Dear Frameworkers:
I am working on a new film project with the Ealaíontóirí Mhuscraí
(that's Irish for the Muskerry Region Artists Group)
Part of the project will involve film / video making workshops where I will
show
them works from experimental film, creative documentary and artists' moving
im
Three is a severe limitation, but if you insist, one way to get at it is to
start not with films but with major traditions since mid-century and select
exemplary works within them. So for example abstract (Brakhage), minimalist
(Warhol, Wavelength), essayistic (Marker, Farocki, Forgacs). I inclu
There are dozens, no, hundreds of “essential” films for artists to see. But
here are three I might use: Stan Brakhage, “Dog Star Man,” Robert Breer, “A Man
and his Dog Out for Air,” Phil Solomon, “The Secret Garden.”
--Bill Wees
From: FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.com]
Maya Deren has to be in there...
Vicky Smith
From: FrameWorks [frameworks-boun...@jonasmekasfilms.com] on behalf of William
Wees, Dr. [william.w...@mcgill.ca]
Sent: Friday, March 27, 2015 7:45 PM
To: Experimental Film Discussion List
Subject: Re: [Frameworks] What
Yes, Meshes of the Afternoon. And Un Chien Andalou for sure. The third, for
me, would be A Movie by Conner.
2015-03-27 16:02 GMT-04:00 Vicky Smith5 :
> Maya Deren has to be in there...
>
> Vicky Smith
> --
> *From:* FrameWorks [frameworks-boun...@jonasmekasfilms.com
I taught an introductory course in which I framed things under the
terms "underground," "avant-garde," "studio-art video," "video as
technology," "documentary," and a concluding section called "film
culture" (histories of organizing, concluding with Cashmere's Incite
issue devoted to exhibition).
Wavelength (Snow, 1967); Zorns Lemma (Frampton, 1970); Arnulf Rainer
(Kubelka, 1960) - in that order.
Peter
(Perth)
On 28/03/2015 9:47 am, "Bernard Roddy" wrote:
>I taught an introductory course in which I framed things under the
>terms "underground," "avant-garde," "studio-art video," "video as
