I'm afraid you'll have to take a look at the implementation to
be able to handle this problem. The bar lines to be printed at
line breaks is determined by the function specified by the
break-glyph-function property of the BarLine object.
In the following example, I have started from the default
Hi all,
Here a small update on my lyrics problem.
I divided the two parts of the score (the one with a single voice and
the one with multiple voices) into two \score blocks.
It solved nothing. Even worse: it is now impossible to get the lyrics
for the first voice in the right place.
I tried the
Hi list !
A very simple question, with, for sure, a very simple answer !
I'de like to change the size of the copyright. I saw in the archives that
copyright = \\Huge {blabla} makes it... huge.
What is the contrary of Huge ? I tried \\Small, \\Tiny and \\Teeny, but it doesn't
work !
Thanks
Hi,
Sorry if this has already been answered, but SPAM makes my spam filter
kill every other digest or so... :(
I tried to answer your first question with the following solution, which
is to use \relative in your notes blocks, which should fixed the octaves
of you notes at source.
However, it
First of all, this answer is only relevant for versions up to 2.2.x.
In 2.3.x, the page layout is done by LilyPond itself instead of LaTeX.
In LaTeX, \Huge is a larger version of \huge, which in term is larger
than \LARGE, \Large, \large, \normalsize, \small, \footnotesize,
\scriptsize and \tiny.
I can't remember what you want to do, but if you aim to have a multiple voice staff,
you have to
write :
\score {
\notes
\context Staff =foo \foo
\context Staff =bar \bar
\context Staff =foo \foo
\context Staff =bar \bar
Hi,
I think that Michiel intended to have a set of repeating themes in his score taken
from two notes blocks.
He was using \relative in the score instead of where he was defining the notes in the
notes block, so the relative was not actually working in the way he expected.
He wrote:
For some reason, LilyPond creates new contexts for each of the
blocks. Just add a \new Voice or \new Staff to get wbat you want:
\score{
\new Voice {
\foo
\bar
...
}
By the way, \bar is already occupied as a command, so you have to
rename that variable to something else.
/Mats
Ralph
In message [EMAIL PROTECTED], Christ van
Willegen [EMAIL PROTECTED] writes
Sarah wrote:
WinXP saves Lilypond input code as *.txt, no matter what; and I can't get it
to calm down.
Do you edit this in Notepad? Here's a tip if you di use it: Enclose the filename
in the save dialog in... When you
Hello All,
I used Lilypond some a few years ago when the command was ly2dvi stuff.ly.
But now with a freshly installed 2.2.6 on a box running Linux RH7.3, I can't get off
the zero peg. I am
running fvwm2, not Gnome or KDE.
Following the first suggestion in the tutorial, I invoke Lilypond on a
Jonathan C. Webster [EMAIL PROTECTED] writes:
music]$ cat testa1.ly
{ c'4 e' g' }
music]$
this will only work with 2.3.x. in 2.2.x you should have a \score and
\notes block:
\score {
\notes {
c'4 e' g'
}
}
I suggest you upgrade to 2.3.x. It's pretty stable now and will became
Hello list, hello Pedro,
You wrote:
Well, yesterday I re-upload the files, maybe you have tried to get them
when the repositoire was empty. I'd suggest you try again (but run
apt-get update first). let me know if you have any trouble.
With the installation there was no more any trouble,
On 15-Oct-04, at 1:13 PM, Jonathan C. Webster wrote:
Following the first suggestion in the tutorial, I invoke Lilypond on a
test file
music]$ cat testa1.ly
{ c'4 e' g' }
You're following the tutorial for the unstable (devel) version of
LilyPond,
2.3.x. Please refer to the stable (v2.2)
$B$^$5$+$*JV;v$b$i$($k$J$s$F;W$C$F$J$+$C$?$s$G@($/4r$7$$$G$9!#(B
$B8MEDD>;R(B28$B:P4G8nIX$N;E;v$r;O$a$F$O$d(B3$BG/L\$K$J$j$^$9!":#$^$GHkL)$K$7$F$?$s$G$9$1$IBQ$(@Z$l$J$/$J$C$F$k<+J,$N5$;}$A$rJ9$$$F$[$7$$$s$G$9!#(B
$BH`$HJL$l$F$b$&(B3$BG/!D$=$N;[EMAIL
Hi,
Thanks, I actually used \a and \b when I tried it, but the original
example was from Michiel.
I think that this is a bug.
It is certainly very strange; I'm sure that I have done this kind of
thing before
Reducing the problem down if you start a score with a \relative,
changing to a
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