Re: [h-cost] Re: Theater vs. Historic-getting OT but can't help myself

2007-05-06 Thread Sylvia Rognstad


On May 4, 2007, at 12:25 AM, Chris Laning wrote:





What I don't think is legitimate is to take half-baked or widely 
criticized ideas (aliens building the pyramids, anyone?) and present 
them as sober historical fact WITHOUT planting plenty of clues that 
you're not _really_ serious. I didn't see "Shakespeare in Love," but 
those who watched it closely tell me that a Stratford-on-Avon souvenir 
mug appeared fairly prominently, early in the film. Nice touch. 





What?!  Aliens didn't build the pyramids?  You must not listen to Coast 
to Coast AM!


Sylrog

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Re: [h-cost] Re: Theater vs. Historic

2007-05-05 Thread albertcat



-Original Message-
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sat, 5 May 2007 4:07 AM
Subject: RE: [h-cost] Re: Theater vs. Historic

 One of the neatest things I remember from 1968" "Romeo and Juliet" was 
when
 our teacher pointed out that there were colors for each 
family---Capulets
 were in warm tones and Montagues in cool tones. And after Juliet 
marries,

she changes to the cool tones of the Montagues.

**
 But this is always done with R&J. The Montagues usually go in cool 
colors because Romeo is so melancholy at 1st and the Capulets go warm 
because of Juliet's liveliness and energy at 1st. Either a color thing 
or the Monagues are done as country folk and the Capulets are city 
folk...or sometimes both ideas are used.


 The designs for the film are amazing. It goes deeper than just color. 
The Capulets are not just in warm colors, but also have an arrogance to 
their dress and style. As people get killed, everyone goes into dark 
colors of mourning. Even Juilet's wedding outfit is heavy and 
oppressive with a dark veil. Beautiful unusual but perfect choice.


 I just saw NYCB's new production of Prokofiev's R&J. The Montagues are 
all in greens and blues, and the Capulets are in reds and yellows. But 
God, is it the ugliest design I've seen in a long time! The pas de deu 
of the "Balcony scene" was beautiful though. The music to this ballet 
is amazing!


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RE: [h-cost] Re: Theater vs. Historic

2007-05-05 Thread Sharon Collier
One of the neatest things I remember from 1968" "Romeo and Juliet" was when
our teacher pointed out that there were colors for each family---Capulets
were in warm tones and Montagues in cool tones. And after Juliet marries,
she changes to the cool tones of the Montagues. 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of MaggiRos
Sent: Friday, May 04, 2007 2:13 PM
To: Historical Costume
Subject: RE: [h-cost] Re: Theater vs. Historic



That's it exactly. 

I've concluded that since they're making up the
"history" they might as well make up the costumes too.
I've also stopped trying to watch it, and picked up a
fresh DVD copy of Keith Michell's Six Wives of Henry
VIII from the 70s. What a joy to watch. That show was
on a limited budget, and yet everything looks (from
camera distance) perfect! I feel much better now.

MaggiRos
~who loves A Knight's Tale a whole lot

--- Sharon Collier <[EMAIL PROTECTED]> wrote:

> I think what really bothers me is when some costumes
> are authentic or at
> least close and others are so far off as to be
> "fantasy". The mens' costumes
> in The Tudors look close, but the women's, with the
> loose hair, bare
> arms/shoulders, are further out. To me, they don't
> match stylistically and
> that jars.
> 
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RE: [h-cost] Re: Theater vs. Historic

2007-05-05 Thread Sharon Collier
My friend saw those costumes in person some years back. They were mostly
made of muslin and painted to look like velvets, etc. She said they were
amazing!

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of MaggiRos
Sent: Friday, May 04, 2007 2:13 PM
To: Historical Costume
Subject: RE: [h-cost] Re: Theater vs. Historic



That's it exactly. 

I've concluded that since they're making up the
"history" they might as well make up the costumes too.
I've also stopped trying to watch it, and picked up a
fresh DVD copy of Keith Michell's Six Wives of Henry
VIII from the 70s. What a joy to watch. That show was
on a limited budget, and yet everything looks (from
camera distance) perfect! I feel much better now.

MaggiRos
~who loves A Knight's Tale a whole lot

--- Sharon Collier <[EMAIL PROTECTED]> wrote:

> I think what really bothers me is when some costumes
> are authentic or at
> least close and others are so far off as to be
> "fantasy". The mens' costumes
> in The Tudors look close, but the women's, with the
> loose hair, bare
> arms/shoulders, are further out. To me, they don't
> match stylistically and
> that jars.
> 
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Re: [h-cost] Re: Theater vs. Historic

2007-05-04 Thread LLOYD MITCHELL
And we can all add to the lists where this decision was a blatant 
mistake...I think



Kathlwwn
- Original Message - 
From: <[EMAIL PROTECTED]>

To: <[EMAIL PROTECTED]>
Sent: Friday, May 04, 2007 5:56 PM
Subject: Re: [h-cost] Re: Theater vs. Historic




In a message dated 5/4/2007 5:45:46 P.M. Eastern Daylight Time,
[EMAIL PROTECTED] writes:

The film  people seem to make decisions of
Costume that must bow to present  aesthitcs...


According to Ed Maeder, in his "Hollywood and History," that accompanied 
an
exhibit of the same name from LACMA some years ago, makeup and hairstyles 
in
films very often reflect the contemporary aesthetic, even if the costumes 
do

not  so much.

Ann Wass



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Re: [h-cost] Re: Theater vs. Historic

2007-05-04 Thread LLOYD MITCHELL
Having been otherwise a" about these costumes when the Robbin Hood series 
began, I do remember the Aghast!!! about the costumes.


For me, this has been a low budget series with an expanded mythology re 'the 
HOOD' that at least is on a plane with the old Dr. Who, and has used 
stereotypical designs to give flesh to the characters.  The only jarring 
moment was a character in a sort of trilby that was Plainly modern (well, 
1960s),with another coat roughly 1970s interp of a Medieval surcoat.  then, 
most of the garments are also of the '70s...interpreting the 12/14 
Centuries.


As long as there is some consistancy, I don't have a problem...Precisley why 
I also like the "Knight's Tale."

kathleen


-- Original Message - 
From: "Dianne & Greg Stucki" <[EMAIL PROTECTED]>

To: "Historical Costume" <[EMAIL PROTECTED]>
Sent: Friday, May 04, 2007 7:16 PM
Subject: RE: [h-cost] Re: Theater vs. Historic



At 05:13 PM 5/4/2007, you wrote:

MaggiRos
~who loves A Knight's Tale a whole lot >.



(grin) So do I. In fact, I just watched it today.

Dianne


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RE: [h-cost] Re: Theater vs. Historic

2007-05-04 Thread Dianne & Greg Stucki

At 05:13 PM 5/4/2007, you wrote:

MaggiRos
~who loves A Knight's Tale a whole lot >.



(grin) So do I. In fact, I just watched it today.

Dianne


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Re: [h-cost] Re: Theater vs. Historic

2007-05-04 Thread AnnBWass
 
In a message dated 5/4/2007 5:45:46 P.M. Eastern Daylight Time,  
[EMAIL PROTECTED] writes:

The film  people seem to make decisions of
Costume that must bow to present  aesthitcs...


According to Ed Maeder, in his "Hollywood and History," that accompanied an  
exhibit of the same name from LACMA some years ago, makeup and hairstyles in  
films very often reflect the contemporary aesthetic, even if the costumes do 
not  so much.
 
Ann Wass



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Re: [h-cost] Re: Theater vs. Historic

2007-05-04 Thread LLOYD MITCHELL
This was my problem with the latest Marie Antionette.  The women's hair in 
general was way off.  The film people seem to make decisions of
Costume that must bow to present aesthitcs...that, and the need to use 
modern music in case the viewers might have missed a contemporary 
mood/thought  about MA being a Modern woman.


Kathleen

From: "Sharon Collier" <[EMAIL PROTECTED]>
To: "'Historical Costume'" <[EMAIL PROTECTED]>
Sent: Friday, May 04, 2007 3:00 PM
Subject: RE: [h-cost] Re: Theater vs. Historic


I think what really bothers me is when some costumes are authentic or at
least close and others are so far off as to be "fantasy". The mens' costumes
in The Tudors look close, but the women's, with the loose hair, bare
arms/shoulders, are further out. To me, they don't match stylistically and
that jars.

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of [EMAIL PROTECTED]
Sent: Friday, May 04, 2007 2:24 AM
To: [EMAIL PROTECTED]
Subject: Re: [h-cost] Re: Theater vs. Historic



In a message dated 5/4/2007 2:26:24 A.M. Eastern Daylight Time,
[EMAIL PROTECTED] writes:

The REAL  irritation is that film directors (etc.) blithely
do whatever they  think "feels right" with the costumes AND then have
the audacity to  claim that their renditions are "accurate",
"thoroughly researched,"


Well said!  I think most of us can appreciate "it's theatre," so long  as
everyone involved admits that is what it is.

Ann Wass



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RE: [h-cost] Re: Theater vs. Historic

2007-05-04 Thread MaggiRos

That's it exactly. 

I've concluded that since they're making up the
"history" they might as well make up the costumes too.
I've also stopped trying to watch it, and picked up a
fresh DVD copy of Keith Michell's Six Wives of Henry
VIII from the 70s. What a joy to watch. That show was
on a limited budget, and yet everything looks (from
camera distance) perfect! I feel much better now.

MaggiRos
~who loves A Knight's Tale a whole lot

--- Sharon Collier <[EMAIL PROTECTED]> wrote:

> I think what really bothers me is when some costumes
> are authentic or at
> least close and others are so far off as to be
> "fantasy". The mens' costumes
> in The Tudors look close, but the women's, with the
> loose hair, bare
> arms/shoulders, are further out. To me, they don't
> match stylistically and
> that jars.
> 
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RE: [h-cost] Re: Theater vs. Historic

2007-05-04 Thread Sharon Collier
I think what really bothers me is when some costumes are authentic or at
least close and others are so far off as to be "fantasy". The mens' costumes
in The Tudors look close, but the women's, with the loose hair, bare
arms/shoulders, are further out. To me, they don't match stylistically and
that jars.

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of [EMAIL PROTECTED]
Sent: Friday, May 04, 2007 2:24 AM
To: [EMAIL PROTECTED]
Subject: Re: [h-cost] Re: Theater vs. Historic


 
In a message dated 5/4/2007 2:26:24 A.M. Eastern Daylight Time,  
[EMAIL PROTECTED] writes:

The REAL  irritation is that film directors (etc.) blithely  
do whatever they  think "feels right" with the costumes AND then have  
the audacity to  claim that their renditions are "accurate",  
"thoroughly researched,"  


Well said!  I think most of us can appreciate "it's theatre," so long  as 
everyone involved admits that is what it is.
 
Ann Wass



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Re: [h-cost] Re: Theater vs. Historic

2007-05-04 Thread AnnBWass
 
In a message dated 5/4/2007 2:26:24 A.M. Eastern Daylight Time,  
[EMAIL PROTECTED] writes:

The REAL  irritation is that film directors (etc.) blithely  
do whatever they  think "feels right" with the costumes AND then have  
the audacity to  claim that their renditions are "accurate",  
"thoroughly researched,"  


Well said!  I think most of us can appreciate "it's theatre," so long  as 
everyone involved admits that is what it is.
 
Ann Wass



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[h-cost] Re: Theater vs. Historic

2007-05-03 Thread Chris Laning


On May 3, 2007, at 3:30 PM, Robin Netherton wrote:
It occurs to me that the productions that get the most criticism on  
this
list are historical drama, particularly those that purport to be  
realistic
(say, "Elizabeth," which offered film-linked packets for school  
history
programs as part of its marketing, as opposed to "Orlando," which  
was also
set partly at the Elizabethan court but had a strong fantastical/ 
satirical

element).


Yes. For me, at least, less-than-accurate costumes are not really the  
problem. The REAL irritation is that film directors (etc.) blithely  
do whatever they think "feels right" with the costumes AND then have  
the audacity to claim that their renditions are "accurate",  
"thoroughly researched," and (deities help us) "educational." Which  
thoroughly -- and unnecessarily -- confuses anyone who actually IS  
trying to do research and/or education.


If they would stop making the silly claims, the clothing wouldn't  
matter nearly as much.


The same goes for messing with history for the sake of the plot. It's  
OK to invent how history might have been, or could have been if  
things had happened differently, or how modern people would react if  
put in that situation, or for that matter, it's OK  to produce  
allegories about modern times disguised as "history." What is NOT OK  
is to then claim that your rendition is somehow "more true" than what  
actually happened, or to produce school education packets asserting  
that real historical figures actually DID what you have imagined.


Of course, I  think it's quite legitimate to present a different  
"take" on real history as "the real thing" when there actually IS  
historical evidence for it. Scholars can, do, and always will differ  
on what actually happened and why.


What I don't think is legitimate is to take half-baked or widely  
criticized ideas (aliens building the pyramids, anyone?) and present  
them as sober historical fact WITHOUT planting plenty of clues that  
you're not _really_ serious. I didn't see "Shakespeare in Love," but  
those who watched it closely tell me that a Stratford-on-Avon  
souvenir mug appeared fairly prominently, early in the film. Nice  
touch. 




OChris Laning <[EMAIL PROTECTED]> - Davis, California
+ http://paternoster-row.org - http://paternosters.blogspot.com




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