Hey folk,
Recently had a nice experience projecting with one of these (the manual
load ones), and I'm considering getting one and having it be my primary
instead of the pageant.
Seems to be easier to find zoom lenses for them, and they seem pretty
smooth, adjustable pressure gate, and some ha
On Mon, May 6, 2013 at 9:36 AM, Ekrem Serdar wrote:
>
> Recently had a nice experience projecting with one of these (the manual
> load ones), and I'm considering getting one and having it be my primary
> instead of the pageant.
>
> Seems to be easier to find zoom lenses for them, and they see
I like these machines a lot, built like tanks, easy to clean and take
apart, really great with damaged film, fast loading and ideal for short
loops (which I use them for) The weight and availability of bulbs, as you
mention, are the main issues for me - that and they look like something
pulled out
Hi all,
I'm hoping someone with contact information for Ken Jacobs might be
able to assist me off-list? Thanks!
Best,
Jacob
--
---
Jacob Waltman
4843 So. Naniloa Drive
SLC, UT, 84117
(801)755-3023
http://making-light-of-it.blogspot.com/
---
_
Thanks you 2; Alain, it's true the path isn't as easy as the Pageant
(specifically the bottom part), but still felt good. Lamp wise, true true,
but the pageant I have right now uses the old robot ears to begin with.
Plus the pageants I was eyeing didn't seem that great/cheap, so I just got
a grafle
I have easily owned 50+ projectors over the years, and have had a coupleathree
of these go through my collection.
(I think I have one sitting unused in my basement right now, actually.)
I never used them for very long.
The threading is complicated, and hard to get out mid-reel, ( i.e. if the
Hey Gang,
I'm trying to work up a list of films that are direct remakes (like
What Farocki Taught), or riffs/covers (Ceibas: Epilogue - The Well of
Representation), or, hell, just films that are mainly sourced with
recognizable images (Alone. Life Wastes Andy Hardy & Outer Space).
Thoughts?
Best
Hello. My name is Haley Markbreiter. I'm the programming chair at Doc Films
(http://docfilms.uchicago.edu/dev/), a student-run cinematheque operating
out of the University of Chicago. We have seven repertory programs a week,
with prints -- and audience members -- from around the world.
Anyway. I'l
There's James Benning's 'One Way Boogie Woogie' and '27 Years Later.'
best,
Jason
--
Jason Middleton
Assistant Professor
Department of English
Graduate Program in Visual and Cultural Studies
University of Rochester
On May 6, 2013, at 8:32 PM, jb.mabe wrote:
> Hey Gang,
>
> I'm trying to work u
Hey Josh,
Remakes:
Elizabeth Subrin's Shulie
Francesco Vezzoli's Caligula (which is a fake trailer for a remake)
Leslie Supnet's Animated Heavy Metal Parking Lot
Clint Enns Ten S̶k̶i̶e̶s̶
Chris Gehman - Rostrum Press (sort of remake of Michael Snow's film)
as far as mainly sourced by recognizable
Selected films by Ichiro Sueoka [avant-garde film "remakes"]
Selected videos by Clint Enns
Shulie (Elisabeth Subrin) [shot for shot remake]
A Movie by Jen Proctor (Jen Proctor) [after A Movie]
Paris Times Three (Carina Johnson) [after Marilyn Times Five]
He Likes to Chop Down Trees (Leighton P
Michael Snow also did WVLNT as a remake of Wavelength
David Sherman
646 E 5th Street
Tucson, AZ 85705
520-366-1573
www.davidshermanfilms.com
On May 6, 2013, at 5:32 PM, "jb.mabe" wrote:
> Hey Gang,
>
> I'm trying to work up a list of films that are direct remakes (like
> What Farocki Taught)
In a pinch, I think you can rent dorm rooms during the summer at UCLA. At last
you used to be able to-- a great location of course. The best.
You might also be able to sneak into the film class showings on campus, too--
or ask the professors.
-Original Message-
From: Haley Markbre
Hm. I tried that, but didn't find anything -- everyone who wrote back was
either a boy, or had incompatible dates. Thanks for the help, though. I
really appreciate it.
On Mon, May 6, 2013 at 10:49 PM, wrote:
> In a pinch, I think you can rent dorm rooms during the summer at UCLA. At
> last you u
Many, if not all, works by Karen Yasinsky—including *Audition*; *Life is an
Opinion, Fire a Fact* and many others—consist of mediated quotations of
segments from films by John Cassavetes, Tarkovsky, Bresson, et al.
www.karenyasinsky.com/
Steve Polta
On Mon, May 6, 2013 at 6:40 PM, David Sherman
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