Re: [h-cost] Question re: men's 16th/17th c. doublet

2006-09-19 Thread Bjarne og Leif Drews

Hi.
I think the size of the tabs looks fine. The reason why your tabs hangs like 
dogs ears, is because they need the support from the trunk hosen.


Bjarne


- Original Message - 
From: A. Thurman [EMAIL PROTECTED]

To: h-costume@mail.indra.com
Sent: Tuesday, September 19, 2006 3:03 AM
Subject: [h-cost] Question re: men's 16th/17th c. doublet



I have a question about the size/shape of doublet tabs/skirts on
men's doublets ca. 1600-1610.

Some background: I'm making a linen canvas doublet for rapier fencing,
based loosely on the one in Janet Arnold's Patterns of Fashion
1560-1620 (page 82). Apart from the fabric, it also has a pointed
front (because I'm made that way - my navel lies below my natural
waistline) and corded body for extra impact protection.

Here are some pictures of my progress thus far. The tabs are basted
on, and though it's not visible there's a linen canvas lacing strip
beneath:

Front: http://pics.livejournal.com/anotheranon/pic/00059kk8

Back: http://pics.livejournal.com/anotheranon/pic/00058xfp

My question is primarily decorative. According to the dimensions given
in Arnold and my eyeballing, it seems like each of the tabs should
be roughly the size of my hand, give or take a 1/2 or so, which these
are. I opted not to pad them with the cotton batting I used elsewhere
because I thought it would add bulk without much stiffness.

However, the tabs seem to droop - I've likened them to a row of floppy
dogs ears! And the large size while not unflattering when I'm wearing
it doesn't look right to me; I think I might be comparing it in my
mind to the smaller tabs found on women's stays of the same period.

Can someone tell me - are the tabs the right size/shape/bulk, or am I
just being unduly influenced by my experience of doing mostly women's
16th century?

Thanks in advance,

Allison T.
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RE: [h-cost] Question re: men's 16th/17th c. doublet

2006-09-19 Thread Kelly Grant
The tabs look great to me, in fact the whole doublet does.  I think that 
when you are fully dressed, your bottom half garment will create the look 
you are after in the tabs.  They just need that stuff underneath.


Will you be wearing petticoats or venetians?

Kelly



Bravery is something you can experience on the spur of the moment, faced 
with danger.  To have courage, you must think about the dangers in advance, 
then weigh the risks, and then do what you have to do, despite your fears

Caius Merlyn Britannicus






From: A. Thurman [EMAIL PROTECTED]
Reply-To: Historical Costume [EMAIL PROTECTED]
To: h-costume@mail.indra.com
Subject: [h-cost] Question re: men's 16th/17th c. doublet
Date: Mon, 18 Sep 2006 21:03:22 -0400

I have a question about the size/shape of doublet tabs/skirts on
men's doublets ca. 1600-1610.

Some background: I'm making a linen canvas doublet for rapier fencing,
based loosely on the one in Janet Arnold's Patterns of Fashion
1560-1620 (page 82). Apart from the fabric, it also has a pointed
front (because I'm made that way - my navel lies below my natural
waistline) and corded body for extra impact protection.

Here are some pictures of my progress thus far. The tabs are basted
on, and though it's not visible there's a linen canvas lacing strip
beneath:

Front: http://pics.livejournal.com/anotheranon/pic/00059kk8

Back: http://pics.livejournal.com/anotheranon/pic/00058xfp

My question is primarily decorative. According to the dimensions given
in Arnold and my eyeballing, it seems like each of the tabs should
be roughly the size of my hand, give or take a 1/2 or so, which these
are. I opted not to pad them with the cotton batting I used elsewhere
because I thought it would add bulk without much stiffness.

However, the tabs seem to droop - I've likened them to a row of floppy
dogs ears! And the large size while not unflattering when I'm wearing
it doesn't look right to me; I think I might be comparing it in my
mind to the smaller tabs found on women's stays of the same period.

Can someone tell me - are the tabs the right size/shape/bulk, or am I
just being unduly influenced by my experience of doing mostly women's
16th century?

Thanks in advance,

Allison T.
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[h-cost] An Era Ends

2006-09-19 Thread Five Rivers Chapmanry
It is with the deepest regret we've decided to close out our historical
pattern line. With the growth of The Big Three's (Simplicity, Butterick,
McCall's) historical patterns, it has become increasingly difficult to
compete with these very large marketing machines. Who can argue with a $0.99
pattern? Even if that pattern isn't historically accurate, so many people
feel that if they're going to have to spend time tweaking to be assured of a
good fit, better to spend $0.99 and tweak than a minimum of $20.00.

So, from now until the patterns are gone, we're clearing out all in-stock
historical sewing patterns, as well as a few re-enactor supplies and
amusements, at an unprecedented 40% discount.

 

The cooperage will still continue to operate on a limited basis, with Gary
producing cooperage for orders in-house, and in the future for stock which
will be made available through our website.

 

The museum quality embroidery supplies will still be available, as will
Lorina's artwork and the exquisite line of Porter music boxes, both large
and small.

 

In the future we hope to have other goods of interest for our customers.

 

Life is a journey, and we fully expect the journey to be filled with
interest and evolution.

 

With regards as always

Lorina and Gary Stephens

Five Rivers Chapmanry

purveyors of historical sewing patterns, quality hand-crafted cooperage,
re-enactor and embroidery supplies, and more.

519-799-5577 [EMAIL PROTECTED] - www.5rivers.org

 

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Re: [h-cost] iridescent fabric/weaving ( mind over matter)

2006-09-19 Thread elena_o_tighearnaigh

I have got a green and black iridescent taffeta, but don't know how much of it 
I have.  How much do you need?

Gia/Elena
-- Original message -- 
From: michaela [EMAIL PROTECTED] 

 
  I had one of those neat synchronicity moments recently: I thought to 
 myself, 
  Huh! I bet you could make an iridescent with more than just 2 colors. 
 Why 
  don't they? and the next day, I picked up a fabric order that included 
 some 
  iridescent silk taffeta, which to my surprised delight was a _3_ color 
  iridescent. It looked taupe, but was actually pink and green weft on black 
  warp. Very cool! 
 
 Yep:) In fact I believe this is true irridescent fabric rather than simply 
 shot or two tone. 
 
  Anyway, the whole thing has gotten me wondering: how practical is it to 
 make 
  3+ color iridescents? Are they as uncommon as I think? Are there any 
  weavers on here who can expound on them? 
 
 I had seen soem mentioned on a website and then lo and behold within a few 
 weeks I handled some in person at a local trade type store. It was red and 
 green and another colour I can't remember, but I was able to pick out a 
 thread of each colour so it wasn't just a trick of the light. It's 
 
  (would commit minor mayhem for a freakin' copper/purple or copper/teal 
  taffeta, or best of all, a copper/teal/purple!) 
 
 I am just on the hunt locally for simple green and black! Screes of red and 
 black or rust and black or muddy grey and orange... but not green and black! 
 
 Michaela 
 http://glittersweet.com 
 
 
 
 -- 
 No virus found in this outgoing message. 
 Checked by AVG Free Edition. 
 Version: 7.1.405 / Virus Database: 268.12.4/448 - Release Date: 14/09/2006 
 
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[h-cost] Question re: men's 16th/17th c. doublet

2006-09-19 Thread A. Thurman

On 9/19/06, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:



Message: 6
Date: Mon, 18 Sep 2006 20:23:35 -0500
From: Alexandria Doyle [EMAIL PROTECTED]
Subject: Re: [h-cost] Question re: men's 16th/17th c. doublet
To: Historical Costume [EMAIL PROTECTED]
Message-ID:
[EMAIL PROTECTED]
Content-Type: text/plain; charset=ISO-8859-1; format=flowed


Answering several people's questions here.

Alexandra asked:


I'd wonder though why you chose to add cotton batting to your doublet?
 I have done rapier fencing in linen doublets and shirts, without
addition padding and was quite well protected.  It would seem to me
that the padding would add to overheating, which could hurt you more
than a small bruise or two.  Well, that's my opinion, ymmv, Alex


I added the cotton batting partly as a nod to the silk floss padding
described in Janet Arnold, and partly because the armseyes are so
high/tight I don't think I'll be able to fit my modern underarm
protector underneath. The group I fence with (mashs.org) emphasizes
safety heavily so I don't want to go to the great trouble of making
this thing and then not be able to fence in it!

Kelly asked:



The tabs look great to me, in fact the whole doublet does.  I think that
when you are fully dressed, your bottom half garment will create the look
you are after in the tabs.  They just need that stuff underneath.

Will you be wearing petticoats or venetians?


Venetians - I learned to fence in modern fencing knickers, I'd likely
trip over myself if I tried to switch to skirts now :P

Many of you mentioned the possibility that the bottom half of the
outfit - breeches or skirt - will help hold out the tabs, but I am not
so sure - venetians aren't that full up top, are they? I think I may
well add a layer of canvas for more oomph.

Thank you for your answers!

Allison T.
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