Thanks so much, John and Jodie!
On Sun, Jul 6, 2014 at 3:09 PM, John Woods jawood...@yahoo.ca wrote:
I did use FCP to get an edit list in 2009. I used SD video with burn in
code. Got Flex files from a transfer from Deluxe Vancouver. The used Cinema
Tools to convert the files at home. However
(nicky.ham...@talktalk.net)
-- Forwarded message --
From: laska jimsen las...@gmail.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Cc:
Date: Sun, 6 Jul 2014 10:07:03 -0500
Subject: Re: [Frameworks] 16mm -- HD -- 16mm
Trying again now that Frameworks
Oh heavens,I do miss work prints
2014-07-07 10:16 GMT-04:00 laska jimsen las...@gmail.com:
Thanks so much, John and Jodie!
On Sun, Jul 6, 2014 at 3:09 PM, John Woods jawood...@yahoo.ca wrote:
I did use FCP to get an edit list in 2009. I used SD video with burn in
code. Got Flex files
Trying again now that Frameworks is back up and running
On Thu, Jul 3, 2014 at 9:13 AM, laska jimsen las...@gmail.com wrote:
I'm digging up this old thread to see if anyone has any additional
thoughts/experience/advice about this workflow.
I'm still using FCP7 and would love to transfer the
Hello Laska,
I used that workflow (Film Telecine FCP7/CinemaTools EDL/Cut List Neg
Cutter) after this thread.It actually worked out great, as the 24fps (23.98)
transfer is actually frame accurate within your FCP 23.98 sequence.For the
EDLNeg Cutter process, you absolutely need to make sure
I did use FCP to get an edit list in 2009. I used SD video with burn in code.
Got Flex files from a transfer from Deluxe Vancouver. The used Cinema Tools to
convert the files at home. However as I recall there was a few kinks in the
workflow. Normally my digital edits are chaotic with clips
Hi Jodie,
I had problems too - on my feature documentary, the sync drifted in
FCP for no apparent reason, and we had a lot of tweaking to do in
Cinema Tools. I was told that this is the fault of FCP which does not
handle 2K very well, but I was assured by experts that if I had done
it in Avid
Hey Jodie,
I thought the same thing. The keycode is in the metadata so you don't need
the window burn (except when you do).
My EDL did not match my neg because my flex files were a total mess.
Fotokem did the telecine to HDCAM, created the ProRes files and created the
flex files. I thought I was
Calling all contemporary workflow afficionados!
I am working on a new 16mm project and considering making an
EDL from a telecine via Cinema Tools and FCP. From the EDL, I will cut my
negative and make a sound print
via A/B rolls.
This will be my first time
