Re: [Frameworks] Shooting Super 16 but composing for regular

Hi Adam, I'm not sure if this will be useful for your shooting conditions. But, when making optical sound films, I generally use a video tap and draw out the reg 16mm specs on the TV screen with a dry erase marker. I measure the dimensions of the frame on the screen and then size a 16mm animati

Re: [Frameworks] Shooting Super 16 but composing for regular

Hi Chris, Yes, you do hear the framelines when shooting an optical sound film. To me, it's always felt like a timbral quality since the sound is passing the light so quickly, giving extra vibrations to the sounds within the frame. But, I guess if you think about it scientifically, the framelin

Re: [Frameworks] Muybridge and moving image art

Hi Jesse, Stacey Steers' "Phantom Canyon" (2006) makes particularly elegant use of Muybridge imagery. Best, Jodie Mack Assistant Professor of Animation Dartmouth College ___ FrameWor

Re: [Frameworks] 16mm --> HD --> 16mm

ching my film to my video edit. To me, HD actually brings simplicity to this process. Time's not time, but frames are frames! Good luck! Jodie MackAssistant Professor of AnimationDartmouth Collegewww.jodiemack.com __

[Frameworks] Liberty!

Hello Dear Frameworkers, I am writing on behalf of my class (Curating and Microcinema: Make Your Own Culture). The students are preparing a selection of films and videos centered around the theme of LIBERTY. We seek pieces that are related to LIBERTY in traditional and lyrical senses (from find

Re: [Frameworks] Dance films

Cup/Saucer/Two Dancers/Radio by Jonas Mekas La Joie de Vivre by Anthony Gross and Hector Hoppin New London Calling (or other works) by Alla Kovgan Top Ranking (Blonde Redhead video) by Miranda July +the animations/live performances of Kathy Rose > Date: Thu, 1 Sep 2011 17:52:19 -0400 > From:

[Frameworks] Oxberry Animation Stand Magazine + Adapter

Hello Frameworkers, I seek to purchase an accessory magazine (P/N 5326-31) and an accessory adapter (P/N 5326-30) for a 16mm Oxberry Animation Stand (Model 5332-00). If you have such products for sale or other suggestions to make, please contact me off-list. All the best, Jodie Mack

[Frameworks] 16mm --> HD --> 16mm

-the-time workflow? Am I being naïve? I feel like this method could work for me - the two transfer process seems designed for large-scale productions. If any of you have worked this way or teach this workflow, I’d surely appreciate any advice you can offer. All the best, Jodie Mack

Re: [Frameworks] contemporary animation texts

Hi Stephanie! Being a CalArts grad, I'm sure you know Maureen Furniss' THE ANIMATION BIBLE and also her READER IN ANIMATION STUDIES. These are definitely go-to classics, and I rarely teach ananimation class without assigning texts from those books. Robert Russett, co-author of EXPERIMENTAL ANIMA

Re: [Frameworks] exporting audio from Final Cut for optical print

Hey Alee!Do you mean the audio fell out of sync after burning the optical track or when you brought the file back into FCP?Aside from frame rate discrepancies, it could be a 44.1 vs. 48 khz issue. If you play a 44.1 file in a 48 sequence (and vice versa), you will experience sync/speed issues.I

Re: [Frameworks] Animated Conversations

JD, Off the top of my head: "Interview" by Caroline Leaf and Veronica Soul (saw this once and loved it + have a feeling you could find more by digging into VS' work)"Cockaboody" or "Moonbird" (or others containing recordings of their children) by John and Faith Hubley)"Frank Film" by Frank Mouri

Re: [Frameworks] sand animation examples?

This uses beads, not sand, but check out "The Bead Game" by Ishu Patel:http://www.youtube.com/watch?v=jPcRugH5VU8 JM > CC: frameworks@jonasmekasfilms.com > From: warrencocker...@gmail.com > Date: Mon, 18 Nov 2013 20:09:59 -0500 > To: frameworks@jonasmekasfilms.com > Subject: Re: [Frameworks] sand