Re: [Frameworks] HIGH SCHOOL workflow

2015-01-14 Thread mrktosc
For what it's worth, I believe the Criterion HD transfer of Window Water Baby Moving was made from an IP made from an IN made from an Ektachrome master made from the original. Mark T > On Jan 14, 2015, at 2:08 PM, Julian Antos > wrote: > > Hi all, > > Does anyone have any information on t

Re: [Frameworks] question regarding color preservation of early animation films

2015-01-31 Thread mrktosc
Le Giornate del Cinema Muto festival showed restored 35mm prints of the Ruttmann shorts in 2000, most of which were from the Munich Stadtmuseum and/or Netherlands Filmmuseum (now Eye). Some were tinted/toned, others were directly colored, and the 35mm preservations were done on color stock to r

[Frameworks] Super 8 to 35mm blowup?

2015-03-14 Thread mrktosc
Hi all - Is anyplace/anyone doing optical (not using digital) blowups from super 8 (pos) directly to 35mm (neg)? Thanks, Mark ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-14 Thread mrktosc
unfortunately I do not have his contact information anylonger > but you might be able to get it through LIFT in Toronto. > > www.lift.ca > > > Sent from Outlook > > > > > On Sat, Mar 14, 2015 at 5:50 PM -0700, "mrktosc" wrote: > > Hi all - &

Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-14 Thread mrktosc
Colorlab no longer does any optical work. But thanks Kevin for Andy Busti's info (and Andy himself)! Mark > On Mar 14, 2015, at 6:36 PM, Scott Dorsey wrote: > > I think Colorlab can do it, but I suspect you'll pay a big setup charge > for the optical printer since it's not something they do

Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-14 Thread mrktosc
Correct! They can scan/filmout, but the optical printer is no longer in operation there. Mark > On Mar 14, 2015, at 9:15 PM, Julian Antos > wrote: > > Does that mean no 16>35 as well? > >> On Sat, Mar 14, 2015 at 10:51 PM, mrktosc wrote: >> Colorlab no long

Re: [Frameworks] Super 8 to 35mm Optical Blowup

2015-03-15 Thread mrktosc
Bill didn't, to my knowledge, do 35mm. And unfortunately he's actually no longer doing optical work, last I spoke to him (month or two ago). Mark > On Mar 15, 2015, at 8:16 AM, Ken Paul Rosenthal > wrote: > > I'm surprised no one mentioned the master; Bill Brand. Here's his website: > ht

Re: [Frameworks] restoration help: IN MARIN COUNTY by Peter Hutton

2019-11-11 Thread mrktosc
Funny as it may seem, they do exist! mt > On Nov 11, 2019, at 9:19 AM, Mark Street wrote: > > Video master? Peter? Ha! ;) > > Mark Street > >> On Mon, Oct 7, 2019 at 4:18 PM Mark Toscano wrote: >> Hi all, >> >> I'm about to work on the restoration of Peter Hutton's early film IN MARIN

Re: [Frameworks] Original soundtrack recordings of Avant-Garde films

2019-12-04 Thread mrktosc
Not sure if legitimacy is a criterion but for what it’s worth, the Asparagus soundtrack is a bootleg from who knows what source material. Mark > On Dec 4, 2019, at 10:26 AM, Albert Alcoz wrote: > > Hello, > > I'm researching soundtracks of Avant-Garde films that have been published on > Vin

Re: [Frameworks] Original soundtrack recordings of Avant-Garde films

2019-12-07 Thread mrktosc
Gunvor Nelson made the My Name is Oona soundtrack herself with some input from Patrick Gleeson. Steve Reich was not involved, but his work had inspired the piece and he was a friend of Gunvor’s at the time. I think a lot of this common misconception comes from the film’s end credit, “Tack Pa

Re: [Frameworks] Looking for rights owner of John Stehura's "Atol"

2016-07-25 Thread mrktosc
John Stehura owns it. I preserved this film at the Academy about five years ago. Mark Toscano > On Jul 25, 2016, at 12:15 AM, Brecht Debackere > wrote: > > Hi all, > > I’m looking for information regarding the rights of “Atol” by John Stehura? > Does anyone know who might own these right

Re: [Frameworks] 16mm sound recording

2016-12-13 Thread mrktosc
I believe Laure Sainte-Rose did some work in this vein. If I remember right, I think she approached it in a manner similar to DTS for 35mm or 70mm, with an optical track containing a timecode signal connected to an external digital playback source of some kind. Somebody please correct me if I'

Re: [Frameworks] optical sound film screening

2017-03-02 Thread mrktosc
Primary Stimulus by Robert Russett the Chromesthetic Response Series films by Scott Stark No Art of Memory by James Otis Dresden Dynamo and Light Music by Lis Rhodes Persian Pickles (and others) by Jodie Mack Photogrammetry Series by Louis Hock -Mark Toscano > On Mar 2, 2017, at 5:27 AM, Pet

Re: [Frameworks] looking for name/artist of dance film

2018-11-30 Thread mrktosc
Secession by Manon de Boer: https://vimeo.com/175185514 Great one!! mt > On Nov 30, 2018, at 5:38 AM, Matt Shaw wrote: > > Hi Friends, > > I’m looking for the name of the film and filmmaker of a piece where the > camera tracks a dancer through the studio. The image goes black as the > maga

Re: [Frameworks] Lucifer Rising

2019-02-04 Thread mrktosc
If you’re not able to reach Brian, Canyon is an authorized distributor and should be able to clear the film on Kenneth’s behalf. Mark > On Feb 4, 2019, at 8:08 AM, Hawkins, Joan C. wrote: > > another Anger-related question. > I’m trying to find the rights info for LUCIFER RISING—IU has a prin