(flup to list)
[EMAIL PROTECTED] writes:
Dear Han Wen:
I was asked to help a musicologist (PhD student) with some music typesetting
aspects of her research, for which I am considering using lilypond. Because
I am as of yet unfamiliar with your package, I'd like, if possible, to ask
you
Cool... Something for me to try and use :)
btw is importing MusicXML supported here?
hmm 1 more thing, how do get on the mailing list? i
thought i joined, but i'm not receiving any emails
from this group.
Joshua
--Orginal Message--
Cygwin binary packages of LilyPond 2.1.26 are
available from my
Thanks alot for your help and time ;)
though i still not fully understand the syntax and all
about the context proporties, i'll try to experiment
with them (seems to me there are so many statments and
syntax that u can use to do the same thing-for example
using \once \override \revert and some
You don't say what LilyPond version you use, but from your
example I guess it's a 2.0.x version. I just tried it (minor
modifications necessary) with the latest development version
where it seems to work well. So, if nobody comes with a better
suggestion, one solution is to upgrade to a recent
Am Dienstag, 24. Februar 2004 13:44 schrieb Guenter Buehrle:
4 all lily-experts,
Urgent call for help!
I have a tricky problem, when using lyrics with syllables terminated by
commas as shown in the appended files. The upper text uses commas while the
lower voice doesnt, with the result of a
Am Dienstag, 24. Februar 2004 14:54 schrieb Jan Kohnert:
Am Dienstag, 24. Februar 2004 13:44 schrieb Guenter Buehrle:
4 all lily-experts,
Urgent call for help!
I have a tricky problem, when using lyrics with syllables terminated by
commas as shown in the appended files. The upper text
See
http://mail.gnu.org/archive/html/lilypond-user/2003-08/msg00191.html
/Mats
GoochRules! wrote:
On Feb 23, 2004, at 3:50 PM, Stan Sanderson wrote:
Matthew--
I believe Lilypond is doing exactly what you have told it
to. See the example in the documentation for multiple
Mon, 23 Feb 2004 23:55:32 +0100 (CET), Reuben a dit :
OK, I'm nearly there, my remaining problems are Scheme problems I think (I
know a bit of elisp, but no Scheme up to now).
I have the following:
#(def-markup-command (fictasharp) () Foo (#:musicglyph accidentals-2))
which doesn't
Hello,
I am having problems getting both alternative ending brackets to line
up. Here is the problem:
harmonies = \chords {
\override ChordName #'font-family =#'roman
%A section
\partial 4
r4
\repeat volta 2 {
d2. d d d d
d2. g a d d
d2. d d d a
d2.
}
Hello,
I am trying to change the distance between the clef and the key
signature as I like the look if they are closer together. In the past I have
used this tweak:
\override Staff.Clef #'space-alist = #'( (staff-bar minimum-space . 3.7)
(key-signature minimum-space . 3.0))
This no longer
[EMAIL PROTECTED] writes:
I was experimenting with the example file 'lyric-combine-new.ly' and I
noticed something strange. If you add extender lines to the lyrics
under the melismata, the extender lines do not show up after the lyrics
on the stanzas where the \set ignoreMelismata = ##t is
I had a look through the manual, but I can't seem to find a \longa with a
longer tail, such as I have often seen. Also, one whose tail follows the
usual rules (i.e. on the bottom line, I'd expect the tail to go up; or is
that wrong? I'm copying from a handwritten score, so it might be at
How can I make a change such as
\override Staff.TimeSignature #'style = #'mensural
apply to every staff in a piece without having to repeat it everywhere?
I'd like something I can just put once at the top of a file.
--
http://www.mupsych.org/~rrt/
partisan, n. an adherent without
Your mail to 'Tcsh-Bugs' with the subject
unknown
Is being held until the list moderator can review it for approval.
The reason it is being held:
Post by non-member to a members-only list
Either the message will get posted to the list, or you will receive
notification of the
I'm not very strong on this sort of thing, so correct me if I'm wrong (I
checked at
http://ourworld.compuserve.com/homepages/Neil_Hawes/theory10.htm), but in
old scores, 4/2 time is often marked with a c-with-vertical-bar (same as
2/2). I just tried setting mensural time signatures in 2.1.26, but
Sorry but I forgot to mention any system information.
Mac System 10.3.2
Lilypond 2.1.26
Thanks
Walter
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
On Tue, Feb 24, 2004 at 11:27:48PM +0100, Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
I was experimenting with the example file 'lyric-combine-new.ly' and I
this should now be fixed in CVS.
I have been lurking on this list for a while now, and I must say that
the LilyPond developers
Does anyone know of a list where general music typesetting questions are
discussed? I have a number of questions that are not Lilypond specific and
am not sure whther this would be the right forum.
For example, I am working on copying a book that is now PD (copyright 1882).
A number of
I am inserting gaps in lyrics, and I need to use
\skip 1 \skip 1 ...
repeatedly. If I enter \skip 1*5, it behaves the same as \skip 1*2.
I'm using 2.1.27.
--
http://www.mupsych.org/~rrt/ | art, n. romanticized mundanity
___
Lilypond-user
Hello:
I have what is probably a very simple question, but I can't seem to work
it out. Below you can find the source for one bar from the Concierto De
Aranjuez; if you compile it, you'll see that the eight note after the
second group of 64th notes is a little close to the last 64th note. I
If you try the following example on 2.1.27:
\score {
\notes {
s1^\markup Verylongtext\f
a'1^\markup Verylongtext\f
}
}
you find that in the first bar, the f and Verylongtext are centred on
each other, whereas in the second bar, they are left aligned.
This causes me problems when I
21 matches
Mail list logo
