Re: [h-cost] Sofie in the garden at Gammel Estrup.

2007-06-27 Thread elena_o_tighearnaigh

I loved it so much I saved it as one of my screen saver images...I hope that's 
ok...in fact...I think I'll do more screen saver images using more of your 
exquisite gorgeous work for my computer..

Gia
-- Original message -- 
From: Bjarne og Leif Drews [EMAIL PROTECTED] 

 Oh gosh, 
 Thanks a lot Joan... 
 
 Bjarne 
 
 - Original Message - 
 From: Joan Jurancich 
 To: Historical Costume 
 Sent: Wednesday, June 27, 2007 10:10 PM 
 Subject: Re: [h-cost] Sofie in the garden at Gammel Estrup. 
 
 
  At 09:10 AM 6/27/2007, you wrote: 
  
 The nicest picture i got from Gammel Estrup. Just wanted to 
 share. 
 http://www.my-drewscostumes.dk/t26.htm 
  
  
  
  
 Leif og Bjarne Drews 
 www.my-drewscostumes.dk 
  
 http://home0.inet.tele.dk/drewscph/ 
  
  Sofie looks lovely. You've made another masterpiece! 
  
  
  Joan Jurancich 
  [EMAIL PROTECTED] 
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Re: [h-cost] re: volunteering

2007-06-21 Thread elena_o_tighearnaigh
Fashion citation to volunteers?  That is downright funny!  I just about spewed 
my drink on the screen laughing...

The idea for merit awards is a much better idea..
Gia

-- Original message -- 
From: Cin [EMAIL PROTECTED] 

 I'm going Wednesday night to turn in my application to be a volunteer at 
 a local historic site. They do 1860's. Nothing fancy, it's a farm house, 
 but it looks like it could be fun. I've met some of the other ladies and 
 they're nice. 
 
 Those of you who do volunteer work at sites, how did you get the 'job'? 
 
 Hey, Dawn 
 I just started showing up. Every month. (That's when the site did 
 living history: just once a month.) Pretty soon I was on the events 
 planning committee, the next year head of another committee, another 
 year later I was on the board, then president. 
 Unless it's Sturbridge or Billburg (er, Williamsburg) most sites dont 
 say no, thank-you. 
 
 That said, we had our own problems, like the park ranger we had for a 
 few years who was an ex-LA cop. She wanted to issue citations (like 
 traffic citations, not like merit badges) to volunteers who, in the 
 ranger's opinion, didnt measure up, usually in some trivial way. I 
 remember the fashion violation she tried to issue... 
 --cin 
 Cynthia Barnes 
 [EMAIL PROTECTED] 
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Re: [h-cost] Your dream costume

2007-06-19 Thread elena_o_tighearnaigh
No restrictions at all?

I would love to make at least One gown with all underpinnings and accessories 
for every period, every country/culture beginning around the 10th century...

That's a big dream...
Gia

-- Original message -- 
From: [EMAIL PROTECTED] 

 La Mode Bagatelle's Artistic Reform Tea Gown, View A, in mossy-green velvet 
 (for 
 the overdress) and ivory silk for the underdress. I did spring for the 
 pattern; 
 I just quail before it in terms of my limited skill, especially in light of 
 the 
 materials I would like to use. 
 
 And of course brocade slippers to wear with it. 
 
 -- Original message -- 
 From: Deredere Galbraith 
 
  I was thinking of what my next costume would be and I came to an 
  interesting question. 
  What would be your dream costume? 
  If you wouldn't be limited by money or your own expertise. 
  
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Re: [h-cost] book - Natural Dyes by Cardon

2007-06-18 Thread elena_o_tighearnaigh
Wow!  I'm more interested in the Scientific Analysis of Ancient and Historic 
Textiles.  Based on the description, it might provide more information 
regarding the weave and fibers of the textiles which, I think, might provide 
vital clues as to the how and why of fabric behavior on the human body.  For 
example, if one could look at the spin of the fiber and the weave of the fiber, 
it could explain why certain extant fabrics in costumes seem to be more 
stretchy and not wrinkle or more rigid, causing stress wrinkles.  

 
Scientific Analysis of Ancient and Historic Textiles
Rob Janaway and Paul Wyeth  (eds)
ISBN: 1873132794

Happy stitches.
Gia
-- Original message -- 
From: Diana Habra [EMAIL PROTECTED] 

  Finally published! ... but the booksellers are still waiting. 
  
  Natural Dyes - sources, tradition, technology, science by Dominique 
  Cardon ISBN: 190498200x 
  
  http://www.archetype.co.uk/ click on 'recently published' 
 
 Looks like a cool book but $170??!! Yikes! 
 
 Diana 
 
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 www.RenaissanceFabrics.net 
 Everything for the Costumer 
 
 Become the change you want to see in the world. 
 --Ghandi 
 
 
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Re: [h-cost] i cant deside

2007-05-01 Thread elena_o_tighearnaigh
I think it looks Perfect for the look you are trying for!

Thank you for sharing!!
Gia

-- Original message -- 
From: Bjarne og Leif Drews [EMAIL PROTECTED] 

 Hi, 
 As you all responded me so bravely i have uploaded a new photo how i want to 
 make it. 
 http://www.my-drewscostumes.dk/sofie3-36.htm 
 Its as i told you late last night made with 2 rows of stitching each side of 
 the center and with the narrow goldtrim. 
 It raises in the edges and gets dimentional as i wanted. 
 Thankyou all for your nice responses.. 
 
 Bjarne 
 
 
 Leif og Bjarne Drews 
 www.my-drewscostumes.dk 
 
 http://home0.inet.tele.dk/drewscph/ 
 
 
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Re: [h-cost] The Queen, The Queen

2007-05-01 Thread elena_o_tighearnaigh
*sigh*  You lucky person!
Gia

-- Original message -- 
From: Ron Carnegie [EMAIL PROTECTED] 

 Oh all right then 
 
 
 She will arrive in Williamsburg Thursday night. She is staying at te 
 Williamburg Inn. She will enjoy a carriage ride through the historic area 
 on friday, and address people at the College of William and Mary. Later she 
 will be at nthe two Jamestown Parks. I will be escorting her as part of an 
 honor guard at Jamestowne Settlement. 
 
 Ron Carnegie 
 
 - Original Message - 
 From: Penny Ladnier 
 To: h-costume 
 Sent: Tuesday, May 01, 2007 1:04 AM 
 Subject: [h-cost] The Queen, The Queen 
 
 
 Oh well, you can't win them all. Queen Elizabeth II is coming to Richmond, 
 VA Thursday for the 400th Anniversary of Jamestown. Last Friday, it was 
 announced that she would be at the Capital on Thursday, May 3. And that the 
 Queen would be receiving 108 people in representation of the original 108 
 Jamestown Colonists. The Commonwealth of Virginia had a lottery today to be 
 one of the 108 people. Darn, I didn't win. But my daughter, son, and I are 
 going to the Capital to see the Queen give a speech. Hopefully we can get 
 close enough to take photos. The Queen will be going to Jamestown next 
 week. LOL! I wonder if the Queen is going to the NASCAR race in Richmond 
 this weekend. 
 For more info about the Queen's visit and Jamestown's 400th Anniversary go 
 to: 
 http://queensvisit.governor.virginia.gov/home.asp 
 http://www.americas400thanniversary.com/ 
 
 Maybe our Williamsburg h-costumers can give info about the Queen's visit 
 there. 
 
 Penny Ladnier, 
 Owner, The Costume Gallery Websites 
 www.costumegallery.com 
 www.costumelibrary.com 
 www.costumeclassroom.com 
 www.costumeencyclopedia.com 
 
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Re: [h-cost] i cant deside.........

2007-04-30 Thread elena_o_tighearnaigh
I think the pleated side is prettier, but also think the trim on it is too 
small.  The rusched side looks good too, but the trim is too big.

Maybe switch trims?  The bigger one on the pleated side and the smaller trim on 
the rusched side?

I don't know if that'd be period, because I've not studied the period..

Gia
-- Original message -- 
From: Bjarne og Leif Drews [EMAIL PROTECTED] 

 If you would give me your 2 cents, i would be very pleased. 
 I spended this day desiding wich trim to use on the red francaise dress i am 
 going to make. But desided i have not yeat! 
 On the left side i made box pleatings with a tiny gold trim in the edge. On 
 the right side i have made the trim ruched and used a bigger gold trim. 
 I think the left box pleated side is two boring, its flat, and not at all 
 like i wanted it, the ruched one gives more shading to the silk. Is the gold 
 trim two much? 
 What do you think? 
 
 http://www.my-drewscostumes.dk/sofie3-35.htm 
 
 Bjarne 
 
 
 
 
 
 Leif og Bjarne Drews 
 www.my-drewscostumes.dk 
 
 http://home0.inet.tele.dk/drewscph/ 
 
 
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[h-cost] FW:OT Middle ages tech call. (video link)

2007-04-05 Thread elena_o_tighearnaigh
Hilarious!  (H-Costume) Not really costume related, but for all of us who love 
researching texts...

An illustration of how tech upgrade help calls have never changed. 


http://www.devilducky.com/media/57946/ 

Gia
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Re: [h-cost] Translation help

2007-03-28 Thread elena_o_tighearnaigh
I'd love to help.  But without the beginning of the sentence, I don't have 
enough context to decide.

Gia

-- Original message -- 
From: Robin Netherton [EMAIL PROTECTED] 

 
 I need reactions from a sampling of avid readers of textile literature, 
 and where better to find it than here? 
 
 I'm editing a paper on textile analysis written by someone whose native 
 language is not English. Some of the terms and idioms have come through a 
 bit odd, and part of my job is to smooth it out so as not to jar the 
 reader. 
 
 The author is listing characteristics of fabric, including its appearance, 
 handle, and properties. Obviously handle is the word that doesn't ring 
 true here. My co-editor pencilled in feel. The fabric-user in me thinks 
 hand, but perhaps that is not so well-understood a term. 
 
 If you read either of these phrases in an article, would it pull you up 
 short, or would it make sense to you? 
 
 ...the properties, hand, and appearance of a finished fabric. 
 
 ...the properties, feel, and appearance of a finished fabric. 
 
 Other suggestions welcome. I don't think texture will work in context, 
 because that turns out to be one of many factors in the handle. 
 
 --Robin 
 
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RE: [h-cost] Translation help

2007-03-28 Thread elena_o_tighearnaigh
Thank you for the longer versions!

 We hope that [this method of analysis] may provide information that will 
 increase our knowledge about the properties, handle, and appearance of a 
 finished fabric. 
 
Might I suggest characteristics, texture and appearance of a finished fabric.?


Both the amount of twist and the twist combination in warp and weft are 
 very important for the appearance of a fabric and also for the fabric's 
 handle and properties. 

And in this sentence, could I suggest using drape, handle and typical 
construction characteristics.  

I think the use of characteristics is more defining and seems (to me) 'guide' 
the impressions more toward the texture line of thinking.  I think your idea of 
adding drape in the following sentence, it seems logical.

I hope this helps!  
Gia

 Original message -- 
From: Robin Netherton [EMAIL PROTECTED] 

 
 Hmm. It appears hand might be too much of an American term. Thank 
 goodness for this list. 
 
 And yes, I think feel is too narrow to capture the idea of drape, which 
 is something I couldn't put my finger on -- thanks to those who mentioned 
 it, as now I have something to approach the authors with 
 
 Patty asked about properties; the authors discuss a large number of 
 factors that help define the effect of a textile, so I read this word as a 
 catch-all term for everything else about the fabric other than how it 
 looks and feels, e.g. warmth, durability, etc. But I will query and see 
 whether that's what they mean, or whether all the properties they address 
 can be summed up in appearance and drape/texture. 
 
 A radical thought: If I used the original word, handle, would anyone 
 here *not* understand it? Would it seem like bad English usage (which is a 
 major concern here)? It struck both my English co-editor and me as a 
 translation problem. 
 
 The two appearances of the word: 
 
 We hope that [this method of analysis] may provide information that will 
 increase our knowledge about the properties, handle, and appearance of a 
 finished fabric. 
 
 Both the amount of twist and the twist combination in warp and weft are 
 very important for the appearance of a fabric and also for the fabric's 
 handle and properties. 
 
 I am very tempted to put drape and texture in for the latter pair of 
 adjectives, and may ask the authors' permission on that. 
 
 --Robin 
 
 
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Re: Netherlands Clothing early 17th century-preganacy etc....Was: [h-cost] RE: Done! A few pics from the Golden Age dress.

2007-03-09 Thread elena_o_tighearnaigh
These are all *stunning*!  Thank you for sharing..Gia

-- Original message -- 
From: Saragrace Knauf [EMAIL PROTECTED] 

 Lorina, this is quite the norm for the first part of the 17th century in the 
 Netherlands - (which at the time was much larger than it is now.) 
 
 The bodice is pretty tight, doubtful of much use for pregnancy. The outer 
 gown on the other hand is a possibility. I took this pattern from Juan 
 Algacea's pattern book - it is a mourning gown. I justified this because 
 the Netherlands were under Spanish control for about 80 years. This gown 
 can be made several different ways, one of which has a false front 
 underneath the sack of the back. That would lace up, and of course be 
 adjustable. I saw this gown for the first time at Mathew Gnagy's shop 
 (Desert Torch Tailoring) at local event (might have been Estrella Wars). 
 
 http://www.deserttorch.com/DTT/DTT_2003%20historical%20female.htm 
 (the red gown in the middle of the page) 
 
 http://www.deserttorch.com/DTT/DTT_2002%20historical%20female.htm 
 (green and cream in the second row, and cream in the 4th row) 
 
 I am thinking about putting my slide show up in a Flash movie for folks to 
 see. I can also post my talk - it is pretty rough, since I had most of it 
 memorized, but it might give folks a little background. 
 
 Thank you for your thoughts, 
 
 Sg 
 
 - Original Message - 
 From: Five Rivers Chapmanry 
 To: 
 Sent: Wednesday, March 07, 2007 1:05 PM 
 Subject: [h-cost] RE: Done! A few pics from the Golden Age dress. 
 
 
 Oooo thanks for the image. Fascinating that. Almost makes one wonder 
 if this wasn't a maternity outfit. Very odd. Haven't ever seen another 
 example like that, or have I been missing the boat here? :-) Do you know? Is 
 this an unusual example, or quite the norm? 
 
 Regards, 
 Lorina 
 Five Rivers Chapmanry 
 purveyors of quality hand-crafted cooperage, embroidery supplies; fine, 
 original textile, pen and ink, and watercolour art. Launching April 1: 
 Recipes of a Dumb Housewife, by Lorina Stephens 
 519-799-5577 [EMAIL PROTECTED] - www.5rivers.org 
 
 
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Re: [h-cost] Extant Rennaisance Spanish Dress

2007-03-01 Thread elena_o_tighearnaigh
I could go all day just looking through your site!  Fabulous!
Gia

-- Original message -- 
From: michaela [EMAIL PROTECTED] 

 Hello all, 
 
 I have just updated my website dealing with renaissance spanish women's 
 garb. Recently I came across several new images of extant garments and found 
 new URLs to some older links, which I hadn't yet uploaded... oops;) 
 http://sayaespanola.glittersweet.com/extant.htm 
 
 I'm trusting the provenance for the Isabel de valois and Isabel Clara 
 Eugenia gowns are well established, but they do seem genuine if altered. The 
 Isabel de Valois (red) is particularly inspiring for me as I have just made 
 a new jerkin in red and am thinking of finishing the skirt and adding 
 sleeves and embroidering the heck out of them all;)! Also of course I now am 
 just itching to get to Spain as well as Germany to seek all these hidden 
 treasures. 
 
 I also came across many new portraits which I'll slowly add to my site as I 
 go. If you are curious I have already posted them to my costuming journal: 
 http://pinkdiamond.livejournal.com 
 (if anyone happens to come across this in an h-cost mail archive it will be 
 around the 28th Feb-1st March 2007.) 
 Several of these are Dutch and it is tempting to add yet another setion to 
 my site;) 
 
 Michaela de Bruce 
 http://costumes.glittersweet.com 
 
 
 
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Re: [h-cost] Child's costume - lappets?

2007-02-16 Thread elena_o_tighearnaigh
IIRC, They are called Leading Strings...
Hope that helps,
Gia
-- Original message -- 
From: Saragrace Knauf [EMAIL PROTECTED] 

 Do any of you know of some sources which discuss the pieces of cloth 
 (typically from the shoulder or sleeve scye) hanging from a child's costume? 
 I need some reference material to support my discussion and can't seem to 
 find anything specifically in my books. I have always referred to them as 
 lappetsmaybe this is why I can't find the reference? 
 
 You can see it in the following picture. 
 
 http://www.thinker.org/imagebase_zoom.asp?rec=6259302223530010 
 
 Or http://tinyurl.com/3y4vr6 
 
 
 It makes sense to me, and I seem to recall they were used to hang on to 
 kids. This one shows a rope attached to the small child. 
 
 http://tinyurl.com/3eyaqz 
 
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Re: [h-cost] Met Museum Bulletin

2007-01-03 Thread elena_o_tighearnaigh
Helen/Aidan, I happily received the CD-ROM just after Christmas!

Thank you for the disc!

Happy Happy dance...

Elena/Gia

-- Original message -- 
From: Helen Pinto [EMAIL PROTECTED] 

 The catalogue is gone, but if you send me your mailing address, I'll send 
 you a CD-Rom of the scans of all the pages. 
 -Helen/Aidan 
 
 - Original Message - 
 From: Voncile W. Dudley 
 To: Historical Costume 
 Sent: Tuesday, December 12, 2006 10:15 AM 
 Subject: Re: [h-cost] Met Museum Bulletin 
 
 
  
  I'm late checking my email. I would love to have any books that needs 
  a good home especially garments from the 15th century up. 
  Lady Von 
  Hope I am not to late! 
  
  
  - Original Message - 
  From: Helen Pinto 
  To: Historical Costume 
  Sent: Saturday, December 09, 2006 11:18 PM 
  Subject: [h-cost] Met Museum Bulletin 
  
  
  In the process of (finally) unpacking my books, I've been finding things 
  that could use a home other than mine. I have a Metropolitan Museum of 
  Art Bulletin from back in the days when they sent members these glossy 
  books every quarter. It's from the costume collection and contains large, 
  high-quality pictures of garments from 1695 through the early 1950's, 
  including microphotographs of some of the embroidered detail of the 
  garments. It's nice to look at, but way past anything I'm really 
  interested in. 
  So... I will scan and send photos of anything that someone fancies, and 
  the whole thing can belong to the first person who asks for it. (You have 
  two weeks to ask for the pictures, then I'll mail it.) The highlights: 
  
  - Complete embroidered woman's dress from 1695 
  - Four men's 18th c embroidered coats, one uncut, one with original 
  embroidery cartoon, one with pants and vest 
  - Men's banyans 
  - Assorted women's 18c dresses, one with panniers, most sack-backed, all 
  embroidered or hand-painted, 1740's - 1795 
  - Assorted women's 19c outfits, day dresses, evening wear, several from 
  each decade 
  - Assorted women's 20c outfits, evening wear, suits, etc, up to the 50's 
  
  -Helen/Aidan 
  
  
  - 
  
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  Lady Von 
  
  http://www.wildthangstreasures.com 
  
  
  
  - 
  Check out the all-new Yahoo! Mail beta - Fire up a more powerful email and 
  get things done faster. 
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Re: [h-cost] post- Christmas gift exchange

2006-12-27 Thread elena_o_tighearnaigh
Whee!  Quilting cottons?  Did you say quitling cottons?
I'd love to participate, too!
Gia/Elena

-- Original message -- 
From: E House [EMAIL PROTECTED] 

 Hee! That's a great idea. I could certainly come up with several things to 
 submit, though none from this Christmas. (Any quilters out there? I've got 
 quilting cottons out the wazoo!) 
 
 It might work best if there's absolutely NO secrecy about the items, 
 though =} 
 
 -E House 
 
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RE: [h-cost] Even Weave Fabric

2006-12-20 Thread elena_o_tighearnaigh
Have you tried http://www.threadneedlestreet.com ?

Denise is wonderfully helpful.  She's located in Issaquah, WA on Front Sreet.

Good luck and happy stitching!
Elena/Gia

-- Original message -- 
From: Elisabeth Doornink [EMAIL PROTECTED] 

 I'm in NW Washington state, so no, that won't work. I wish it would, though! 
 
 
 Quia Christus Perpetuo Regnat, 
 Elisabeth 
 -Original Message- 
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of REBECCA BURCH 
 Sent: Tuesday, December 19, 2006 2:45 PM 
 To: Historical Costume 
 Subject: Re: [h-cost] Even Weave Fabric 
 
 Where are you? There is a needlework shop in 
 Cambridge, Ohio where you can get it from the bolt. 
 
 --- Elisabeth Doornink wrote: 
 
  My mother has requested even weave fabric for 
  Hardanger Embroidery 
 
 Rebecca Burch 
 Center Valley Farm 
 Duncan Falls, Ohio, USA 
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RE: [h-cost] Re: striped skirt

2006-12-11 Thread elena_o_tighearnaigh
Yes, there were laws, but IIRC, the purpose was to keep unscrupulous weavers 
and merchants from selling cloth at a higher cost just because they could say 
it was woven with blank.  They'd just leave out the 'percentage' that 
blank.  Just like the other guilds, they kept a close watch on their members, 
for fraud.  I think that there might some examples of guild members being 
publicly punished, such as bakers, and other such folks. 

Queen Elizabeth, at the urging of different guilds, to do some proclamations, 
but nothing specific comes to mind. Drat! 

I seem to remember reading somewhere that one of the Italian city-state guilds 
had even instigated the use of color coding the selvedges, to keep track.  

I'm away from my books, so don't can't verify right now.  And my memory may be 
playing me false!  Anyone who can help with those vague memories or let me know 
that my memory might be out of kilter, please post!

Well, back to work...
Elena/Gia
-- Original message -- 
From: monica spence [EMAIL PROTECTED] 

 I've read The Devil's Cloth and I agree that there are some interesting-- 
 and sometimes far fetched -- ideas presented there. I remember seeing a 
 painting right after I read the book. It was John the Baptist baptizing 
 Jesus. Jesus is wearing a striped undergarment. Somehow I doubt that He 
 would not be wearing something that was questionable-- even if it is a 
 painting. 
 
 Just as a side note. I made the Beatrice dress. IMO the stripes have to be 
 spliced in or applied. I remember the stripes doing domething funky around 
 the shoulders. Remember too, that this is a postumous picture of her-- she 
 died in childbed (the baby she lost is kneeling next to her in the 
 picture)-- so she wouldn't be posing in the dress, anyway. 
 
 As for stripes themselves-- everything woven would have to be yarn dyed, 
 unless there are two different fibers used. Then two chemically different 
 dyes, formulated to work with one of the fibers, could be dumped into the 
 same pot. This is a modern dye method and I am not sure how far back it 
 goes. 
 
 But wasn't there laws about mixing two fibers in a cloth? 
 
 Monica 
 
 
 
 -Original Message- 
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
 Behalf Of Cat Dancer 
 Sent: Wednesday, December 06, 2006 6:08 PM 
 To: Historical Costume 
 Subject: Re: [h-cost] Re: striped skirt 
 
 
 On Wed, 6 Dec 2006 [EMAIL PROTECTED] wrote: 
 
  Ooo, a whole book about it! Thanks! 
 
 I don't remember where I found my copy. It's a fascinating book even if 
 some of his theories are off-the-wall. :-) The one thing it did do was to 
 get us to look critically at portrayals and look for themes and such. 
 
  
  Pixel, is there any way of knowing if the sumptuary laws meant woven-in 
 stripes, applied stripes or pieced stripes? 
  
  That painting with Mary Magdalen looked like they might be applied. 
 
 The Castilian law specifies types of cloth (which I will have to look up 
 when I get home) but the London law just says 'rayed cloth'. [I highly 
 recommend /Governance of the consuming passions : a history of sumptuary 
 law/ by Alan Hunt, if you want to dig deeper.] The rayed cloth of the 
 London law is probably woven-in stripes, stripes being what you, the 
 weaver, do if you have leftover yarns but not enough of any one color to 
 do anything useful with. I want to say that cloth woven of dyed wool is 
 going to be cheaper than cloth that is woven and then dyed, but I don't 
 have enough knowledge of the medieval textile industry to be saying that. 
 [Here is where someone who does, steps in and corrects me. ;-)] Certainly 
 the comments in the inventories and accounts are specific that rayed cloth 
 is for the members of the household fairly far down on the social 
 scale--the valets and such. 
 
 What we've found, in going over some amazingly huge number of 
 illuminations, frescos, panel paintings, book illustrations, etc., is that 
 when someone is portrayed in stripes and/or parti-colour, that person is 
 somehow a social inferior to at least one of the other people in the 
 artwork. So we see stripes (and sometimes plaids) on musicians and on the 
 people that my consort refers to as minions--the various servants, 
 lackeys, etc. that tend to hang around important people in the art. 
 
 Except in the Manesse Codex, where I suspect that stripes indicate someone 
 who is a fop or otherwise on the edge of fashion. Note that that's only a 
 hypothesis--it hasn't made it to theory yet. ;-) 
 
  
  Thanks to everyone who responded! I love this kind of conversation with 
 you guys! 
  
  Tea Rose 
 
 Anything to geek about stuff that isn't work! 
 
 Pixel 
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[h-cost] bounce confirmation?

2006-12-04 Thread elena_o_tighearnaigh
I just got an auto email regarding emails bouncing, and I have no idea why.. 
and I've just noticed that I haven't gotten any emails from the list since I 
got the auto membership reminder email on December 1.  I've not made any 
changes to my membership and fear that this is a phishing scam.  Has anyone 
else gotten one of these?

The body of the message is pasted below:

Your membership in the mailing list h-costume has been disabled due to
excessive bounces The last bounce received from you was dated
26-Nov-2006.  You will not get any more messages from this list until
you re-enable your membership.  You will receive 2 more reminders like
this before your membership in the list is deleted.

To re-enable your membership, you can simply respond to this message
(leaving the Subject: line intact), or visit the confirmation page at
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Re: [h-cost] bounce confirmation?

2006-12-04 Thread elena_o_tighearnaigh
Shucks!  I *did* think it was spamming and deleted it already.  But went ahead 
and re-subscribed to h-costume list anyways.  

No wonder I was starting to get cranky.  I hadn't had my daily H-list fix!

Thanks to all of you who contacted me!
Gia/Elena 

-- Original message -- 
From: [EMAIL PROTECTED] 

 I got one too Astrid 
 
 -- Original message -- 
 From: [EMAIL PROTECTED] 
 
  I just got an auto email regarding emails bouncing, and I have no idea 
  why.. 
 and 
  I've just noticed that I haven't gotten any emails from the list since I 
  got 
 the 
  auto membership reminder email on December 1. I've not made any changes to 
  my 
  membership and fear that this is a phishing scam. Has anyone else gotten 
  one 
 of 
  these? 
  
  The body of the message is pasted below: 
  
  Your membership in the mailing list h-costume has been disabled due to 
  excessive bounces The last bounce received from you was dated 
  26-Nov-2006. You will not get any more messages from this list until 
  you re-enable your membership. You will receive 2 more reminders like 
  this before your membership in the list is deleted. 
  
  To re-enable your membership, you can simply respond to this message 
  (leaving the Subject: line intact), or visit the confirmation page at 
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Re: [h-cost] 18th century ball

2006-10-19 Thread elena_o_tighearnaigh
Bjarne!  How lovely!  I felt absolutely trasnported back in time!  Perfect 
ambiance, setting and it seems like everyone worked really hard to make this 
dinner party look like a living protrait from the past!

Well done!

Elena/Gia

-- Original message -- 
From: Bjarne og Leif Drews [EMAIL PROTECTED] 

 Usually i take up some photos on my website when i get back from the party 
 at the gustavians in Sweden. 
 This time i need not to do it, as a dear friend of mine, Lars Rosenberg made 
 a slideshow for you to see. 
 It was the last summersday of the year, in the evening, the full moon came 
 up, and i enjoyed every moment of it. 
 If you click this link, and turns on a full schreen on your computer, you 
 should be able to have the slideshow: 
 Enjoy! 
 http://www.sodratornet.se/pertoft/beatelund/ 
 
 Bjarne 
 
 
 
 
 
 Leif og Bjarne Drews 
 www.my-drewscostumes.dk 
 
 http://home0.inet.tele.dk/drewscph/ 
 
 
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Re: [h-cost] iridescent fabric/weaving ( mind over matter)

2006-09-19 Thread elena_o_tighearnaigh

I have got a green and black iridescent taffeta, but don't know how much of it 
I have.  How much do you need?

Gia/Elena
-- Original message -- 
From: michaela [EMAIL PROTECTED] 

 
  I had one of those neat synchronicity moments recently: I thought to 
 myself, 
  Huh! I bet you could make an iridescent with more than just 2 colors. 
 Why 
  don't they? and the next day, I picked up a fabric order that included 
 some 
  iridescent silk taffeta, which to my surprised delight was a _3_ color 
  iridescent. It looked taupe, but was actually pink and green weft on black 
  warp. Very cool! 
 
 Yep:) In fact I believe this is true irridescent fabric rather than simply 
 shot or two tone. 
 
  Anyway, the whole thing has gotten me wondering: how practical is it to 
 make 
  3+ color iridescents? Are they as uncommon as I think? Are there any 
  weavers on here who can expound on them? 
 
 I had seen soem mentioned on a website and then lo and behold within a few 
 weeks I handled some in person at a local trade type store. It was red and 
 green and another colour I can't remember, but I was able to pick out a 
 thread of each colour so it wasn't just a trick of the light. It's 
 
  (would commit minor mayhem for a freakin' copper/purple or copper/teal 
  taffeta, or best of all, a copper/teal/purple!) 
 
 I am just on the hunt locally for simple green and black! Screes of red and 
 black or rust and black or muddy grey and orange... but not green and black! 
 
 Michaela 
 http://glittersweet.com 
 
 
 
 -- 
 No virus found in this outgoing message. 
 Checked by AVG Free Edition. 
 Version: 7.1.405 / Virus Database: 268.12.4/448 - Release Date: 14/09/2006 
 
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Re: [h-cost] Hourly Wages

2006-09-04 Thread elena_o_tighearnaigh
Sheesh!  Yet another husband that wants to get rich quick on the labors of his 
wife?  My ex used to harangue me about this same thing, which I found rather 
irritating, especially since he enjoyed being on unemployment...

IMNSH opinion, if he thinks that he can get the high prices, let him negotiate 
with the customers.  And then have him deal with their nitpicking every little 
thing to get the final bill reduced; and he can also deal with those who abuse 
the garment so that a seam fails and then wants free repairs!

I suggest that you do your usual quote type thing, and calm the the customer 
down.

I charge $20/hour for garments that have straight basic sewing (no embrodiery 
work or beading or minimal hand sewing). 

Charge $25/hour for garments that have embroidery work, beading or lots of 
handsewing.  

3 Fittings are included, but if they miss a fitting without any notice, they 
pay $10 penalty.  If they lose so much weight that alterations are needed 
before they wear the garments the first time, the hours needed for altering is 
at the higher rate of $25.00.

Anyhow, I found that if I do a flat fee quote, I seriously underestimate the 
time I spend sewing the garments.  

On the other hand, folks seem to think they are getting a bargain having me sew 
for them at my rates, but they still can't afford me.  Sad, huh?  

I don't sew for folks too much anymore, I just don't have the time..

Best of luck with *coughcough* discussing this with your husband..

Elena/Gia   

-- Original message -- 
From: Kathy Page [EMAIL PROTECTED] 

 I was having yet another *coughcough* discussion with my husband on what the 
 typical hourly wages independant costumers make - what they charge out at for 
 high end work - full suites of clothing, custom designed, in part or fully 
 assembled by machine, complete with embellishments. He seems to think I am on 
 cheap crack, however I have looked into it through employment statistics in 
 my 
 province and country, and have kept a quiet eye on the discussions in the 
 past 
 here and I believe that I am on track for a 5 year plan of establishing my 
 reputation and credibility. He is a frustrating insta-boing type, thinking I 
 should be able to name whatever I please with no justification behind the 
 price 
 tag. 
 
 Could I run a survey on what those interested and willing to offer cannon 
 fodder 
 on this discussion charge out for work roughly described above, and the 
 currency 
 it is typically quoted at, so I can compare apples to apples? If it seems 
 like a 
 private subject, please feel free to reply offlist. 
 
 Thanks for anyone willing to save my sanity, 
 
 Kathy 
 
 Ermine, a lion rampant tail nowed gules charged on the shoulder with a rose 
 Or 
 barbed, seeded, slipped and leaved vert(Fieldless) On a rose Or barbed vert a 
 lion's head erased gules. 
 
 Its never too late to be who you might have been. 
 -George Eliot 
 Tosach eólais imchomarc. - Questioning is the beginning of knowledge. 
 http://www.sengoidelc.com/node/131 
 
 
 
 
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RE: [h-cost] amusing fashion plates

2006-07-29 Thread elena_o_tighearnaigh
IIRC, The Frog is the prince or king or royal someone of France that she was 
supposedly being 'courted' by.  Never came to anything, since she had no 
intention of ever marrying... I'm sure someone on this list can get the french 
royalty' name I can't seem to remember right now.  

Elena/Gia 

-- Original message -- 
From: Sharon at Collierfam.com [EMAIL PROTECTED] 

 Sir Walter Raleigh gave her a frog pin, maybe that's supposed to be him. 
 
 -Original Message- 
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of Kimiko Small 
 Sent: Friday, July 28, 2006 9:56 PM 
 To: Historical Costume 
 Subject: Re: [h-cost] amusing fashion plates 
 
 
 Any idea what Queen Elizabeth is supposed to be, animal wise? I am not sure 
 if it is a tortoise or what. But I do like the Froggy courtier. And I like 
 Henry VIII and Jane Seymour. I like some others as well, but those are what 
 I am involved in. 
 
 Kimiko 
 
 
 Dawn wrote: 
 
 Silly, very silly, animals in historic clothing: 
 
 http://www.mydeskcity.com/DZFG20.htm 
 
 
 I think they're desktops. 
 
 
 
 Dawn 
 
 
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 Yahoo! Messenger with Voice. Make PC-to-Phone Calls to the US (and 30+ 
 countries) for 2¢/min or less. 
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Re: [h-cost] finished left side of the waistcoat

2006-07-02 Thread elena_o_tighearnaigh
Stunning!!!  I love your work!  Have fun celebrating your accomplishment.
Elena/Gia

-- Original message -- 
From: Bjarne og Leif Drews [EMAIL PROTECTED] 

 I just finished the left side of the waistcoat with spangels. 
 Took me 2 weeks to make, i promised to update, when finished.. 
 
 http://www.my-drewscostumes.dk/cel.htm 
 
 I am now taking a break and goes a trip to Tivoli in Copenhagen, have a nice 
 coffe and a big cake :-) 
 
 Bjarne 
 
 
 
 
 
 
 
 Leif og Bjarne Drews 
 www.my-drewscostumes.dk 
 
 http://home0.inet.tele.dk/drewscph/ 
 
 
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Re: [h-cost] Heirloom stuff

2006-06-12 Thread elena_o_tighearnaigh
I'm interested, but don't know how ebay search works.  Where would I go to 
enter your id?  I've looked on a few pages, but they only show catagories to 
search.
Thanks!
Elena/Gia

-- Original message -- 
From: Kathy Page [EMAIL PROTECTED] 

 All that lace I had mentioned I had a while back has finally made it onto E 
 Bay, 
 along with some other stuff. If you're interested, look up my ID 
 insaneseamstress. I'll be pitching some other stuff up there soon as well. 
 
 I have a whackload of Victorian patterns - all are intact, I traced off 
 rather 
 than cut. Some may have notations on them in pencil - anyone interested in 
 what 
 I have? I can inventory and photograph for those interested. Otherwise I'll 
 toss 
 em on EBay as well. Some of my finished vic goods will be going this week 
 too. 
 
 Kathy 
 
 Ermine, a lion rampant tail nowed gules charged on the shoulder with a rose 
 Or 
 barbed, seeded, slipped and leaved vert(Fieldless) On a rose Or barbed vert a 
 lion's head erased gules. 
 
 Its never too late to be who you might have been. 
 -George Eliot 
 Tosach eólais imchomarc. - Questioning is the beginning of knowledge. 
 http://www.sengoidelc.com/node/131 
 
 
 
 
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Re: [h-cost] Heirloom stuff

2006-06-12 Thread elena_o_tighearnaigh
Whichever they are, I'd be interested in seeing them.  Thanks! Elena/Gia

-- Original message -- 
From: Melanie Schuessler [EMAIL PROTECTED] 

 Kathy Page wrote: 
  
  I have a whackload of Victorian patterns 
 
 Are these patterns that were produced in the Victorian era or modern 
 patterns of Victorian styles? 
 
 Thanks, 
 Melanie Schuessler 
 
 
 
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Re: [h-cost] sloper form

2006-06-05 Thread elena_o_tighearnaigh
Here's an idea...instead of using christmas tree stands, you can get really 
nice market umbrella holder/stands.  With summer just around the corner, there 
should be some sort of supply around somewhere.  Maybe at the local home 
improvement stores?

Just a thought..
Elena/Gia
-- Original message -- 
From: Bjarne og Leif Drews [EMAIL PROTECTED] 

 Hi Beth, 
 I made the sloper of unbleached cotton. 
 You are right that you can stuff it two hard, so that it gets two thick, but 
 i find that this special teddy bear stuffing, is nice to form with, and i 
 have obtained a shape very like my own. 
 I just placed it on top of the cut away bottom of my supermand model, and it 
 rests on it. I intend to glue it to the top of the bottom. 
 I didnt make any legs to the model, that would be two difficult to me to 
 make, but i do intend in near future, to add a right arm to it. Its 
 potential to me, that i can see how the back of my jackets and waistcoats 
 are, and that is the major factor. 
 I have seen at the companys who sells dress forms, that you can buy seperate 
 stands. Why dont you do this? And then use a broom stick to the stand? Let 
 the end of the stick rest on the neck top. Perhaps stuff in a heavy 
 cardboard here, to keep it have the shape? 
 I really intend to make a female sloper two, to the corsets i make. I hate 
 the breast part sitting two low, and it wont moove :-) 
 It was years and years since i made a sloper model last, but fortunately i 
 have a folder with recipies how to construkt these, from my designschool. It 
 really wasnt difficult to make, it kind of is in my brain already. 
 
 Bjarne 
 - Original Message - 
 From: Beth Schoenberg 
 To: Historical Costume 
 Sent: Saturday, June 03, 2006 7:05 PM 
 Subject: Re: [h-cost] sloper form 
 
 
  Hi, Bjarne, 
  
  You always amaze me!! Making one of these is such a big project, yet you 
  mention it so matter-of-factly, as if it was a good idea, but a bit of an 
  after-thought!! 
  
  What did you use for the outer surface of the dress form? Unbleached 
  cotton (muslin or calico)? Linen? Something heavier? Not fabric at all? 
  
  A group of friends and I have been talking about making duct-tape 
  doubles, using duct tape, or wide house-painter's masking tape, or 
  possibly fabric medical tape (expensive!) --- over plastic garbage bags or 
  thin dry-cleaner's bags. We've been debating using foam-rubber for the 
  stuffing, or teddy-bear stuffing, or spray-in building-insulation foam 
  (this last is not squishable, but it is carve-able). The expected 
  problem with using fabric fitted to shape is that the fabric body will 
  be distorted out of the correct shape, as it is forcibly stuffed, for the 
  person it's supposed to fit. How did you achieve your fit? 
  
  One thing we have discovered is that an old microphone stand is *very* 
  heavy, and might be an ideal base for a dress form, especially for our 
  large and heavy historic dresses. 
  
  I'm also curious: did you put whole or partial legs on your form? 
  
  Beth S 
  --- in clear and frosty Kambah, in Canberra, the big-city-small-town 
  capital of Australia 
  
  
  
  On 03/06/2006, at 9:29 PM, Bjarne og Leif Drews wrote: 
  
  Hi, 
  My friends at Live Journal, gave me the idea to make myself a sloper 
  form. 
  I had recently ordered a mans dress form, but when it arrived, i found 
  out it was much, much two big for me, it was a superman. 
  So some of my friends suggested me to make myself a sloper model, pad the 
  armholes, and neck, and stuff it with teddybear stuffing. 
  I did yesterday, and i had to buy 6 large bags of stuffing, to fill out 
  my sloper. 
  The stand from the Superman i used for my own sloper model, and now i 
  have my own uniquely you. 
  Boy i am so happy that i made it, i have tryed on my suits on it, and i 
  actually found out many things i could have done better with the cut. 
  Now i am going to make myself a lot of nice outfits. 
  Also for period corsets, the sloper model is a brilliant idea, because 
  its squishable. 
  
  Bjarne 
  
  
  
  
  
  Leif og Bjarne Drews 
  www.my-drewscostumes.dk 
  
  http://home0.inet.tele.dk/drewscph/ 
  
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Re: [h-cost] My latest gig!

2006-05-20 Thread elena_o_tighearnaigh
Congratulations! You go and have loads of fun!!!
Elena/Gia

-- Original message -- 
From: Saragrace Knauf [EMAIL PROTECTED] 

 I do, I do! The Phoenix Art Museum just called me and asked me to do costumes 
 in conjunction with the traveling exhibit from the Rijksmuseum from 
 Amsterdam! 
 Whe! I am s exited. I hope like heck they ask me to do the Kitchen 
 Maid by Vermeer. They even said there would be funds since they realized it 
 could be very expensive!! 
 
 http://www.codart.nl/exhibitions/details/833/ etails/833/ 
 
 Sg (who can hardly believe it herself, and hopes she doesn't jinx anything by 
 announcing it!) 
 
 
 - Original Message - 
 From: Cynthia J Ley 
 Subject: Re: [h-cost] hello out there?? 
 Feel like discussing latest projects? 
 
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Re: [h-cost] Steam Iron source

2006-04-12 Thread elena_o_tighearnaigh
Walmart has one and it's on their webpage, too...I tried to send the info in an 
email I sent yesterday, but my email didn't post...

Elena/Gia

-- Original message -- 
From: [EMAIL PROTECTED] 

 
 Suzi (who really needs to find a new job - I hate ironing, and I hate 
 machining!!) 
 
 ps - meant glad it's not just me that feels like that :-))) 
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Re: [h-cost] stumpwork bag

2006-01-27 Thread elena_o_tighearnaigh
Hello!  Goodness!  I *LOVE* the gusset bag!.  I'm wondering if these could also 
be used modernly?  

And how much for one? in US Dollars?

Elena/Gia

-- Original message -- 
From: Bjarne og Leif Drews [EMAIL PROTECTED] 

 Hi Kathleen, 
 Uploaded a new picture, i am going to give it a taffeta handle in same 
 colour as the purse itself, so that the highlight will stay at the 
 embroidery. 
 http://www.my-drewscostumes.dk/purseembroideries.htm 
 It has a gusset in the side, and gives place for many things. 
 I think i have an interrested buyer allready. 
 
 Bjarne 
 
 - Original Message - 
 From: Lloyd Mitchell 
 To: Historical Costume 
 Sent: Thursday, January 26, 2006 7:26 PM 
 Subject: Re: [h-cost] stumpwork bag 
 
 
 I love this shape! It takes the ordinary evening to another level. 
  Not that your Work is just ordinary... What do you have in mind for the 
  handle? 
  Kathleen 
  - Original Message - 
  From: Bjarne og Leif Drews 
  To: 
  Sent: Thursday, January 26, 2006 5:49 AM 
  Subject: [h-cost] stumpwork bag 
  
  
  
  http://www.my-drewscostumes.dk/purseembroideries.htm 
  
  This is the gusset bag finished. Except i need to make the handle. 
  
  Bjarne 
  
  
  
  
  
  
  Leif og Bjarne Drews 
  www.my-drewscostumes.dk 
  
  http://home0.inet.tele.dk/drewscph/ 
  
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Re: [h-cost] Holiday/Secret Santa gifts

2005-12-28 Thread elena_o_tighearnaigh
Hello!  My gift was from Carol Kocian, who gave me the book by Mara Riley, 
Whatever Shall I Wear? and several small lengths of basic cotton and linen 
twill type tapes.  And also pieces of a pale green toile cotton for my 
quilting, too!

Since I have decided to start playing in the era generally associated with the 
civil war of the US, I'm definitely going to be using everything!

Thank you Carol, for these thoughtful gifts!

Elena, Gia

-- Original message -- 
From: Carol Kocian [EMAIL PROTECTED] 

 
 Naturally mine was waiting for me today when I got home. :-) 
 Sue Clemenger sent some chocolate truffles (Yum!) and a beautiful 
 blank book covered in green velvet, with a Celtic knotwork animal 
 design embossed into it. Very cool, thank you! 
 
 -Carol 
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Re: [h-cost] gamberson question

2005-12-23 Thread elena_o_tighearnaigh
I'm not sure what colors would be used, but the wealthy folks (in period) who 
had armor might (and this is just conjecture) use their heraldic colors, maybe?

Maybe some good places to look would be the paintings and illuminations with 
Italian City-State wars (or whatever those might be called).  Maybe the 
painting sourses that have pavilions in them?  I have a vague recollection of 
seeing paintings with gorgeous pavilions (french bells?) with men in various 
stages of armoring and fighting?  My memory is very sketchy, so I welcome 
corrections!

I have a few (ok, a *lot* of) construction tips that I found to be helpful when 
I made a gambeson for a fellow a few years ago.

Try and use upholstry cotton for the batting.  I found it to be thicker and it 
washed up pretty darn firm.

I also found that once I determined each pattern piece of the gambeson, (front 
body, back body, upper arm, lower arm, skirt) I would draw each pieces' cutting 
line onto the lining fabric, leaving at least *2* inches of fabric space in 
between *each piece* all the way around.You should use non wash out marker 
that will not wash out (sharpie? I actually used a pencil, with a soft lead so 
it left a rather noticeable line and it didn't wash out) .  And being on 'true 
grain' isn't really critical, as long as you are 'close enough'.  You'll see 
why as you read further.

Cut out each pattern piece at least *2* inches away from the pattern actual 
cutting line.  Take the cut out lining pieces and lay on the outer fabric 
*wrong sides together*, and cut out the outer fabric using the actual cut edge 
of the pieces to cut around (same rules for grain alignment as lining).

Lay the cut out pieces of  *outer* gambeson fabric pieces, wrong side down, on 
the batting and cut.  There is no actual 'grain' for batting, so lay out so as 
to not make any cabbage (waste); you can even piece the batting, too!

Sandwich the outer fabric (wrong side to batting), batting and lining fabric 
(wrong side to batting).  

Quilt the each piece *individually*. Quilting each piece separately (front body 
sandwich, back body sandwich, arm pieces sandwiches) will make handling at the 
sewing machine a heck of a lot easier!   I used a diamond (60 degree angle) 
quilting method because it would help with supporting the bias of the fabric, 
without actually reducing the any of the possible 'stretch' that activity would 
need.   Zig Zag cut edges enclosing the batting.  If you lay the pattern piece 
on the quilted pieces, you will notice that the pattern cutting line markings 
are just a tad to the inside of the pattern piece cutting line, because the 
quilting 'takes up' some of the materials.  This is why one reason you need to 
mark the cutting lines on the lining.

Do NOT assemble pieces yet!!

Machine WASH AND DRY every separate piece (which is why you have the 2 all the 
way around and the cut edges are zig zagged to enclose the batting).  The 
reason is so that each piece can be pre-shrunk without out the dreaded 
distortion that would pull adjoining pieces out of wack.  This also *thickens* 
(fulls?) the batting so that it will be firmer, and more stable prior to the 
first wearing.  This will also make the gambeson wash and wearable.

Once the pieces are washed and dried, take the PAPER pattern pieces and lay on 
the OUTER fabric of each piece (make sure you flip the *paper* pattern piece if 
you have distinct right and left sides) on the outer side of each piece.  Cut 
the quilted pieces around the *paper* pattern.

Assemble the gambeson as desired, decorate and embellish as desired.  Be sure 
to have several heavy duty sewing needles to hand.  You might need to change 
them as they become dulled going through such heavy duty layers.

I hope my tips will be helpful and reduce the difficulties of assembling a 
gameson that would shrink with the first washing!

Elena/Gia
-- Original message -- 
From: Deredere Galbraith [EMAIL PROTECTED] 

 Thanks! 
 That is very interesting. 
 I am probaly going to use the period pattern since I have it. 
 
 It is for a 15th century gambeson. 
 And the person wil only wear a fiew armour parts. 
 He wants it as korrect as possible. 
 But likes it to have a colour. 
 The only colour I have ever seen is red. 
 But I don't now if a normal soldier would wear it in red. 
 
 For filling I am thinking of using loose sheep wool or cotton batting 
 used for making quilts. 
 Just sew over the cloth with batting between it is much faster but would 
 that be right? 
 He doesn't want a very thick gambeson because he will also use the 
 costume in play's and it will get hot under the stage lights. 
 
 otsisto wrote: 
 
 A gambeson is padding worn under the armour. Linen and wool were used, 
 usually in the medium to heavy weight. If you are a part of the Society for 
 Creative Anachronism, authenticity is encouraged but not manditory when it 
 comes to garment fiber content. Try to go for the linen as 

Re: [h-cost] greetings

2005-12-21 Thread elena_o_tighearnaigh
Awesome!!!  Absolutely gorgeous!  Now I want one!

Thank you for sharing your gorgeous work.

Merry Christmas, Happy Holidays and a Wonderful New Year to you!
Elena/Gia

-- Original message -- 
From: Bjarne og Leif Drews [EMAIL PROTECTED] 

 Hello. 
 First i want to wish all the h-costume members a merry christmas and all the 
 best of a happy new year. May the new year be prosperous and lucky for all, 
 and bring a lot of wonderfull meetings and events. 
 I have nearly finished the long work i have had with the chenille 
 embroidered robe a la francaise, i have to pack it down and make the 
 finishing touches to it after christmas. It takes up two much space here, 
 and i need to make everything ready for christmas. 
 You can se it on my webpage here: 
 http://www.my-drewscostumes.dk/chenillestumpwork.htm 
 
 Many greetings 
 
 Bjarne 
 
 
 
 
 
 
 
 Leif og Bjarne Drews 
 www.my-drewscostumes.dk 
 
 http://home0.inet.tele.dk/drewscph/ 
 
 
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[h-cost] Humans in England, 700k years?

2005-12-14 Thread elena_o_tighearnaigh
I happened upon an AP article that just caught my eye.  Hopefully, I'm not 
sending out old news!  But it looks like that they found 32 black flints, in 
river sediments in Pakefiield in eastern England, that dated back to 700,000 
years.

I think I need to find and re-read my Mummies of Urmichee (spelling?) book 
again.  This find will make the re-reading much more enthralling (to me 
anyway)!  I know this is *way* early for SCA (for those interested in SCA), but 
my research pathways have certainly expanded!

I can hardly *wait* for the details of this find to be published, even if 
there's no mention of textiles, this is still useful for development of  
theories and conjectures.

Elena/Gia 
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Re: [h-cost] A Rant about commercial patterns

2005-11-30 Thread elena_o_tighearnaigh
What I've done in the past is to cut a bit of elastic, and sew ribbon to *both* 
ends.  This way the ribbon doesn't need to be very long (shorter dangly bits) 
and you get a bit of 'give' for sizing.

When I thread the elastic/ribbon through the casing, I also tack (backstitch) 
'across' the elastic in the casing at least in the middle (I hope that's 
clear), so it doesn't keep slipping out.

I hope this helps!
Elena/Gia

-- Original message -- 

 How about threading a pretty ribbon through the casing so your (very 
 lucky to have a grandma sewing for them!!) granddaughters can just tie 
 off and have an attractive bow showing? Although, maybe not a good 
 solution for babies...someone in an earlier post suggested leaving an 
 extra length of elastic for Mama to finish off? 
 
 Good luck, 
 
 Theresa Eacker 
 
 [EMAIL PROTECTED] wrote: 
  I've been sewing for my granddaughters for Christmas and have come across, 
  again, something that has long bothered me in most commercial patterns. The 
  sleeves have elastic in them and the directions say, Cut elastic to a 
  comfortable measurement. Now, the girls are in Florida, and I am in 
 Maryland, so 
  how am I supposed to do that? The same holds when making baby clothes for 
  babies who aren't born yet, for example. (Snipping) 
  Does this peeve anyone else as it does me? 
  
  Ann Wass 
 
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Re: [h-cost] Irons

2005-11-29 Thread elena_o_tighearnaigh
I live in Everett WA and Costco has a great iron (can't remember the brand - 
and I'm at work - drat!) that I think is equal to the Rowenta that I have, and 
about half the price.  

It's got a 'computerized' setting selection LCD (I think that's what it's 
called) with up/down buttons to select syn/silk/wool/cotton/linen.  It has a 
separate lever to select steam functions too.  

The shot of steam is wonderful.

I'll post the brand when I get home.
Elena/Gia
-- Original message -- 

 I think my 28yo GE iron is giving up to ghost. 
 
 Problem is this: I volunteered to make curtains for a friend who is having a 
 baby - she doesn't have time as the doctor wants to induce her 3 wks early 
 (due to diabetes in the family). I need to get them done like today or 
 tomorrow and I don't have time to research irons. 
 
 So, can I please get some recommendations? Something, sturdy, mid-range, 
 easy to find (cause this is Seattle and they're prediciting snow off and on 
 for the week and I might have to get it at either a Joanns, Fred Meyers, or 
 Sears store) and without an automatic off timer thingy that drives me nuts 
 when I use other peoples. 
 
 Thanks a bunch 
 
 Susan in Bellevue 
 
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Re: [h-cost] update of chenille dress

2005-10-26 Thread elena_o_tighearnaigh
Stunning!  Excuse me, I've got to wipe the drool off my keyboard now

Elena/Gia

-- Original message -- 

 Hi, 
 Uploaded 3 more photos of the stumpwork dress. 
 Desided to discharge the ruffled edge that i made in the drawing, on top of 
 the border of the underskirt. Two much. 
 http://www.my-drewscostumes.dk/chenillestumpwork.htm 
 Bjarne who now adds the small chenille flowers to the edge of the 
 underskirt. 
 
 
 
 
 
 
 
 Leif og Bjarne Drews 
 www.my-drewscostumes.dk 
 
 http://home0.inet.tele.dk/drewscph/ 
 
 
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Re: [h-cost] dipping silk in cold water

2005-10-25 Thread elena_o_tighearnaigh
Hello, I've done a few gowns out of 'regular' (as opposed to moire) taffeta for 
my eldest daughter, but not silk taffeta.  I've discovered that with taffeta  
if I wash the whole thing in water (not in the washer or the whole thing is a 
wrinkled mess), it doesn't lose it's crispness or sheen in my eyes.  But if you 
put just a bit of water on it (like in spot cleaning) the spot is visibly 
obvious and (I think) I've not figured out a way to get that spot out, once 
it's there.  Even after washing it.  

My experiences with silk specifically, is with China silk, 'silk' velvet , raw 
silk and duponi.  China Silk and Silk velvet washes up beautifully if carefully 
hand washed.   Washing raw silk make the fabric 'stiffer'. Duponi loses it's 
sheen, becomes fairly stiff and loses it's resiliency for wear and tear.  

Just my .02 worth...

Elena/Gia

-- Original message -- 

 Hi, 
 Just wondered, what will happen if a silk taffeta was dipped in cold water? 
 Would it get spoiled? 
 Thoaght about the water solluble solution for transfer of embroidering 
 pattern to silk. 
 I could try a small sampler, but thoaght some of you already tryed? 
 
 Bjarne 
 
 
 
 
 
 Leif og Bjarne Drews 
 www.my-drewscostumes.dk 
 
 http://home0.inet.tele.dk/drewscph/ 
 
 
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Re: [h-cost] Testing

2005-10-04 Thread elena_o_tighearnaigh

I think the list might be mid-hiccup or at that point in a cyber-shneeze where 
it's gathering the emails for big explosive schneeze.

And then we'll all be innundated..
Elena/Gia. 
-- Original message -- 

 Anyone else out there? I'm not getting any mail from the list. 
 
 Sg 
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Re: [h-cost] Gustavian harvest feast

2005-09-30 Thread elena_o_tighearnaigh
Oh *Bjarne!*.

I will pray for a swift healing for you!!!  And may your embroidery withdrawl 
symptoms be small...

Hugs (careful)!
Elena/Gia


 Dear all,
 I have uploaded some pictures from this last weekends event at the 
 gustavians in Stockholm.
 It was situated in romantic sourroundings like a small Petite Trianon.
 Dinner was esquisite and the company as allways very nice.
 Please use your back button to get back to the index.
 http://www.my-drewscostumes.dk/beatelund2005.htm
 Unfortunately i had a small accident. When busses were driving us back to 
 Stockholm i couldnt find my bag and i rushed arround to find it, slipped on 
 a staircase and broke my right hand wrist.
 My shoes are very slippery!
 So no embroidering for me the next 4 weeks :-(
 
 Thankyou fo all your feed back with the topic about why America are more 
 into renaissance than 18th century.
 
 Bjarne
 
 
 
 Leif og Bjarne Drews
 www.my-drewscostumes.dk
 
 http://home0.inet.tele.dk/drewscph/ 
 
 
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playing in period societies? Re: [h-cost] why renaissance and not 18th century?

2005-09-22 Thread elena_o_tighearnaigh
Personally, I play in the SCA because I can dress up alot...

What I'd prefer to do is to play dress up for several periods, and (I'm sorry) 
for brevity let's just say from 1650 through 1900.  

I love each of the different fashions that evolved and exploring each 
development and their fabrics, textiles, accessories and social graces would be 
exquisite.

If there are 'Societies' in the USA (Seattle, Washington area) that I could 
begin playing in I'd love to know about them.

Or, if not, if there's a group that focuses on the Irish/Celtic/Welsh (I think 
they are all different and distinct groups) history, language and costuming, 
I'd also love to know about them, too.

Elena/Gia


 Bjarne og Leif Drews wrote:
 
  Sorry sorry folks, drinks on me!
  
  I ment why so much renaissance fairs and renaissance reenactors and not 
  so many 18th century?
 
 The American RenFaires are mostly very fluffy.  Lots of flashy clothes, 
 stage magic, selling of pretty things, and not so much history.  They 
 make a fair amount of money for the organizers, and the few historic 
 elements are often provided by really dedicated volunteers who get paid 
 nothing, and who are not a big part of the experience for most of the 
 attendees.
 
 It's an experience of its own, really, not related to re-enactment.  I 
 expect the 18th century is too close in time to be myth'ed up like that 
 and sell well to the general public.
 
 cv
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Re: [h-cost] Costume Groups in Seattle (was RE: playing in period societies?)

2005-09-22 Thread elena_o_tighearnaigh
Bless you!

I'll look up the brcg and would love the info on the other group SWIT.

I can hardly wait to spread my historical research and costuming wings!

Elena/Gia


  
 
 If there are 'Societies' in the USA (Seattle, Washington area) that I
 could begin playing in I'd love to know about them.
 
 *snip*
 
 Ask and ye shall receive:
 
 www.brcg.org
 
 We are a group that  studies every aspect of costuming, from
 extrapolations of the stone age to futuristic fantasy, with a lot of
 historical fact and folly in between. There is another group, Somewhere
 in Time, Unlimited, which is more heavily influenced by historical
 costume after the SCA period, but I don't think they have a web
 presence. I can find their address if you would like it. The BRCG is the
 local branch of the International Costumers Guild, while S.I.T.U. was
 started by local folks in the SCA who wanted more from the later
 periods.
 
 Kate McClure
 aka StitchWitch
 
 Beads? What beads . . . ?
 
 
 
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Re: [h-cost] Re:storm prayers

2005-08-31 Thread elena_o_tighearnaigh
Penny, 

I love the idea of helping with rebuilding stashes and such.  May I send some 
as well?


 
 Oh  Penny, My prayers are to you and all of your family.  
 
  
 
 Mia in Charlotte, NC
 
   
 -
  Start your day with Yahoo! - make it your home page 
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Re: [h-cost] Fitting issues

2005-08-18 Thread elena_o_tighearnaigh
Hm...Having fibromyalgia myself, I can tell you that the *weight* of the 
garment is as important as the fit.  And 'dragging' along long lengths of 
fabric, no matter how pretty, really can cause the fatigue that makes the pain 
pretty darned unendurable.  If you make a houppeland, make sure it's out of a 
fairly lightweight fabric.  I used to wear italian ren, and then the gowns just 
got too heavy for me, and I just won't wear a italian ren without the right 
amount of fabric to get that 'shape and drape' that is so special.

Now most of the time I wear a nice tunic over a linen under tunic, that just 
skims the body so I don't even have to wear a belt.  Anything I can carry has 
to go into a little basket, so I'm forced to not carry more than I have to.

Anyhow, you are on the right track thinking about going tunic for her.

Elena


 My future MIL wants a period dress for the wedding
 too. She is 5'-2 and wears a man's 2x shirt. Due to
 fibromyalgia she will not wear anything very fitted, a
 belt, or anything else that will create any pressure
 or tension, especially on her lower back. She also
 detests anything that might accentuate the bust. But I
 don't want to make her look like she is wearing a tent
 either.
 
 The period is 14th - 15th century. Her dress does not
 have to be historically accurate, just look the part.
 
 I was thinking a houppelande would do well with most
 of these requirements. I haven't really studied them
 as to fit so I don't know just how fitted they might
 be over the bust and waist. I wonder if making it less
 so will create a tent-like appearance.
 
 Or perhaps a basic chemise and tunic type dress with
 side lacing so that it can be gathered in a bit, but
 not snugly.
 
 This picture from a series of German prints also gave
 me some ideas. The woman on the right, but simplified.
 http://www.siue.edu/COSTUMES/PLATE23AX.HTML
 
 Any suggestions or ideas?
 
 Thanks,
 Annette M
 
 
   
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Re: [h-cost] Fitting issues

2005-08-18 Thread elena_o_tighearnaigh
Hm...Having fibromyalgia myself, I can tell you that the *weight* of the 
garment is as important as the fit.  And 'dragging' along long lengths of 
fabric, no matter how pretty, really can cause the fatigue that makes the pain 
pretty darned unendurable.  If you make a houppeland, make sure it's out of a 
fairly lightweight fabric.  I used to wear italian ren, and then the gowns just 
got too heavy for me, and I just won't wear a italian ren without the right 
amount of fabric to get that 'shape and drape' that is so special.

Now most of the time I wear a nice tunic over a linen under tunic, that just 
skims the body so I don't even have to wear a belt.  Anything I can carry has 
to go into a little basket, so I'm forced to not carry more than I have to.

Anyhow, you are on the right track thinking about going tunic for her.

Elena


 My future MIL wants a period dress for the wedding
 too. She is 5'-2 and wears a man's 2x shirt. Due to
 fibromyalgia she will not wear anything very fitted, a
 belt, or anything else that will create any pressure
 or tension, especially on her lower back. She also
 detests anything that might accentuate the bust. But I
 don't want to make her look like she is wearing a tent
 either.
 
 The period is 14th - 15th century. Her dress does not
 have to be historically accurate, just look the part.
 
 I was thinking a houppelande would do well with most
 of these requirements. I haven't really studied them
 as to fit so I don't know just how fitted they might
 be over the bust and waist. I wonder if making it less
 so will create a tent-like appearance.
 
 Or perhaps a basic chemise and tunic type dress with
 side lacing so that it can be gathered in a bit, but
 not snugly.
 
 This picture from a series of German prints also gave
 me some ideas. The woman on the right, but simplified.
 http://www.siue.edu/COSTUMES/PLATE23AX.HTML
 
 Any suggestions or ideas?
 
 Thanks,
 Annette M
 
 
   
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Re: [h-cost] Fitting issues

2005-08-18 Thread elena_o_tighearnaigh
Hm...Having fibromyalgia myself, I can tell you that the *weight* of the 
garment is as important as the fit.  And 'dragging' along long lengths of 
fabric, no matter how pretty, really can cause the fatigue that makes the pain 
pretty darned unendurable.  If you make a houppeland, make sure it's out of a 
fairly lightweight fabric.  I used to wear italian ren, and then the gowns just 
got too heavy for me, and I just won't wear a italian ren without the right 
amount of fabric to get that 'shape and drape' that is so special.

Now most of the time I wear a nice tunic over a linen under tunic, that just 
skims the body so I don't even have to wear a belt.  Anything I can carry has 
to go into a little basket, so I'm forced to not carry more than I have to.

Anyhow, you are on the right track thinking about going tunic for her.

Elena


 My future MIL wants a period dress for the wedding
 too. She is 5'-2 and wears a man's 2x shirt. Due to
 fibromyalgia she will not wear anything very fitted, a
 belt, or anything else that will create any pressure
 or tension, especially on her lower back. She also
 detests anything that might accentuate the bust. But I
 don't want to make her look like she is wearing a tent
 either.
 
 The period is 14th - 15th century. Her dress does not
 have to be historically accurate, just look the part.
 
 I was thinking a houppelande would do well with most
 of these requirements. I haven't really studied them
 as to fit so I don't know just how fitted they might
 be over the bust and waist. I wonder if making it less
 so will create a tent-like appearance.
 
 Or perhaps a basic chemise and tunic type dress with
 side lacing so that it can be gathered in a bit, but
 not snugly.
 
 This picture from a series of German prints also gave
 me some ideas. The woman on the right, but simplified.
 http://www.siue.edu/COSTUMES/PLATE23AX.HTML
 
 Any suggestions or ideas?
 
 Thanks,
 Annette M
 
 
   
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Re: [h-cost] Muslin at JoAnn Fabrics (not)

2005-08-14 Thread elena_o_tighearnaigh
Whoa  I'm Elena o' Tighearnaigh (SCA name)...

The email that is being replied to below by this poster is NOT FROM ME!  The 
entirety of what I wrote is:  Wow!  I was at my local Joanne's (Everett, 
Washington USA) and they had *whole* bolts of the 90 and 120.  Where are you 
located?

I've not been following this thread until I happned to see this...Since I go to 
Joanne's alot because I'm also really into Quilting, I certainly wouldn't 
badmouth this chain.

Gia

-- Original message -- 

 On Thursday 11 August 2005 4:37 pm, [EMAIL PROTECTED] wrote: 
 [snip] 
 
   I don't hate JoAnn's as many people do. I'm lucky enough to live in a 
   big city where there are lots of other places to go for the fabrics 
   that JoAnn's doesn't carry. 
 
 I wouldn't badmouth the entire JoAnn's chain, because people's comments on 
 this list suggest that individual JoAnn's stores vary greatly in the size and 
 variety of their fabric selection and the intelligence and usefulness of 
 their employees. The JoAnn's nearest to me is fairly lame in both 
 categories, but it's clear that other people have had different experiences. 
 In fact, I once visited a JoAnn's I normally don't shop at, 25 miles away 
 from me in NE Philadelphia, and found about 2 yards of the most beautiful 
 rust-colored silk broadcloth I have ever seen, before or since (they were 
 having a clearance sale at the time). 
 
 
 -- 
 Cathy Raymond 
 
 So what if the universe is a pointless mass of hydrogen refuse powered by 
 entropy. I'm spreading ketchup on a rubber duck, and after that I'm going 
 to brush its teeth. So there.-- Rob Landley 
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Re: [h-cost] Muslin at JoAnn Fabrics (not)

2005-08-11 Thread elena_o_tighearnaigh
Wow!  I was at my local Joanne's (Everett, Washington USA) and they had *whole* 
bolts of the 90 and 120.

Where are you located?


 (Sorry for the cross-post. I wanted everyone to know what I've found
 out in case it pertains to you.)
 
 Over the next few months, I will need to make the ruffles for Truly
 Victorian's Grand Bustle (took the class at Costume College but we
 didn't have time to make the ruffles) and make two, maybe three
 Victorian petticoats The bolt of muslin I bought a couple of years ago
 is finally gone, so I needed to buy more. I decided that getting the
 90 or 120 high-quality muslin with my JoAnn's 40% coupon would be
 the best use of my time and energies (fewer seams on the ruffles, less
 cutting and tearing), so I went to my neighborhood JoAnn's. They had
 very little of the 90 muslin and none of the 120 muslin. They had
 about 8 yards of the 200 count 90 muslin over three bolts. The
 Ron-Lok is disappearing too. When I asked at the cutting table, the
 lady said that JoAnn's now has their own label of muslin and will be
 selling it exclusively once the old stuff is gone. I fingered that
 stuff, and it wasn'g good enough for my needs. I bought what I could
 of the 200 count stuff and went to the farther away JoAnn's on Sunday.
 They had none of the 200 count muslin at all and very little of the
 Ron-Lok, and I'm talking the 45 width too! And it wasn't UNbleached,
 but it certainly wasn't the usual white bleached color either.
 
 The JoAnn's brand of muslin is fine for making practice clothes
 (muslins) and probably fine for flat lining, but I didn't like it for
 a whole petticoat, and I certainly wouldn't wear bloomers
 (pantilettes, whatever) out of it. Perhaps once the sizing was washed
 out of it and it was shrunk down with some really hot water, it would
 look better, but I won't buy any of it if it's going to be near skin.
 
 At any rate, if you want good-quality muslin from JoAnn's go NOW. Or
 find a new supplier. I was really disappointed because I love the 200
 count bleached muslin I have bought there before. And for all I know,
 this is old news to most people. As I said, I had my own bolt of
 muslin for the past couple of years and I hadn't bought any recently.
 I guess I'll go back to Discount Fabrics for bolts again...
 
 I don't hate JoAnn's as many people do. I'm lucky enough to live in a
 big city where there are lots of other places to go for the fabrics
 that JoAnn's doesn't carry.
 
 LynnD
 
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Re: [h-cost] Re: Handkerchief Linen

2005-08-06 Thread elena_o_tighearnaigh
Personally, I find this material the best to wear in hot muggy weather.  I have 
several yards of it to make 'modern full length and half slips.  I don't know 
if the cotton slips are showinf up other plcwa, but here in Everett, WA the 
Target store has been carrying cotton slips foe a while and I love them.  But I 
think linen would be better.

I also love the feel of the linen on my skin...

But, as I menrioned, it's just my personal preference.
Elena 
(not the other Elena with a web page)  

-- Original message -- 

 Bjarne, 
 Thanks for the information. By Pros and Cons it means good and bad aspects of 
 working with and wearing the fabric. So based on your email is is very easy 
 to 
 work with, albeit expensive, but is it uncomfortable to wear? Does it breathe 
 or 
 is it oppresive? 
 
 Thanks, 
 Wendi 
 Bjarne wrote: 
 
 Hi Wendi, 
 I dont know what you mean with Pros and Cons is, but i have imported the 
 most 
 expensive and lovely handkerchief linen from Rotterdam. I made my 18th 
 century 
 gentlemans shirt of it, and it is very very lovely to work with, irons 
 well, 
 washes well, and alas very very expensive. Also my stock cravat is made of 
 this 
 material. 
  
 Let me know what this pros and cons are. 
  
 Bjarne 
 
 
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[h-cost] FW: Secret report stolen from the costumer's guild

2005-07-19 Thread elena_o_tighearnaigh
Really funnyEnjoy!!!

--
Slan go foill
Elena ÓTighearnaigh Átha An Ri

Emer's Needle Wares


Subject: Secret report stolen from the costumer's guild
Date:Tue, 19 Jul 2005 14:33:41 +



Scientific Study Reveals Hypnotizing Effect
   A recent study has indicated that fabric gives off certain
Pheromones, that actually hypnotize women and cause them to purchase ungodly
amounts.
  When stored in large quantities in enclosed spaces, the Pheromones
(in the fabric) cause memory loss and induce the nesting syndrome (similar
to the one squirrels have before the onset of winter, i.e. storing food),
therefore perpetuating their species, and not having a population loss due
to their kind being cut up into pieces and mixed with others. Sound tests
have also revealed that these fabrics emit a very high-pitched sound, heard
only by a select few of breed of women known as 'Costumers'.

When played backwards on an LP, the sounds are heard as chants 'buy me,
cut me, sew me! In order to overcome the so-called 'feeding frenzy effect'
that these fabrics cause, one must wear a face mask when entering a storage
facility and use ear plugs to avoid being pulled into their grip. (One must
laugh, however, at the sight of customers in a fabric store, with WW2 army
gas masks and headphones!).

Studies have also indicated that aliens have inhabited the earth, 
helping
to spread the effect that these fabrics have on the human population. They
are called FABRIC STORE CLERKS. It's also been my experience that these same
Pheromones cause a pathological need to secret these fabric purchases away
when taken home (or at least blend them into the existing stash), and when
asked by a significant other if the fabric is new, the reply is I've had it
for a while.

(Originally published in August 1997 in the Western North Carolina Quilters
Guild Newsletter)




Youth is when we are always hunting greener pastures, and middle age is when
we can barely mow the one we've got. [Uh oh; nowadays I have someone else
mow it for me!]


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Re: [h-cost] embroidery for purses

2005-07-12 Thread elena_o_tighearnaigh
Stunning as always...How much would you charge if I wanted just the piece not 
set into anything?  I have a plan...

--
Slan go foill
Elena ÓTighearnaigh Átha An Ri

Emer's Needle Wares


 Hi,
 I have uploaded 4 different embroideries for purses so that you can have a 
 look. They need to be ironed, shameless of me, but i just wanted to hurry 
 along.
 http://www.my-drewscostumes.dk/purseembroideries.htm
 
 Bjarne
 
 
 
 
 
 Leif og Bjarne Drews
 www.my-drewscostumes.dk
 
 http://home0.inet.tele.dk/drewscph/ 
 
 
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