Re: [lace] Re:Art Fairs and Designing in PG

2005-09-28 Thread Jenny Barron
Aurelia Loveman [EMAIL PROTECTED] wrote: I have a couple of pages (unimaginably helpful!) that a certain K. Blum published 20-odd years ago in, I think, the Australian lace mag, on the subject of nook-pins. If you don't have that, I'll be happy to send it to you (I got her blanket permission

Re: [lace] Re:Art Fairs and Designing in PG

2005-09-28 Thread Aurelia Loveman
Yes,I think it would be a blessing to anybody who is into point ground; and I have thanked K. Blum in my heart more times than I can say. But...ridiculous to tell... I don't have her address! Perhaps any Arachnes reading this who know her might help? Aurelia Loveman [EMAIL PROTECTED] wrote:

[lace] Re:Art Fairs and Designing in PG

2005-09-27 Thread Aurelia Loveman
Lorri -- I got out my (1999) folder from Pam N's workshop, Designing for Bucks Point. There wasn't anything about rules or pointers, but I thought it was pretty clear what we did. I had a couple of pages of ground, and another couple of pages of freehand designs that I had drawn (leaves,

[lace] Re:Art Fairs and Designing in PG

2005-09-26 Thread Lorri Ferguson
Aurelia and all, I can give a few comments on doing the Art Fairs. I have done several in our NW areas. -First, you must know that it is HARD WORK. The set up and take down is not easy PHYSICAL LABOR. -The hours are long, you would need 2-3 in a booth to just 'man it'. -To be at all 'impressive

[lace] Re:Art Fairs and Designing in PG

2005-09-26 Thread Aurelia Loveman
Our underlying purpose, remember? is to make lace known to the art world. All I'm suggesting at the moment is that perhaps we can dip a toe in the water; go to a couple of these fairs and see what they're like; talk to people; make our existence known. People think of lace as collars and