Re: [Frameworks] Editing examples - suggestions needed

2012-08-01 Thread Kenneth Bawcom
>From Hollywood, of course the classic editing scene is the shower scene in
Psycho. But, my highest recommendation for editing in main-stream film is
the amazing "The Hurt Locker," which is the most tightly edited film,
throughout, that I've ever seen. And, it won an Academy Award.


Ken B.

"Those who would give up essential liberty
to purchase a little temporary safety
deserve neither liberty, nor safety."
Benjamin Franklin 1775

"I know that the hypnotized never lie... Do ya?"
Pete Townshend 1971


On Wed, Aug 1, 2012 at 12:29 PM, Patrick Friel wrote:

> Hi All,
>
> Looking for examples for the Experimental Editing class I'm teaching again
> (solo this time!). I'm set with the actual experimental work, but want to
> show more clips from "non-experimental" films, particularly narrative, that
> utilize experimental editing techniques.  Ideally things from the past 20
> or so years, that would be in the average 20-ish year old film student's
> frame of reference. Blockbusters, mall pictures, Hollywood, international
> art house cinema, etc. I don't ordinarily see a lot of this work, so would
> welcome any ideas (cite a scene or specific part if you can).  Two of the
> films that the kids pick on their own for their presentations are RUN LOLA
> RUN and ENTER THE VOID, for example.
>
> Best,
>
> Patrick Friel
>
> ___
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> FrameWorks@jonasmekasfilms.com
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>
>
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Re: [Frameworks] Editing examples - suggestions needed

2012-08-01 Thread Matt Helme
Process Red and Critical Mass by Hollis Frampton.
 
Matt


http://www.youtube.com/user/matthelme007
 


 From: Tim Halloran 
To: Experimental Film Discussion List  
Sent: Wednesday, August 1, 2012 10:12 AM
Subject: Re: [Frameworks] Editing examples - suggestions needed
   
Check out the "non-cut" space/time transitions in John Sayles' LONE STAR. 
Interesting and a wonderful effect. 

Tim
Sent from my iPhone
On Aug 1, 2012, at 9:29 AM, "Patrick Friel"  wrote:
Hi All, 
>Looking for examples for the Experimental Editing class I'm teaching again 
>(solo this time!). I'm set with the actual experimental work, but want to show 
>more clips from "non-experimental" films, particularly narrative, that utilize 
>experimental editing techniques.  Ideally things from the past 20 or so years, 
>that would be in the average 20-ish year old film student's frame of 
>reference. Blockbusters, mall pictures, Hollywood, international art house 
>cinema, etc. I don't ordinarily see a lot of this work, so would welcome any 
>ideas (cite a scene or specific part if you can).  Two of the films that the 
>kids pick on their own for their presentations are RUN LOLA RUN and ENTER THE 
>VOID, for example.  
>Best,
>Patrick Friel 
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Re: [Frameworks] Editing examples - suggestions needed

2012-08-01 Thread David Tetzlaff
The opening of 'Don't Look Now'. Works great with students.

Also Roeg incuts sex with a tracheotomy in "Bad Timing" which, while 
'experimental'ish (Eisensteinian for sure) may be dicey for students due to the 
subject matter.

As in the montages in 'Requiem...' narrative filmmakers often turn to 
avant-garde motifs when they want to represent subjective experience outside of 
normal consciousness: drugs in that case, but extreme stress etc. in others. So 
you'll find some things in films like Donnie Darko, Memento, Fight Club...
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Re: [Frameworks] Editing examples - suggestions needed

2012-08-01 Thread Francisco Torres
Two films by Aronofsky-  Requiem for a Dream and Pi. He uses montage
techniques not usually found in mainstream narrative films today. Both fim
date from 199-2002.

Inception has some very Cocteau like moments.
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Re: [Frameworks] Editing examples - suggestions needed

2012-08-01 Thread Tim Halloran
Check out the "non-cut" space/time transitions in John Sayles' LONE STAR. 
Interesting and a wonderful effect. 

Tim

Sent from my iPhone

On Aug 1, 2012, at 9:29 AM, "Patrick Friel"  wrote:

> Hi All, 
> 
> Looking for examples for the Experimental Editing class I'm teaching again 
> (solo this time!). I'm set with the actual experimental work, but want to 
> show more clips from "non-experimental" films, particularly narrative, that 
> utilize experimental editing techniques.  Ideally things from the past 20 or 
> so years, that would be in the average 20-ish year old film student's frame 
> of reference. Blockbusters, mall pictures, Hollywood, international art house 
> cinema, etc. I don't ordinarily see a lot of this work, so would welcome any 
> ideas (cite a scene or specific part if you can).  Two of the films that the 
> kids pick on their own for their presentations are RUN LOLA RUN and ENTER THE 
> VOID, for example.  
> 
> Best,
> 
> Patrick Friel
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
___
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Re: [Frameworks] Editing examples - suggestions needed

2012-08-01 Thread Chuck Kleinhans


There's a very good discussion of a scene in The Matrix and how the editing is 
directed by Dolby 5.1 sound as the organizing principle for understanding space 
and narration in the sequence where Neo enters a high rise office building and 
with his companion and has to gun his way through the lobby against dozens of 
opponents.

Mark Kerins, Beyond Dolby (Stereo): Cinema in the Digital Sound Age. 
Bloomington: Indiana University Press, 2010.

This is excellent for showing students how "conventional" editing can be 
surpassed by a technological change which allows for new ways to configure 
space and time.

Chuck Kleinhans
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Re: [Frameworks] Editing examples - suggestions needed

2012-08-01 Thread jb.mabe
Gotta show 'em Rob Todd's Star Wars wipe-transitions edit...


On Wed, Aug 1, 2012 at 11:29 AM, Patrick Friel wrote:

> Hi All,
>
> Looking for examples for the Experimental Editing class I'm teaching again
> (solo this time!). I'm set with the actual experimental work, but want to
> show more clips from "non-experimental" films, particularly narrative, that
> utilize experimental editing techniques.  Ideally things from the past 20
> or so years, that would be in the average 20-ish year old film student's
> frame of reference. Blockbusters, mall pictures, Hollywood, international
> art house cinema, etc. I don't ordinarily see a lot of this work, so would
> welcome any ideas (cite a scene or specific part if you can).  Two of the
> films that the kids pick on their own for their presentations are RUN LOLA
> RUN and ENTER THE VOID, for example.
>
> Best,
>
> Patrick Friel
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
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