Re: partcombine for more than two parts?

NP> Does anyone know if it's possible to combine more than two voices with NP> \partcombine (or something else :-)? I'd like to be able to print, say, a NP> single staff containing all four trumpet parts so I can easily see the NP> chord voicings, and also be able to print the individual par

partcombine for more than two parts?

Hi everyone, Does anyone know if it's possible to combine more than two voices with \partcombine (or something else :-)? I'd like to be able to print, say, a single staff containing all four trumpet parts so I can easily see the chord voicings, and also be able to print the individual par

Re: Soon 1.8 release?

On Fri, 20 Jun 2003 02:53:19 +0200 J <[EMAIL PROTECTED]> wrote: > As I understand that you have fast plans to release the next > stable version, Dr. Han-Wen & Mr. Nieuwenhuizen, I'm wondering > if I am allowed to do a round of complaining (all in good fun > of course) on the current state of things

Soon 1.8 release?

Hello, As I understand that you have fast plans to release the next stable version, Dr. Han-Wen & Mr. Nieuwenhuizen, I'm wondering if I am allowed to do a round of complaining (all in good fun of course) on the current state of things? Jérémie. ___

Re: riff notation

On Thu, 19 Jun 2003 14:55:52 + Amelie Zapf <[EMAIL PROTECTED]> wrote: > riff = { here go the notes } That should be: riff = \notes{ here go the notes} > guitarVoice = \notes { \riff \riff \riff } Or, to have a complete example: riff= \notes{a8 a a a} \score { \notes{ \riff \riff }} Cheers,

Re: Augmented chord, was: Re: excessive chord

Hi Jan, > If I write f.e. c:7.5+ I now get "C7+", but that was not ment; this chord > should be called "C7#5" as it was called before. Yeah, the 5th gets post-fixed. Sorry, I did not think of that. > Is it also possible to get the augmented chord as a "single chord", so that > the other one is n

Re: Augmented chord, was: Re: excessive chord

Thank you for the correct word; so I finally know what to look for. So far your suggestion works Thank you once more :+)). I have still a small problem: If I write f.e. c:7.5+ I now get "C7+", but that was not ment; this chord should be called "C7#5" as it was called before. Is it also possible to

excessive chord

One more question from me: How do I express a such called "excessive chord" (Hope I got the right translation; in C it would be < c e gis > ) The only thing I found, is to write c:5+, that is of course the right chord, but in the layout I would like to have "C+" (that is I think it's called in G

Re: riff notation

Hi Jan, this is explained in detail in the Tutorial. Look there. Basically: riff = { here go the notes } guitarVoice = \notes { \riff \riff \riff } Alternative: \repeat "unfold" 200 { here go the notes } within the voice. If you have a one or two bar riff, \repeat "percent" 200 { here go the

riff notation

I'd like to write a piece and there I have a "guitar riff" f.e.: < a4 e' a' c'' e'' a'' > \times 2/3 { < a16 e' a' c'' e'' a'' > ~ < a e' a' c'' e'' a'' > r r r r r r < gis gis' c'' e'' gis'' > r r r < gis gis' c'' e'' gis'' > ~ < gis gis' c'' e'' gis'' > < gis gis' c'' e'' gis'' > r r r } and

more with hebrew

Hi all I am now trying to get it to work where would I put this in the lilypond doc?? Inside the lyrics? at the beginning of the doc? where?? \usepackage[english,hebrew]{babel} Do I quote each piece of text? Must I declare the font??? and how?? Thanks Aaron __

Re: Design suggestion -- was: Re: more stupid questions

Am Die, 17. Jun 2003 11:47:31 +0200, schrieb Han-Wen Nienhuys: > \once \property Lyrics.LyricText \set #'X-extent = #(cons A B) > "\\someWierdText" > > where A B are the dimensions of the object, and might be computed > through a latex run. Am Don, 19. Jun 2003 02:05:22 +0300, schrieb Aaron: