Re: [Frameworks] Dizziness and Disorientation

2013-04-05 Thread Anderwald + Grond
Frameworkers, Thank you all very much for your advise on Dizziness! Helped us a 
lot.
All best from Vienna, ruth+leo

-
Ruth Anderwald + Leonhard Grond

++43 699 10984551
Schüttelstr. 21/14  
1020 Vienna
cont...@anderwald-grond.at
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follow on twitter @anderwaldgrond
http://www.hasenherz.at


Am 03.04.2013 um 16:59 schrieb Brandon Walley brand...@gmail.com:

 I think Bruce McClure's live 16mm performances have been some of the more 
 disorienting cinematic experiences I have had. It could also said that the 
 texts that he often hands out at his screenings could also have a dizzying 
 mental effect on the reader.
 
 
 On Wed, Apr 3, 2013 at 10:11 AM, dan browne safety...@gmail.com wrote:
 Feel free to check out my recent project memento mori -- it offers up over 
 100,000 images in less than 30 minutes... www.mementomorifilm.com or 
 https://vimeo.com/54265266
 
 Other works of possible interest:
 
 Seven Days, Windmill II - Chris Welsby
 Visions in Meditation II: Mesa Verde, Black Ice - Stan Brakhage
 Sydney Harbour Bridge - Paul Winkler
 Castro St. - Bruce Baillie
 Faux Mouvements - Pip Chodorov
 
 db
 
 
  On Mon, Apr 1, 2013 at 7:01 AM, Anderwald + Grond
  cont...@anderwald-grond.at wrote:
 
  Dear frameworkers,
  We are currently conceiving a research project, including film screenings,
  on the phenomenon of Dizziness/Disorientation seen as a resource for 
  thought
  and artistic practice.
  Could you please recommend theory writings or artists' films and videos?
  Thank you!
  Ruth + Leo
 
  -
  Ruth Anderwald + Leonhard Grond
 
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 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
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 -- 
 Brandon Walley
 
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Re: [Frameworks] Dizziness and Disorientation

2013-04-05 Thread Steve Polta
*Ponce de León* (2012) by Jim Drain and Ben Russell is a slow moving work
with a constantly moving and complexly rotating camera that is dizzying and
disorienting and does some very interesting things with the experience of
time and the representation of space.

screening in San Francisco this weekend on Sunday by the way:
http://www.sfcinematheque.org/#/calendar/201304050/

Steve Polta


On Fri, Apr 5, 2013 at 1:32 AM, Anderwald + Grond 
cont...@anderwald-grond.at wrote:

 Frameworkers, Thank you all very much for your advise on Dizziness! Helped
 us a lot.
 All best from Vienna, ruth+leo

 -
 Ruth Anderwald + Leonhard Grond

 ++43 699 10984551
 Schüttelstr. 21/14
 1020 Vienna

 cont...@anderwald-grond.at

 http://www.anderwald-grond.at

 follow on twitter @anderwaldgrond https://twitter.com/anderwaldgrond

 http://www.hasenherz.at



 Am 03.04.2013 um 16:59 schrieb Brandon Walley brand...@gmail.com:

 I think Bruce McClure's live 16mm performances have been some of the more
 disorienting cinematic experiences I have had. It could also said that the
 texts that he often hands out at his screenings could also have a dizzying
 mental effect on the reader.


 On Wed, Apr 3, 2013 at 10:11 AM, dan browne safety...@gmail.com wrote:

 Feel free to check out my recent project memento mori -- it offers up
 over 100,000 images in less than 30 minutes... www.mementomorifilm.comor
 https://vimeo.com/54265266

 Other works of possible interest:

 Seven Days, Windmill II - Chris Welsby
 Visions in Meditation II: Mesa Verde, Black Ice - Stan Brakhage
 Sydney Harbour Bridge - Paul Winkler
 Castro St. - Bruce Baillie
 Faux Mouvements - Pip Chodorov

 db


  On Mon, Apr 1, 2013 at 7:01 AM, Anderwald + Grond
  cont...@anderwald-grond.at wrote:
 
  Dear frameworkers,
  We are currently conceiving a research project, including film
 screenings,
  on the phenomenon of Dizziness/Disorientation seen as a resource for
 thought
  and artistic practice.
  Could you please recommend theory writings or artists' films and
 videos?
  Thank you!
  Ruth + Leo
 
  -
  Ruth Anderwald + Leonhard Grond

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 FrameWorks@jonasmekasfilms.com
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 --
 Brandon Walley

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Re: [Frameworks] Dizziness and Disorientation

2013-04-02 Thread _blank
Hi Ruth and Leo, and everyone else,

I would say that any kind of flicker film has something to do with dizziness 
and disorientation (The Flicker, Epileptic Seizure Comparison, etc.). Anyway, I 
think that the best examples of that kind of practices in art are installations 
like the ones by Kurt Hentschlager, specially Zee, or Intersection by Don 
Ritter. Maybe some structural films also, like Serene Velocity by Ernie Gehr, 
some of the films by Peter Tscherkassky (Outer Space) and Jordan Belson 
(Allures)…

Best wishes.
(Ø)
_
_blank
www.null66913.net
www.mediateletipos.net

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Re: [Frameworks] Dizziness and Disorientation

2013-04-02 Thread carlileb

Well, it's right here, so we can see for ourselves:


http://www.youtube.com/watch?v=I1XNWrUP1u4



A friend of mine saw it last year in New York, and she says she still hasn't 
recovered!






-Original Message-
From: Jonathan Walley wall...@denison.edu
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Tue, Apr 2, 2013 5:46 am
Subject: Re: [Frameworks] Dizziness and Disorientation


I don't think it's a reach at all to say that BaF can induce dizziness
or disorientation; calling the film static, and implicitly likening
its camera movement to that of WAVELENGTH, is quite misleading. The
frenetic quality of BaF's camera movement is totally different from
the staid zooming of WAVELENGTH, and thus creates perceptual effects
that are distinct from the earlier film.

And whether the camera position only moves once is beside the point
- that may be the case (though I'm not convinced that the actual
position of the camera changes only once in BaF), but certainly the
extent to which a film might cause perceptual disorientation or
physical effects like dizziness isn't solely a matter of camera
position. There is no camera position at all in THE FLICKER, but
that film surely causes those sorts of effects.

BaF was indeed discussed in terms of its disorienting effects on
perception at the time of its release - see Manny Farber's ARTFORUM
review from 1970, or Peter Gidal's discussion of the film in
STRUCTURAL FILM ANTHOLOGY. At the very least, there is general
agreement that, at its most accelerated, the panning interferes with
the viewer's ability to perceive depth in the image, and to discern
the individual bodies and objects in the frame. This might not be
dizziness, but it seems perfectly accurate to call it
disorientation.

Jonathan

On Mon, Apr 1, 2013 at 10:05 PM, Peter Mudie peter.mu...@uwa.edu.au wrote:
 Geez, Mike Snow's Back and Forth has nothing to do with 'dizziness' or
 'disorientation'. There is a room, four windows, a door and some people
 doing things – the camera position only moves once (just after the
 beginning). In terms of phenomena it is remarkably 'static'. Ask yourself,
 is Wavelength 'about' 'horizontal vertigo'? Yikes.

 If you're in Wien then check out Kurt's material with Günter Brus and Otto's
 films.

 Peter
 


 Michael Snow's Back and Forth would be the best example I can think of off
 the top of my head.


 On Mon, Apr 1, 2013 at 7:01 AM, Anderwald + Grond
 cont...@anderwald-grond.at wrote:

 Dear frameworkers,
 We are currently conceiving a research project, including film screenings,
 on the phenomenon of Dizziness/Disorientation seen as a resource for thought
 and artistic practice.
 Could you please recommend theory writings or artists' films and videos?
 Thank you!
 Ruth + Leo

 -
 Ruth Anderwald + Leonhard Grond

 ++43 699 10984551
 Schüttelstr. 21/14
 1020 Vienna
 cont...@anderwald-grond.at
 http://www.anderwald-grond.at
 follow on twitter @anderwaldgrond
 http://www.hasenherz.at





 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks




 --
 Patrick Brennan
 patrick.brennan...@gmail.com

 ___
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 FrameWorks@jonasmekasfilms.com
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-- 
Jonathan Walley
Associate Professor
Department of Cinema
Denison University
wall...@denison.edu
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Re: [Frameworks] Dizziness and Disorientation

2013-04-02 Thread Tom Whiteside
I agree with Jonathan, Back and Forth is anything but static, it's a ping pong 
game that gets seriously out of hand. There are dizzying qualities to Central 
Region, too. Isn't it the dynamic contrast between the heights of busyness 
(rhymes with dizziness) and the relative repose of the calmer sections that 
leads to dizziness? The viewer is comfortable looking at something, then the 
accelerated and/or increasingly eccentric movement takes away that level of 
comfort. You see depth in the image, then the depth is erased; with that change 
comes disorientation.

Peter Rose climbs the Golden Gate Bridge in The Man Who Could Not See Far 
Enough, that might get some people dizzy. The various Nervous System works by 
Ken Jacobs can get rather dizzying, in my experience.

In years past, when necessary, I voiced a warning before a few screenings that 
flicker films can be dangerous to some epileptics. More recently I have 
introduced a few screenings by saying, Although nothing tonight should be 
dangerous to epileptics, uptight people might find that they get a little 
dizzy.

- Tom Durham Cinematheque



-Original Message-
From: FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.com] On Behalf Of 
Jonathan Walley
Sent: Tuesday, April 02, 2013 8:46 AM
To: Experimental Film Discussion List
Subject: Re: [Frameworks] Dizziness and Disorientation

I don't think it's a reach at all to say that BaF can induce dizziness or 
disorientation; calling the film static, and implicitly likening its camera 
movement to that of WAVELENGTH, is quite misleading. The frenetic quality of 
BaF's camera movement is totally different from the staid zooming of 
WAVELENGTH, and thus creates perceptual effects that are distinct from the 
earlier film.

And whether the camera position only moves once is beside the point
- that may be the case (though I'm not convinced that the actual position of 
the camera changes only once in BaF), but certainly the extent to which a film 
might cause perceptual disorientation or physical effects like dizziness isn't 
solely a matter of camera position. There is no camera position at all in THE 
FLICKER, but that film surely causes those sorts of effects.

BaF was indeed discussed in terms of its disorienting effects on perception at 
the time of its release - see Manny Farber's ARTFORUM review from 1970, or 
Peter Gidal's discussion of the film in STRUCTURAL FILM ANTHOLOGY. At the very 
least, there is general agreement that, at its most accelerated, the panning 
interferes with the viewer's ability to perceive depth in the image, and to 
discern the individual bodies and objects in the frame. This might not be 
dizziness, but it seems perfectly accurate to call it disorientation.

Jonathan

On Mon, Apr 1, 2013 at 10:05 PM, Peter Mudie peter.mu...@uwa.edu.au wrote:
 Geez, Mike Snow's Back and Forth has nothing to do with 'dizziness' or
 'disorientation'. There is a room, four windows, a door and some
 people doing things – the camera position only moves once (just after
 the beginning). In terms of phenomena it is remarkably 'static'. Ask
 yourself, is Wavelength 'about' 'horizontal vertigo'? Yikes.

 If you're in Wien then check out Kurt's material with Günter Brus and
 Otto's films.

 Peter
 


 Michael Snow's Back and Forth would be the best example I can think of
 off the top of my head.


 On Mon, Apr 1, 2013 at 7:01 AM, Anderwald + Grond
 cont...@anderwald-grond.at wrote:

 Dear frameworkers,
 We are currently conceiving a research project, including film
 screenings, on the phenomenon of Dizziness/Disorientation seen as a
 resource for thought and artistic practice.
 Could you please recommend theory writings or artists' films and videos?
 Thank you!
 Ruth + Leo

 -
 Ruth Anderwald + Leonhard Grond

 ++43 699 10984551
 Schüttelstr. 21/14
 1020 Vienna
 cont...@anderwald-grond.at
 http://www.anderwald-grond.at
 follow on twitter @anderwaldgrond
 http://www.hasenherz.at





 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks




 --
 Patrick Brennan
 patrick.brennan...@gmail.com

 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks




--
Jonathan Walley
Associate Professor
Department of Cinema
Denison University
wall...@denison.edu
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Re: [Frameworks] Dizziness and Disorientation

2013-04-01 Thread Patrick Brennan
Michael Snow's Back and Forth would be the best example I can think of off
the top of my head.


On Mon, Apr 1, 2013 at 7:01 AM, Anderwald + Grond 
cont...@anderwald-grond.at wrote:

 Dear frameworkers,
 We are currently conceiving a research project, including film screenings,
 on the phenomenon of Dizziness/Disorientation seen as a resource for
 thought and artistic practice.
 Could you please recommend theory writings or artists' films and videos?
 Thank you!
 Ruth + Leo

 -
 Ruth Anderwald + Leonhard Grond

 ++43 699 10984551
 Schüttelstr. 21/14
 1020 Vienna
 cont...@anderwald-grond.at
 http://www.anderwald-grond.at
 follow on twitter @anderwaldgrond https://twitter.com/anderwaldgrond
 http://www.hasenherz.at





 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks




-- 
Patrick Brennan
patrick.brennan...@gmail.com
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Re: [Frameworks] Dizziness and Disorientation

2013-04-01 Thread carlileb

Yes, that's a doozy. Flicker by Tony Conrad would also be on the list.


Anthology just showed Back and Forth a week or two ago. Did anybody last?







-Original Message-
From: Patrick Brennan patrick.brennan...@gmail.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Mon, Apr 1, 2013 6:37 am
Subject: Re: [Frameworks] Dizziness and Disorientation


Michael Snow's Back and Forth would be the best example I can think of off the 
top of my head. 




On Mon, Apr 1, 2013 at 7:01 AM, Anderwald + Grond cont...@anderwald-grond.at 
wrote:

Dear frameworkers,
We are currently conceiving a research project, including film screenings, on 
the phenomenon of Dizziness/Disorientation seen as a resource for thought and 
artistic practice.
Could you please recommend theory writings or artists' films and videos?
Thank you!
Ruth + Leo



-
Ruth Anderwald + Leonhard Grond

++43 699 10984551
Schüttelstr. 21/14  
1020 Vienna
cont...@anderwald-grond.at
http://www.anderwald-grond.at
follow on twitter @anderwaldgrond
http://www.hasenherz.at









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-- 
Patrick Brennan
patrick.brennan...@gmail.com
 
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Re: [Frameworks] Dizziness and Disorientation

2013-04-01 Thread Pablo Marin
Gamelan, by Claudio Caldini.
http://lightcone.org/en/film-5384-gamelan
http://antennaecollection.com/Experimental.html
(Also have his contact info, if interested in showing the original Super 8 
print.)
Best wishes,pablo.


--- On Mon, 4/1/13, carli...@aol.com carli...@aol.com wrote:

From: carli...@aol.com carli...@aol.com
Subject: Re: [Frameworks] Dizziness and Disorientation
To: frameworks@jonasmekasfilms.com
Date: Monday, April 1, 2013, 10:52 AM


Yes, that's a doozy. Flicker by Tony Conrad would also be on the list.





Anthology just showed Back and Forth a week or two ago. Did anybody last?













-Original Message-

From: Patrick Brennan patrick.brennan...@gmail.com

To: Experimental Film Discussion List frameworks@jonasmekasfilms.com

Sent: Mon, Apr 1, 2013 6:37 am

Subject: Re: [Frameworks] Dizziness and Disorientation













Michael Snow's Back and Forth would be the best example I can think of off the 
top of my head. 








On Mon, Apr 1, 2013 at 7:01 AM, Anderwald + Grond cont...@anderwald-grond.at 
wrote:



Dear frameworkers,

We are currently conceiving a research project, including film screenings, on 
the phenomenon of Dizziness/Disorientation seen as a resource for thought and 
artistic practice.


Could you please recommend theory writings or artists' films and videos?

Thank you!

Ruth + Leo











-

Ruth Anderwald + Leonhard Grond



++43 699 10984551

Schüttelstr. 21/14  

1020 Vienna

cont...@anderwald-grond.at


http://www.anderwald-grond.at

follow on twitter @anderwaldgrond


http://www.hasenherz.at


















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patrick.brennan...@gmail.com




 




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Re: [Frameworks] Dizziness and Disorientation

2013-04-01 Thread Beebe, Roger
There are wonderful scenes of (LSD-induced) disorientation in Tony Gault's Not 
Too Much Remember.  I just watched it again this week.  Really a wonderful 
found footage film that I hope will stay on people's radar screens.


From: FrameWorks [frameworks-boun...@jonasmekasfilms.com] on behalf of David 
Tetzlaff [djte...@gmail.com]
Sent: Monday, April 01, 2013 3:03 PM
To: Experimental Film Discussion List
Subject: Re: [Frameworks] Dizziness and Disorientation

Anticipation of the Night, Stan Brakhage. Also his Desistfilm, and probably 
several others...

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Re: [Frameworks] Dizziness and Disorientation

2013-04-01 Thread Peter Mudie
Geez, Mike Snow's Back and Forth has nothing to do with 'dizziness' or 
'disorientation'. There is a room, four windows, a door and some people doing 
things – the camera position only moves once (just after the beginning). In 
terms of phenomena it is remarkably 'static'. Ask yourself, is Wavelength 
'about' 'horizontal vertigo'? Yikes.

If you're in Wien then check out Kurt's material with Günter Brus and Otto's 
films.

Peter



Michael Snow's Back and Forth would be the best example I can think of off the 
top of my head.


On Mon, Apr 1, 2013 at 7:01 AM, Anderwald + Grond 
cont...@anderwald-grond.atmailto:cont...@anderwald-grond.at wrote:
Dear frameworkers,
We are currently conceiving a research project, including film screenings, on 
the phenomenon of Dizziness/Disorientation seen as a resource for thought and 
artistic practice.
Could you please recommend theory writings or artists' films and videos?
Thank you!
Ruth + Leo

-
Ruth Anderwald + Leonhard Grond

++43 699 10984551tel:%2B%2B43%20699%2010984551
Schüttelstr. 21/14
1020 Vienna
cont...@anderwald-grond.atmailto:cont...@anderwald-grond.at
http://www.anderwald-grond.at
follow on twitter @anderwaldgrondhttps://twitter.com/anderwaldgrond
http://www.hasenherz.at





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patrick.brennan...@gmail.commailto:patrick.brennan...@gmail.com
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