Quoting Kevin Obsatz ke...@videohaiku.com:
My goal isn't a perfectly clean, seamless print, but I'm wondering
if there are any tips I should follow. I heard a rumor once that
Brakhage would include frames of black leader in between shots to
make splices less visible - but that could be
There are a number of filmmakers who have made the splice, and the quality
of the cut, extremely important - Peter Gidal is (arguably) the most
important of these. If you think about it, it is an attribute of shaping
time which can be used - you may want to.
Stan's 'wink' is a wonderfully
something different, something new.
From: djte...@gmail.com
Date: Fri, 22 Nov 2013 09:07:33 -0800
To: frameworks@jonasmekasfilms.com
Subject: Re: [Frameworks] editing 16mm
The single black frame invisible splice' technique is for cutting reversal.
It's extremely hard to edit negative
Hello Frameworks!
I have two questions:
1. I'm planning to edit some black and white 16mm negative by hand and I'm
looking for advice on how to make the splices as invisible as possible.
My plan is to edit the negative and make a contact print for a positive final
film. Is this crazy?
; and I welcome it as it
pushes me forward as an artist to try something different, something new.
From: ke...@videohaiku.com
Date: Fri, 22 Nov 2013 09:15:07 -0600
To: frameworks@jonasmekasfilms.com
Subject: [Frameworks] editing 16mm
Hello Frameworks!
I have two questions:
1. I'm
The normal method of doing this is to A-B roll. After you edit your workprint,
you conform the negative (or MUCH BETTER have a professional negative matcher)
so that there is a one-frame overlap. The negative is edited with cement,
unlike the tape you edit the workprint with, so you have to get
The single black frame invisible splice' technique is for cutting reversal.
It's extremely hard to edit negative without mucking it up, which is one reason
the normal routine is to cut a workprint and leave the conforming to a pro.
___
FrameWorks
, something new.
From: djte...@gmail.com
Date: Fri, 22 Nov 2013 09:07:33 -0800
To: frameworks@jonasmekasfilms.com
Subject: Re: [Frameworks] editing 16mm
The single black frame invisible splice' technique is for cutting reversal.
It's extremely hard to edit negative without mucking it up, which
On Nov 22, 2013, at 9:15 AM, Kevin Obsatz ke...@videohaiku.com wrote:
My goal isn't a perfectly clean, seamless print, but I'm wondering if there
are any tips I should follow. I heard a rumor once that Brakhage would
include frames of black leader in between shots to make splices less
