden, Working Girls
 Michelle Citron, Queer Fest (interactive media)
 Marjorie Keller, Misconcneption (and many other films by her)
 Joyce Weiland, Water Sark
 Chick Strand, Fake Fruit
 Laura Kipnis, Ecstasy Unlimited
 
 
 and all birth films, even those made by men like Water Window Baby Moving, 
 contain representations of women’s labor/women in labor
 
 
 and many many more films if we think about women’s emotional labor in dealing 
 with the family, or a man
 
 
 
 
 Chuck Kleinhans
 
 
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[Frameworks] Looking for Morgan Fisher interview with Jack Goldstein (1977)

[Fred Truniger]

Dear Frameworkers
I have been asked to give an introduction to some films by Jack Goldstein next 
week. Because no library in Zurich, Switzerland has a copy of any magazine or 
book in which it has been published, I would like to ask you: Does anyone have 
a digital copy of Morgan Fishers Interview with Jack Goldstein from 1977 and 
would agree to send it to me?
It was published in the LAICA Journal, no. 14, April-May 1977. p. 42-45.
Then reprinted in:
Jack Goldstein. (Exposition, Grenoble, Le Magasin, Centre National d' Art 
Contemporain, 3 fév. - 28 avr. 2002. Eds. Yves Aupetitallot; Lionel Bovier. Le 
Magasin-Centre National d'Art Contemporain (2002)
and in:
Jack Goldstein. Films, Records, Performances and Aphorisms 1971 - 1984, ed. by 
Daniel Buchholz and Christopher Müller, Cologne 2003.
And again (in Germain and in extracts this time) in: Morgan Fisher im Gespräch 
mit Jack Goldstein, in: Sie träumt von ihrem Lieblingsstar. Er spricht mit 
einer fremden Sprache. Vier Räume aus der Sammlung Schürmann, ed. by Julian 
Heynen und Doris Krystof, exh. cat. K 21 Kunstsammlung NRW, Düsseldorf 2002.

Any help?

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[Frameworks] found footage: working with the (complete) oevre of another filmmaker

[Fred Truniger]

Dear Frameworkers
I am looking for found footage films that deal (almost) excusively with the 
oevre of one filmmaker and re-interpret or re-read the contents and motifs of 
these films. the model for the query would be the Phoenix Tapes by 
Girardet/Müller. Are there any films you can recommend?
Thank you!
Fred
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Re: [Frameworks] Texts on appropriation, collage and ethics/fair use

[Fred Truniger]

hi all
this is an excerpt of a list I made a couple of years ago with materials on 
ff-film. some of it is in german even for texts originally written in english. 
you should be able to find these in english, too.
hope it helps,
fred


Arthur, Paul: Lost and Found: American Avant-Garde Film in the Eighties. In: 
Nelly Voorhuis: A Passage Illuminated. The American Avant-Garde Film 1980-1990. 
Amsterdam 1991. S. 15-29.
Arthur, Paul: The Status of Found Footage. In: Spectator, 20.1, Fall/Winter 
2000. Los Angeles 2000. S. 57-69.
Baldwin, Craig: From Junk to Funk to Punk to Link. In: Anker, Steve; Geritz, 
Kathy; Seid Steve (Hrsg.): Radical Light. Alternative Film  Video in the San 
Francisco Bay Area, 1945-2000. Berkeley 2010. S. 95-100.
Basilico, Stefano: Cut. Film as Found Object in Contemporary Video. Milwaukee 
2004.
Beauvais, Yann: Found Footage. Vom Wandel der Bilder. In: Blimp, Heft 16. Graz 
1991. S. 4-11.
Beauvais, Yann: Verloren und wiedergefunden. In: Cecilia Hausheer, Christoph 
Settele: Found Footage Film. Luzern 1992. S. 8-25.
Blümlinger, Christa: Zwischen den Bildern/Lesen. In: Christa Blümlinger; 
Constantin Wulff (Hrsg.): Schreiben Bilder Sprechen. Texte zum essayistischen 
Film. Wien 1992.
Blümlinger, Christa: Kino aus zweiter Hand. Zur Ästhetik materieller Aneignung 
im Film und in der Medienkunst. Berlin 2009.
Bovier, François (Hrsg.): Is This What You Were Born For? Strategies of 
Appropriation and Audio-Visual Collage in the Films of Abigail Child. Geneva 
2011.
Cahill, James Leo: ...and Afterwards? Martin Arnold's Phantom Cinema. In: 
Spectator, 27.3: Supplement 2007. Los Angeles 2007. S. 19-25.
Child, Abigail: This is Called Moving. A Critical Poetics of Film. Tuscalosa, 
Alabama 2005.
Christine N. Brinckmann: Die poetische Verkettung der Bilder. In: montage/av. 
20/1/2011. Marburg 2012. S. 29-43.
Danks, Adrian: The Global Art of Found Footage Cinema. In: Linda Badley; R. 
Barton Palmer; Steven Jay Schneider (Hrsg.): Traditions in World Cinema. 
Edinburgh 2006.
Halter, Ed: Recycle it. Internet: 
http://www.movingimagesource.us/articles/recycle-it-20080710 (Internetzugriff 
am: 1.2.2012).
Hauptmann, Jodi: Joseph Cornell. Stargazing the Cinema. New Haven 1999.
Hausheer, Cecilia; Settele, Christoph: Found Footage Film. Luzern 1992.
Hoolboom, Mike; MacKenzie, Alex: Loop, Print, Fade and Flicker. David Rimmer's 
Moving Images. Vancouver 2009.
Horwath, Alexander; Loebenstein, Michael (Hrsg.): Peter Tscherkassky. Wien 2005.
James, David E.: Allegories of Cinema. American Film in the Sixties. Princeton 
1989.
Kirchmann, Kay: Bildermüll und Wiederverwertung. Eine medientheoretische 
Perspektive auf Formen und Funktionen des Bilderrecyclings im 
Found-Footage-Film. In: Thomas Koebner; Thomas Meder (Hrsg.): Bildtheorie und 
Film. München 2006. S. 497-512.
Leyda, Jay: Films beget Films. In: London. London 1964.
O'Pray, Michael: From Dada to Junk. Bruce Conner And the Found-Footage Film. 
In: Monthly Film Bulletin. London 1987. S. 315-316.
Peterson, James: Bruce Conner and the Compilation Narrative. In: Wide Angle, 
Vol. 8, Nr. 3/4. Special Issue Narrative/Non-Narrative. Ann Arbor 1986. S. 
53-62.
Peterson, James: Making Sense of Found Footage. In: Cecilia Hausheer, Christoph 
Settele: Found Footage Film. Luzern 1992. S. 54-75.
Peterson, James: Dreams of Chaos, Visions of Order. Understanding the American 
Avant-Garde Cinema. Detroit 1994.
Sandusky, Sharon: Archäologie der Erlösung. Eine Einführung in den 
Archivkunstfilm. In: Blimp, Heft 16. Graz 1991. S. 14-22.
Sitney, P Adams: The Cinematic Gaze of Joseph Cornell. In: McShine, Kynaston 
(Hrsg.): Joseph Cornell. München 1990. S. 69-89.
Sitney, P. Adams: Visionary Film: The American Avant-Garde. Oxford 1979.
Sitney, P. Adams: Eyes Upside Down. Oxford 2008.
Sjöberg, Patrik: The World in Pieces: A Study of Compilation Films. Stockholm 
2001.
Skoller, Jeffrey: Shadows, Specters, Shards. Making History in Avant-Garde 
Film. Minneapolis 2005.
Taylor, Henry McKean: Der Krieg eines Einzelnen. Eine fimische 
Auseinandersetzung mit der Geschichte. Zürich 1995.
Ursula Blickle Stiftung et. al. (Hrsg.): Bruce Conner. Die 70er Jahre. Nürnberg 
2010.
Vertov, Dziga: Kinoki – Umsturz. In: Texte zur Theorie des Films (Reclam). 
Stuttgart 1979. S. 24-38.
Wees, William C: Recycled Images. New York 1993.
Wees, William C.: Old Images, New Meanings: Reontextualizing Archival Footage 
of Nazism and the Holocaust. In: Spectator, 20.1, Fall/Winter 2000. Los Angeles 
2000. S. 70-76.
Zryd, Michael: Found Footage-Film als diskursive Metageschichte. Craig Baldwins 
TRIBULATION 99. In: montage/av. 11/1/2002. Berlin 2002. S. 113-134.



Am 24.05.2013 um 18:50 schrieb Adam R. Levine:

 Hello,
 
 I'm looking for any books or short texts that might offer a survey of the 
 history and practice of the appropriation and collage in the field of moving 
 images. In addition, if there is any such work that also address questions of 
 copyright, ethics and fair use, that would be great.

Re: [Frameworks] Video works unviewable due to lost apparatus?

[Fred Truniger]

Hi there
there's been a show in the Kunstmuseum Lucerne (Switzerland) in 2008 with 
video-art from the 70ies and 80ies (Swiss Video) curated by a group of art 
historians and restaurators. the catalogue has texts also on the difficulties 
of presenting such work after 20-30 years. there is an english version of this 
with the ISBN 978-3-03764-053-1.
it's been published through jrp ringier and distributed also in the US.

Schubiger, Irene: Schweizer Videokunst der 1970er und 1980er Jahre. Eine 
Rekonstruktion.
English: 
Reconstructing Swiss Video Art from the 1970s  1980s

see e.g.: http://www.artbook.com/9783037640548.html

cheers!
Fred


Am 15.05.2013 um 10:24 schrieb Lundgren:

 I know that once on this list somebody mentioned that there was a Andy Warhol 
 work that was done on a video system which had no surviving video players. 
 I've tried to search the list unable to find any information. Does anyone 
 know of this and have a decent (preferable academically scrutinize-able) 
 source for it?
 
 Or those anyone have examples of other famous artist with video works (or 
 similair) lost due to the fact that we don't have any machines to watch it 
 anymore?
 
 Björn Lundgren
 Sweden
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[Frameworks] 16mm transfer in England

[Fred Truniger]

Dear Frameworkers
For a small film preservation project we are looking for a lab in/near London, 
England for film transfers from 16mm (color negative) to digital. The transfer 
should be 2k at least. Can anyone recommend us a company that does good work?

thanks!
fred
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