Hi Roger
Thanks for the reply, that's great I'm going to give it a go. I'm just testing
some film shot in a pinhole camera so it would be good to see the exposure time
needed.
Thanks again.
Cathy
Sent from my iPhone
On 31 Dec 2012, at 15:45, "Beebe, Roger" wrote:
> I've used a red safeli
Brilliant thanks Scott, I'll check out the sodium light and give it a go.
Thanks for responding so quickly.
Sent from my iPhone
On 31 Dec 2012, at 16:01, Scott Dorsey wrote:
> A red light will work just fine, but it will be a whole lot harder to
> see what you're doing with a #1 or #2 safelig
A red light will work just fine, but it will be a whole lot harder to
see what you're doing with a #1 or #2 safelight filter, compared with
an OC.
What I would most recommend would be one of the sodium lights sold for
B&W printing work. They are so bright you could read a book comfortably
and wil
I've used a red safelight routinely. I've even just used a couple of red
filters doubled over a desk lamp in a pinch. I noticed that when leaving the
film exposed to red light for an extended time (like while setting up to do
rayograms), there is a noticeable effect on the processed film, but
