Dear Frameworkers,
Has anyone worked with closed captioning and applied it to an experimental
film in a way that you felt captured the sound design of your project? I'm
thinking particularly of films that rely on ambient sound and/or music
rather than dialogue. The examples I've seen have been n
Hi there Caryn -
I really love this question. I think the answers are complicated.
I have not seen closed captioning or subtitling *successfully* applied to
experimental work, to communicate sound design. I say that in part because of
watching Twin Peaks: The Return last year and occasionally
