[h-cost] A crochet question

2007-11-14 Thread Claire Clarke
Not exactly a historical matter, but it's one of those 'if you guys don't know
I don't know who does' questions.

I just acquired some lovely Italian yarn for a very very cheap price 
probably because it is bright orange. Bright orange is not my colour,
especially since I have in mind making something I might wear to work
with it. I have no issues with dying it (it's cotton, so I'm not expecting it
to felt, just maybe shrink a bit). 

So the question is, is it better to dye the yarn now (and how on earth do you 
go about drying 800m of dyed yarn if so) or crochet it and dye the garment?

Oh, and look I just thought of a historical question. I know crochet dates from
the 18th century (I have this idea in my head that it's less than a coincidence 
that
it shows up around the time tambour embroidery (also done with a hook) was
popular). And it was very popular for lace type work in Edwardian times. But 
when
did it start to be used for heavy or close garments in the same way as knitting 
(eg
for bedjackets, shawls etc)? 

I have found a 50's era pattern for a New Look style dress crocheted out of 
organza
ribbon (so tempted to give that a go), so I know it was at least before then.

Claire
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Re: [h-cost] Dress and textile topics, medieval Britain: Your wish list

2007-11-14 Thread Genie Barrett

At 08:06 AM 11/7/2007, you wrote:

I'm gathering information for the planning stages of a new project, 
and I'd love to get input from the people on this list.



Has anyone mentioned color definitions?
gore
gusset
hemming/edging techniques
which dags are documented
stitches used for seams
shoulder seams... as the sleeve turns from seam on the back to seam 
under the arm.

sleeve shapes/patterns
collars...stand up, spread out, fold down?
purpointe...how wide spread, which countries
gloves
armor that reflects clothes and vice versa
history of the kilt
types of kilt
how to fold a great kilt

I'm sure more will come up
Genie 


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RE: [h-cost] A crochet question

2007-11-14 Thread Maureen Campbell

If you're going to use a cold-water dye, like
Procion, I don't think it makes a difference.
Anything involving hot water, though, will
shrink cotton, so in that case, the yarn should
be dyed first, then crocheted.

Yay, crochet!! :)

~ M.
==
~ Twinkle, dammit! ~


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[h-cost] Re: Dress and textile topics, medieval Britain: Your

2007-11-14 Thread Catherine Kinsey
Don't forget the little stuff:

Needle
pin
thimble

Are you sure this is going to all fit into one book :)?

Catherine
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[h-cost] Re: Henry 7 Fashion Trends

2007-11-14 Thread Sharon Henderson
Hey Julian,

I'm right there with you!  My SCA persona, Meleri ferch Iasper ap Dafydd, is
a follower of the beloved and darn-near sainted Earl of Pembroke, the Earl
of Richmond's uncle and protector... :)  I would love to see a good study of
this period too!  I'm sure the Burgundian influences remained because of the
Yorkist duchess, but we must not discount the influence of Brittany (itself
alas probably heavily influenced by Burgundy), owing to the Exilic Years of
Henry and Earl Jasper.  From the few pics we have of Henry and his queen, we
do know the standard silhouettes were in operation: the skirted doublet
and over-robe (chamarre, I think?), and that French-style round cap with the
laced sides for the guys, and the kirtle along Burgundian lines but with a
more lowered waist and less bulky skirt for the ladies, with the long, slim
sleeves and the long-sided English gable hood... but there had to be more to
it all than that!  I know the excesses of Henry 8's reign and following,
where the kid blew the budget Dad had left him, have taken most of the
attention--and I'm good with that because I love the classic 1520s and 30s
looks.  But somewhere between the garb of the waning Yorkist rulers and the
flash of Henry 8 there has to have been SOMEthing!!  :)

Any Lancastrians who wanna chat, drop me a note any time...  :) My thesis is
on Jasper Tudor so I'm a bit... focused.  :)

Cheers,
Meli

--Julian scripsit:

Robin, sorry to have confused your message header - I came into this thread
late and didn't read the beginnings of it.
 However, I'm delighted to have contacted you. I've seen your name on the
Lists to which i subscribe many, many times, and know the esteem in which
you are held by others whose particular interest is historic costume.
 My own theory about the apparent lack of study of the Henry VII period for
English clothing is that there doesn't seem to have BEEN an English
Fashion. By everything I've read, the general conclusion I've drawn from
the works of others who've studied and researched far more deeply than I -
is that - due to the social uncertainty arising from the power struggles
of the WotR, England didn't have the peaceful conditions which would have
allowed/encouraged the development of an English Fasjion. By everything
I've read, - from about 1450, until the Accession of Henry 8th,  - English
fashions were heavily influenced by those of the most brilliant Court
in Europe, that of Burgundy, ruled over for much of that time by Princess
Margaret of York, from her Capital at Mechelin in Flanders.
 I won't try and drag you further into a  discussion on this when you are
concentrating on another topic, - but such a definitive book is still on my
wish List.

 Regards,
 Julian Wilson, [in 2007]
 Matthew Baker  [lifelong Liegeman to Henry Tudor, Earl of Richmond, and
then King of England, - in the SCA]
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Re: [h-cost] Dress at the Court of King Henry Viii

2007-11-14 Thread Suzi Clarke

At 00:01 04/11/2007, you wrote:

I put this on the Renaissance Tailor site, but it might be of use to someone
here as well:

Subject: RE: [TheRenTailor] Dress at the Court of King Henry Viii

I got mine early because I used bribery and corruption.  The publication
party for the book was to have been 1 October in England. Which is why the
books are only shipping in time for Christmas.  It is available in the US
for $98 for the slipcased Paperback edition (as large as the clothbound
version in that it is larger than 8 x 10) from
http://www.oxbowbooks.com/results.cfm/q/Dress%20in%20the%20Court%20of%20Henr
y%20VIII/qt/All/ST/QS/StartRow/1(David Brown Book company the US
distributor  Look for Oxbow books and click on the $)

Another nifty is Costume: The Journal of the Costume Society (also a Manley
publishing item). It is a Quarterly Journal of the Costume Society


This is an Annual Journal, not a quarterly one - I have very nearly a 
complete run, and thankfully, there is only one per year!


Suzi


www.costumesociety.org.uk .  You can subscribe, or buy individual articles.
I got involved because one of the articles in Costume Volume 41 (the present
one) had the Janet Arnold work on the Effigy Corset.  I'm not a penny
pinching young student, but an employed and old student working on my MA as
an Independent Scholar with my local university.  This is why I paid the
Student rate when I subscribed.  The individual article is for sale on-line
for $25.

The writers frequently have access to items that I didn't even know about.
The color chart is something I've been needing for years (and is pronounced
by one of my professor friends as a very good rendition.)

If you can't afford it, you can't.  That means you know what to ask your
Liberian for.  Old issues are available as are individual articles.

As you can see from the Table of Contents below, the Journal ranges over a
wide range of periods and places.

Wanda

Included in No. 41 are:

 The pair of straight bodies' and a pair of drawers' dating from 1603 which
Clothe the Effigy of Queen Elizabeth I in Westminster Abbey by Janet Arnold

'To Cap it All':  The Waterford Cap of Maintenance (Henry VIII timeframe) by
Cliodna Devit

'Rainbow for a Reign:  The Colours of a Queen's Wardrobe (Queen Elizabeth,
with a color chart to give you an idea of what the name actually means -
such as 'maiden's blush' etc.

The Merchant Taylors' Company of London under Elizabeth I:  Tailors' Guild
or Company of Merchants: By Nigel Sleigh-Johnson

A Fashionable Confinement:  Whaleboned Stays and the Pregnant Woman by
Harriet Waterhouse (not Elizabethan)

'Over what crinoline should these charming jupons be worn?'  Thompson's
Survival Strategy During the Decline of the Crinoline by Lucy-Clare Windle

The Dress Must be White and Perfectly Plain and Simple:  Confirmation and
First Confirmation Dress, 1850-2000 by Anthea Jarvis

The Wearing of the Red:  The Redcoat and the British Brand by Nigel Arch

A clinging Liberty tea-gown instead of a magenta satin':  The Colour Red in
Artistic Dress by Liberty  Co.' by Anna Buruma

Modern Fashions for Modern Women:  The Evolution of New York Sportswear in
the 1930s by Rebecca Arnold

Chained Melody or Putting Paco Rabanne in his Place by Rosemary Harden
(my personal opinion is that his place is probably face down with a steak
through his heart - Wanda)

New Books and Articles by James Snowden and Naomi E.A. Tarrant


Selective List
Book Reviews
Exhibitions
Study Day




 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED] Behalf Of Rikke D. Giles
 Sent: Saturday, November 03, 2007 2:23 PM
 To: [EMAIL PROTECTED]
 Subject: Re: [TheRenTailor] Dress at the Court of King Henry Viii


 On 11/03/2007 12:47:05 PM, Wanda Pease wrote:
  Got mine two weeks ago.  The American Distributor is David Brown
  Books and the cost for the Paper back (comes in a Sleeve) is $96.  T

 Bleh, I ordered mine last July and still haven't gotten it!  Lucky
 you :)  I think I will have to contact David Brown.

 Aelianora


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[h-cost] Re: welcome back

2007-11-14 Thread Joy Shillaker



Hi Liadain, your blackwork is absolutely gorgeous! How are the kittens?
regards
Joy
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[h-cost] Re: Henry VII Fashion (was: Dress topics, medieval Britain: Your wish list)

2007-11-14 Thread Sunshine . K . Buchler
 A well-researched and well-illustrated book  [or 2, or 3] about English 
middle-class and upper-class 
 Dress in England during the  Reign of Henry 7th.
 Almost every book I've been able to look at purporting to deal with 
Tudor Dress or Costume slides 
 over the Reign of Henry 7th (1485-1509) as though he never existed;  - 
and begins in 1509 with the
 Accession of Henry 8th!.
 
This book is neither entirely English, nor entirely about fashion 
(although there is a chapter on it); I've found _Women of Distinction: 
Margaret of York And Margaret of Austria_ edited by Yvonne Bleyerveld to 
be a wonderful resource for the time period you mention, as well as 
fascinating reading.
-sunny

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RE: [h-cost] Re: Dress and textile topics, medieval Britain: Your

2007-11-14 Thread Robin Netherton

 Don't forget the little stuff:  Needle pin thimble  Are you sure this 
 is going to all fit into one book :)?
With multiple thousands of entries ... OK, it will be a big book. I am one of a 
team of editors conscripted to help sort it all out.
 
Many terms (e.g. garment names) will have very short definition-type entries. 
The items above, though, might end up covered in a larger article on sewing 
tools. Either way, we have to create a home for the concept, which is why 
these lists you folks are giving me are so useful. We are building our outline, 
and I'm taking the terms people give me and seeing whether they represent 
categories we've covered (or not). There have been quite a few new ideas coming 
in!
 
That said, let me note I'm having to cut out all the terms and sources that are 
not English or connected to Britain. So, yes to the Luttrell Psalter, no to the 
Book of Chess. And while of course we'll have articles touching on foreign 
influence, we won't be needing to describe the saya, for instance.
 
I'll be assembling my contribution to the master list in about a week or so, so 
keep 'em coming -- concepts as well as terms. Don't forget your ideal authors 
if you there's a scholar you associate with some field. 
 
You folks are wonderful!
 
--Robin
 
 
 
 
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Re: [h-cost] A crochet question

2007-11-14 Thread Lavolta Press
Procion is not a literally cold-water dye; you need to use pretty warm 
water for best results.


The dyeing process almost always shrinks the fibers, sometimes quite a 
lot.  Also, the earlier in the process you dye the fibers, the more 
thoroughly the dye penetrates. Dyed in the fleece is better than dyed in 
the spun yarn, dyed in the yarn is better than dyed in the woven 
material, and dyed in the material is better than dyed in the made-up 
garment. Hence the old saying, Dyed in the wool.


Ever buy a dyed-after-sewing garment, unpick the hem to take it up, and 
discover that it is pale, or even still white, on the inside of the old 
hem? And when I have dyed crocheted articles, the dye visibly penetrates 
better into the upper surface, than further down into the intertwinings 
of the yarn.


Fran
Lavolta Press Books on Historic Costuming
http://www.lavoltapress.com

Maureen Campbell wrote:


If you're going to use a cold-water dye, like
Procion, I don't think it makes a difference.
Anything involving hot water, though, will
shrink cotton, so in that case, the yarn should
be dyed first, then crocheted.

Yay, crochet!! :)


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Re: [h-cost] A crochet question

2007-11-14 Thread AlbertCat
 
In a message dated 11/14/2007 12:54:01 P.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

Dyed in  the wool.



**
 
 
I thought this referred to the 18th century practice of mixing wool with  
other fibers, like linen or cotton, for coats and such. The wool offered warmth 
 
but the other fibers made the cloth not so expensive. Anyway, when dyed,, say  
blue, the wool would soak up the dye and the linen  not so much so you  ended 
up with something that kinda looks like what we today call kettle cloth.  
The fabric was dyed in the wool. 
 
But of course referring to dying the fleece makes much sense...with less of  
a story.



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Re: [h-cost] A crochet question

2007-11-14 Thread Lavolta Press


Sorry, I didn't read your message all that carefully. Yes: wool and silk 
both absorb dye better than cotton or linen, and cotton absorbs it 
better than linen.  But if you dye a material woven from mixed fibers, 
you are not dyeing in the wool, but in the material.


Fran
Lavolta Press
http://www.lavoltapress.com


I thought this referred to the 18th century practice of mixing wool with  
other fibers, like linen or cotton, for coats and such. The wool offered warmth  
but the other fibers made the cloth not so expensive. Anyway, when dyed,, say  
blue, the wool would soak up the dye and the linen  not so much so you  ended 
up with something that kinda looks like what we today call kettle cloth.  
The fabric was dyed in the wool. 
 
But of course referring to dying the fleece makes much sense...with less of  
a story.




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Re: [h-cost] A crochet question

2007-11-14 Thread REBECCA BURCH
Back in the days when I had lots of time to experiment
with natural dyes on the yarn I had time to spin (Oh
for the days of no kids!!) my hubby made me a set of
stretchers to keep the shrinkage to a minimum. 

Basically, it is no more than a couple pieces of 2x4
with dowels plugged in. Before the dye bath, I would
wind the yarn across the bars in a single layer with
fairly firm tension. Leave on the bars until you are
done immersing in the dye bath and rinse water. Dry on
the bars. By keeping it under a fair amount of tension
it didn't have as much opportunity to contract.

The nice part is that you can construct them to fit
down in whatever size tub you have for your dye bath.
We were lucky to have come across some fairly deep
metal pans being discarded from the VA Hospital
kitchen. Worked like a charm.

Good luck.

--- Lavolta Press [EMAIL PROTECTED] wrote:

 Procion is not a literally cold-water dye; you need
 to use pretty warm 
 water for best results.
 
 The dyeing process almost always shrinks the fibers,
 sometimes quite a 
 lot.  Also, the earlier in the process you dye the
 fibers, the more 
 thoroughly the dye penetrates. Dyed in the fleece is
 better than dyed in 
 the spun yarn, dyed in the yarn is better than dyed
 in the woven 
 material, and dyed in the material is better than
 dyed in the made-up 
 garment. Hence the old saying, Dyed in the wool.
 
 Ever buy a dyed-after-sewing garment, unpick the hem
 to take it up, and 
 discover that it is pale, or even still white, on
 the inside of the old 
 hem? And when I have dyed crocheted articles, the
 dye visibly penetrates 
 better into the upper surface, than further down
 into the intertwinings 
 of the yarn.
 
 Fran
 Lavolta Press Books on Historic Costuming
 http://www.lavoltapress.com
 
 Maureen Campbell wrote:
 
  If you're going to use a cold-water dye, like
  Procion, I don't think it makes a difference.
  Anything involving hot water, though, will
  shrink cotton, so in that case, the yarn should
  be dyed first, then crocheted.
  
  Yay, crochet!! :)
 
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Rebecca Burch
Center Valley Farm
Duncan Falls, Ohio, USA

The only twelve steps I'm interested in are the ones between the flat folds and 
the brocades.  --Anonymous Costumer--
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RE: [h-cost] Re: welcome back

2007-11-14 Thread Frank A Thallas Jr
  Thanks!  Am hard at work on more b/w for Christmas presents, then on to
some new body linens - have been planning FOREVER to do the camicia from
Raphael's La Muta.  And then I'll need the gown to go with it...
Alas, only one kitten remains - apparently they had been exposed to cat
parvo before we found them.  Last one is a holy terror now. G

Happy stitching!
Liadain

THL Liadain ni Mhordha OFO
wildernesse, the Outlands 
http://www.flickr.com/photos/liadains_fancies

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Joy Shillaker
Sent: Wednesday, November 14, 2007 8:30 AM
To: [EMAIL PROTECTED]
Subject: [h-cost] Re: welcome back



Hi Liadain, your blackwork is absolutely gorgeous! How are the kittens?
regards
Joy
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Re: [h-cost] Re: welcome back

2007-11-14 Thread Leif og Bjarne Drews

I must second that your blackwork is magnificent!
What a lot of work, and so beautifull!!

Bjarne

- Original Message - 
From: Frank A Thallas Jr [EMAIL PROTECTED]

To: 'Historical Costume' [EMAIL PROTECTED]
Sent: Wednesday, November 14, 2007 7:51 PM
Subject: RE: [h-cost] Re: welcome back


 Thanks!  Am hard at work on more b/w for Christmas presents, then on to
some new body linens - have been planning FOREVER to do the camicia from
Raphael's La Muta.  And then I'll need the gown to go with it...
   Alas, only one kitten remains - apparently they had been exposed to cat
parvo before we found them.  Last one is a holy terror now. G

Happy stitching!
Liadain

THL Liadain ni Mhordha OFO
wildernesse, the Outlands
http://www.flickr.com/photos/liadains_fancies

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Joy Shillaker
Sent: Wednesday, November 14, 2007 8:30 AM
To: [EMAIL PROTECTED]
Subject: [h-cost] Re: welcome back



Hi Liadain, your blackwork is absolutely gorgeous! How are the kittens?
regards
Joy
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RE: [h-cost] Re: welcome back

2007-11-14 Thread Frank A Thallas Jr
  Thanks!  Next on my list of things to learn is to get better at various
needle-
laces, to trim my smocks and shirts up in high style...
  And someday to do beautiful silk work like yours!

Liadain


THL Liadain ni Mhordha OFO
wildernesse, the Outlands 
http://www.flickr.com/photos/liadains_fancies

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Leif og Bjarne Drews
Sent: Wednesday, November 14, 2007 12:03 PM
To: Historical Costume
Subject: Re: [h-cost] Re: welcome back

I must second that your blackwork is magnificent!
What a lot of work, and so beautifull!!

Bjarne

- Original Message - 
From: Frank A Thallas Jr [EMAIL PROTECTED]
To: 'Historical Costume' [EMAIL PROTECTED]
Sent: Wednesday, November 14, 2007 7:51 PM
Subject: RE: [h-cost] Re: welcome back


  Thanks!  Am hard at work on more b/w for Christmas presents, then on to
some new body linens - have been planning FOREVER to do the camicia from
Raphael's La Muta.  And then I'll need the gown to go with it...
Alas, only one kitten remains - apparently they had been exposed to cat
parvo before we found them.  Last one is a holy terror now. G

Happy stitching!
Liadain

THL Liadain ni Mhordha OFO
wildernesse, the Outlands
http://www.flickr.com/photos/liadains_fancies

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Joy Shillaker
Sent: Wednesday, November 14, 2007 8:30 AM
To: [EMAIL PROTECTED]
Subject: [h-cost] Re: welcome back



Hi Liadain, your blackwork is absolutely gorgeous! How are the kittens?
regards
Joy
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RE: [h-cost] Dress and textile topics, medieval Britain: Your wishlist

2007-11-14 Thread Robin Netherton

 My suggestion isn't so much the headwords as something to include alongside 
 the headwords-- their counterparts in other languages. For example, it's 
 braies in French, but breeches in English, Bruche in German, and what about 
 Italian, Portuguese, Spanish, etc.?
It would be beyond the scope of the encyclopedia to try to address this 
comprehensively in all cases, but given that the English used terms from other 
languages (particularly French) to describe various fashions, there's going to 
be some non-English terminology creeping in. It will be up to the authors of 
the individual articles to consider whether and how to address this in each 
case ... but it's a point I'll make sure is raised early on. Thanks for 
mentioning it.
 
--Robin
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RE: [h-cost] Dress and textile topics, medieval Britain: Your wishlist

2007-11-14 Thread Schaeffer, Astrida

My suggestion isn't so much the headwords as something to include
alongside the headwords-- their counterparts in other languages. For
example, it's braies in French, but breeches in English, Bruche in
German, and what about Italian, Portuguese, Spanish, etc.?

Astrida

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The Art Gallery, University of New Hampshire
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Costume journal was Re: [h-cost] Dress at the Court of King Henry Viii

2007-11-14 Thread Beth and Bob Matney

Suzi,

I'm missing 1-5 and 39+ (need to re-up and get current) of Costume 
(Journal of the Costume Society). If you hear of someone with any of 
these for sale, please let me know!


I'm also looking Textile History Vol 18 and Dress #26, 1999. (Journal 
of the Costume Society

of America)

Best price that I could find for Dress at the Court of King Henry 
Viii in the USA was BarnesNoble. They say that it will ship Nov 
20... I've had it on order for awhile.


Beth

At 08:40 PM 11/14/2007, you wrote:

Date: Wed, 14 Nov 2007 14:12:14 +
From: Suzi Clarke [EMAIL PROTECTED]

At 00:01 04/11/2007, you wrote:
I put this on the Renaissance Tailor site, but it might be of use to someone
here as well:

Subject: RE: [TheRenTailor] Dress at the Court of King Henry Viii

I got mine early because I used bribery and corruption.  The publication
party for the book was to have been 1 October in England. Which is why the
books are only shipping in time for Christmas.  It is available in the US
for $98 for the slipcased Paperback edition (as large as the clothbound
version in that it is larger than 8 x 10) from
http://www.oxbowbooks.com/results.cfm/q/Dress%20in%20the%20Court%20of%20Henr
y%20VIII/qt/All/ST/QS/StartRow/1(David Brown Book company the US
distributor  Look for Oxbow books and click on the $)

Another nifty is Costume: The Journal of the Costume Society (also a Manley
publishing item). It is a Quarterly Journal of the Costume Society

This is an Annual Journal, not a quarterly one - I have very nearly a
complete run, and thankfully, there is only one per year!

Suzi


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RE: [h-cost] RE: Dress and textile topics, medieval Britain: Your wish list

2007-11-14 Thread Wanda Pease
I don't think those are too earthy at all!  Except for the swaddling and
clothing for infants are things I'd really be interested in knowing.  Given
the right book I'd probably be willing to spring for the baby stuff too.

Wanda


 swaddling
 clothing for infants and toddlers
 underwear
 aprons
 breast support
 maternity clothing
 wills - clothing handed down through generations
 second hand clothing

 Are these too earthy?

 Mary
 

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Re: [h-cost] A crochet question

2007-11-14 Thread Lavolta Press
I've never seen it used in any sense but fastness.  For example, if you 
call someone, A dyed-in-the-wool Republican, you mean their political 
beliefs are thoroughly those of the Republican party, not mixed or 
uncertain.


Of course, if you dye some woolen yarn one color, and some linen thread 
another color, if you weave a fabric from both you might get something 
the modern fashion industry would call heathered. (Or instead striped, 
or checked, depending on how you set up the loom and wove the fabric.) 
Or for that matter, if both yarns are wool. What matters is having the 
different colors. In this case the wool could be dyed either before or 
after spinning, but you'd need to do it before weaving.


Fran
Lavolta Press
http://www.lavoltapress.com

[EMAIL PROTECTED] wrote:

 
But of course referring to dying the fleece makes much sense...with less of  
a story.




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RE: [h-cost] Dress and textile topics, medieval Britain: Your wishlist

2007-11-14 Thread Schaeffer, Astrida
Oops, just read the England only bit. But still, the other languages
would be very useful-- at least as a handle on research using the
encyclopedia as a launch pad.

***
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The Art Gallery, University of New Hampshire
Paul Creative Arts Center
30 College Road
Durham, NH 03824-3538
603-862=0310
FAX: 603-862-2191

www.unh.edu/art-gallery
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-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of Schaeffer, Astrida
Sent: Wednesday, November 14, 2007 4:08 PM
To: Historical Costume
Subject: RE: [h-cost] Dress and textile topics, medieval Britain: Your
wishlist


My suggestion isn't so much the headwords as something to include
alongside the headwords-- their counterparts in other languages. For
example, it's braies in French, but breeches in English, Bruche in
German, and what about Italian, Portuguese, Spanish, etc.?

Astrida

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The Art Gallery, University of New Hampshire
Paul Creative Arts Center
30 College Road
Durham, NH 03824-3538
603-862=0310
FAX: 603-862-2191

www.unh.edu/art-gallery
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Re: [h-cost] A crochet question

2007-11-14 Thread Lavolta Press


Back in the days when I used to do a lot of weaving and crocheting, I 
never became interested in spinning, for some reason. I bought pre-dyed 
yarn. However, my philosophy is that if something is likely to shrink, 
I'd rather get it over with before I go to a lot of trouble making a 
garment by any method.


One great thing the device you describe has going for it, is keeping the 
yarn from becoming a totally tangled mess while being agitated to 
distribute the dye.  A problem I've always had while dyeing things like 
long lengths of lace trim.


The other thing about crochet, knitting, and lace is that they can be 
fragile. Of course, this depends on how fine your yarn or thread is, how 
well you tuck the ends in, and how careful you are when agitating the 
piece. But I'm going to agitate something during dyeing, if I have the 
choice I prefer it to be in a less fragile state, as I'd rather not 
spend a lot of effort making something, then have it come apart during 
dyeing.


Fran
Lavolta Press
http://www.lavoltapress.com



Back in the days when I had lots of time to experiment
with natural dyes on the yarn I had time to spin (Oh
for the days of no kids!!) my hubby made me a set of
stretchers to keep the shrinkage to a minimum. 



snip


Good luck.

--- Lavolta Press [EMAIL PROTECTED] wrote:



Procion is not a literally cold-water dye; you need
to use pretty warm 
water for best results.


The dyeing process almost always shrinks the fibers,
sometimes quite a 
lot.  Also, the earlier in the process you dye the
fibers, the more 
thoroughly the dye penetrates. Dyed in the fleece is
better than dyed in 
the spun yarn, dyed in the yarn is better than dyed
in the woven 
material, and dyed in the material is better than
dyed in the made-up 
garment. Hence the old saying, Dyed in the wool.


Ever buy a dyed-after-sewing garment, unpick the hem
to take it up, and 
discover that it is pale, or even still white, on
the inside of the old 
hem? And when I have dyed crocheted articles, the
dye visibly penetrates 
better into the upper surface, than further down
into the intertwinings 
of the yarn.


Fran
Lavolta Press Books on Historic Costuming
http://www.lavoltapress.com

Maureen Campbell wrote:



If you're going to use a cold-water dye, like
Procion, I don't think it makes a difference.
Anything involving hot water, though, will
shrink cotton, so in that case, the yarn should
be dyed first, then crocheted.

Yay, crochet!! :)



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Rebecca Burch
Center Valley Farm
Duncan Falls, Ohio, USA

The only twelve steps I'm interested in are the ones between the flat folds and 
the brocades.  --Anonymous Costumer--
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Re: [h-cost] A crochet question

2007-11-14 Thread Lavolta Press
BTW, as someone debating whether to get rid of the 8-harness jack loom 
in the garage, I have a conundrum.


I loved the process of weaving. But I just was not all that thrilled by 
hand-woven material.  It was OK, and I made a lot of home-furnishings 
type things. But stylistically, I'm not no longer that interested in the 
rough-looking bedspreads, etc. that I used to make, and as for woven 
wall hangings, these days I'm totally uninterested.


The only kind of wall hanging I'd ever consider making is a tapestry, 
which I never used to do, except when I learned the techniques in 
textile arts class. I do still like tapestries.


What I was really most interested in making then was garments. Garment 
fabric is of course comparatively fine and very time-consuming to weave. 
I wanted to get on to making the garments, so it just seemed more 
efficient to buy fabric.


The loom also has sentimental value, but given the its size, I suppose 
I'll eventually sell it. I just hate to ever get rid of anything.


Fran
Lavolta Press
http://www.lavoltapress.com


Back in the days when I had lots of time to experiment
with natural dyes on the yarn I had time to spin (Oh
for the days of no kids!!) my hubby made me a set of
stretchers to keep the shrinkage to a minimum. 


Basically, it is no more than a couple pieces of 2x4
with dowels plugged in. Before the dye bath, I would
wind the yarn across the bars in a single layer with
fairly firm tension. Leave on the bars until you are
done immersing in the dye bath and rinse water. Dry on
the bars. By keeping it under a fair amount of tension
it didn't have as much opportunity to contract.

The nice part is that you can construct them to fit
down in whatever size tub you have for your dye bath.
We were lucky to have come across some fairly deep
metal pans being discarded from the VA Hospital
kitchen. Worked like a charm.

Good luck.

--- Lavolta Press [EMAIL PROTECTED] wrote:



Procion is not a literally cold-water dye; you need
to use pretty warm 
water for best results.


The dyeing process almost always shrinks the fibers,
sometimes quite a 
lot.  Also, the earlier in the process you dye the
fibers, the more 
thoroughly the dye penetrates. Dyed in the fleece is
better than dyed in 
the spun yarn, dyed in the yarn is better than dyed
in the woven 
material, and dyed in the material is better than
dyed in the made-up 
garment. Hence the old saying, Dyed in the wool.


Ever buy a dyed-after-sewing garment, unpick the hem
to take it up, and 
discover that it is pale, or even still white, on
the inside of the old 
hem? And when I have dyed crocheted articles, the
dye visibly penetrates 
better into the upper surface, than further down
into the intertwinings 
of the yarn.


Fran
Lavolta Press Books on Historic Costuming
http://www.lavoltapress.com

Maureen Campbell wrote:



If you're going to use a cold-water dye, like
Procion, I don't think it makes a difference.
Anything involving hot water, though, will
shrink cotton, so in that case, the yarn should
be dyed first, then crocheted.

Yay, crochet!! :)



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Rebecca Burch
Center Valley Farm
Duncan Falls, Ohio, USA

The only twelve steps I'm interested in are the ones between the flat folds and 
the brocades.  --Anonymous Costumer--
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