Ralph Palmer schrieb:
Paul and Marc -
My apologies for the late reply -- I was on vacation last week, with
no internet access. For the circumflex indicating a half step, take a
look at the Learning Manual and possibly the index, and look for \markup.
I didn't find anything your problem - but i
Nicolas Sceaux wrote:
Le 28 sept. 09 à 10:34, Nick Payne a écrit :
\overrideBeamSettings #'Voice #'(3 . 4) #'end #'(((1 . 32) . (4 4
4 4 4 4)))
\overrideBeamSettings #'Voice #'(3 . 4) #'end #'(((1 . 8) . (2 2
2)))
These are not a correct beam rules, as I was told lately.
A beam sett
Hello,
Below is an example of a slur that's stumping me. Could anyone
suggest a way of avoiding the rest that doesn't mess up the continuation
after the line break? I've tried adjusting 'positions but it doesn't
produce an effect.
Also, I noticed that when I use the \break that is commen
> Message: 3
> Date: Mon, 28 Sep 2009 19:47:44 +0200
> From: Jan Nieuwenhuizen
> Subject: Re: No fiddling claim
> To: Jonathan Wilkes
> Cc: lilypond-user@gnu.org
> Message-ID: <1254160064.1689.5885.ca...@heerbeest>
> Content-Type: text/plain; charset="UTF-8"
>
> Op maandag 28-09-2009 om 10:33 uu
--- On Mon, 9/28/09, Reinhold Kainhofer wrote:
> From: Reinhold Kainhofer
> Subject: Re: No fiddling claim
> To: lilypond-user@gnu.org
> Cc: "Jonathan Wilkes"
> Date: Monday, September 28, 2009, 8:20 PM
> Am Montag, 28. September 2009
> 19:33:09 schrieb Jonathan Wilkes:
> > Hi Jan,
> > I
Le 28 sept. 09 à 10:34, Nick Payne a écrit :
\overrideBeamSettings #'Voice #'(3 . 4) #'end #'(((1 . 32) . (4 4 4
4 4 4)))
\overrideBeamSettings #'Voice #'(3 . 4) #'end #'(((1 . 8) . (2 2 2)))
These are not a correct beam rules, as I was told lately.
A beam setting override *must* c
On Mon, Sep 28, 2009 at 01:32:37PM +0200, Joerg Anders wrote:
> On Mon, 28 Sep 2009, Martin Tarenskeen wrote:
>
>> That's why midi2ly has a "--key=..." commandline option. Unfortunately
>> this option is not working ( The commandline key-signature is
>> overwritten by the one in the MIDI meta event
It turns out I was wrong, duration-log can be accessed for the stems.
The code now is really simple:
turnStemOff =
#(lambda (grob)
(let* ((dur (ly:grob-property grob 'duration-log)))
(if (> dur 1)
(ly:stem::print grob
And thanks to Mats' snippet, I can (almost) automatically p
Am Montag, 28. September 2009 19:33:09 schrieb Jonathan Wilkes:
> Hi Jan,
> I don't understand the meaning of the statement "More often than not
> it isn't." There are tweaks in all of the examples from the canon that
> begin the sections in NR, plus there are plenty of engraving mistakes in
>
rosea grammostola a écrit :
About your project. I like the fact that you do something with Lilypond,
but I don't know the goal of the project very well and so I don't know
if it's interesting for me personaly.
\r
Here is the old introduction of the Gigsaw, when it was the Drummer's
Free A
Op maandag 28-09-2009 om 10:33 uur [tijdzone -0700], schreef Jonathan
Wilkes:
> I don't understand the meaning of the statement "More often than not
> it isn't."
What I meant to say is that certain tweaks are fundamentally
not automatable. However, in many cases we should expect
lilypond
>
> Message: 3
> Date: Mon, 28 Sep 2009 10:21:01 +0200
> From: Jan Nieuwenhuizen
> Subject: Re: No fiddling claim
> To: Jonathan Wilkes
> Cc: lilypond-user@gnu.org
> Message-ID: <1254126061.1689.5876.ca...@heerbeest>
> Content-Type: text/plain; charset="UTF-8"
>
> Op zondag 27-09-2009 om 14:22
Philippe Hezaine wrote:
rosea grammostola a écrit :
Philippe Hezaine wrote:
Philippe Hezaine a écrit :
Hi all,
Here is the new Puzzle du Batteur-The Drummer's Gigsaw.
Published under GPLv3 or later Licence, at this time it's only
available
for Linux.
Forget the old versions and first of all
rosea grammostola a écrit :
Philippe Hezaine wrote:
Philippe Hezaine a écrit :
Hi all,
Here is the new Puzzle du Batteur-The Drummer's Gigsaw.
Published under GPLv3 or later Licence, at this time it's only available
for Linux.
Forget the old versions and first of all read the README.
Feedbacks
Joerg Anders wrote:
On Mon, 28 Sep 2009, rosea grammostola wrote:
Sorry a bit OT but I get
Err http://pini.free.fr testing Release.gpg
Could not resolve 'pini.free.fr'
Err http://pini.free.fr testing/main Translation-en_US
Could not resolve 'pini.free.fr'
what gives:
nslookup pini.free.f
Carl Sorensen-3 wrote:
>
> I figured out a method of setting four-voice music in a single staff,
> using
> partcombine.
>
> The key issue was to add a separate hidden voice that wouldn't interfere
> with any of the visible voices, and use that for the \lyricsto.
>
>
I have found two problems
On Mon, 28 Sep 2009, rosea grammostola wrote:
Sorry a bit OT but I get
Err http://pini.free.fr testing Release.gpg
Could not resolve 'pini.free.fr'
Err http://pini.free.fr testing/main Translation-en_US
Could not resolve 'pini.free.fr'
what gives:
nslookup pini.free.fr
--
J.Anders, GERMA
Hi,
\layout {
indent = 0.0
}
--
Marek Klein
http://gregoriana.sk
2009/9/28 Br. Athanasius Pelletier
> I am trying to format music for a hymnal and I do not want the first
> stanza/line ( I don't know what it is called) to be indented. How can
> it be prevented?
>
>
>
>
I am trying to format music for a hymnal and I do not want the first
stanza/line ( I don't know what it is called) to be indented. How can
it be prevented?
___
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lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lily
Sorry a bit OT but I get
Err http://pini.free.fr testing Release.gpg
Could not resolve 'pini.free.fr'
Err http://pini.free.fr testing/main Translation-en_US
Could not resolve 'pini.free.fr'
\r
___
lilypond-user mailing list
lilypond-user@gnu.org
On Mon, 28 Sep 2009, Martin Tarenskeen wrote:
The MIDI file examples that Laura is using (she mailed them to me)
contain Bb/A# notes but do not contain (a correct) Key Signature MIDI
Meta Event. In MIDI there is no simple way to see the difference between
A# and Bb (It's just a note number) ...
Philippe Hezaine wrote:
Philippe Hezaine a écrit :
Hi all,
Here is the new Puzzle du Batteur-The Drummer's Gigsaw.
Published under GPLv3 or later Licence, at this time it's only available
for Linux.
Forget the old versions and first of all read the README.
Feedbacks, suggestions, criticisms are
On Mon, Sep 28, 2009 at 11:19:26AM +0200, Joerg Anders wrote:
> A word from NtEd developer:
> Furthermore: NtEd is the one and only score editor on
> Linux which distributes the MIDI notes onto different
> voices if necessary:
Yeah, that's magick! Midi2ly also fails hopelessly with polyphony in
On Mon, Sep 28, 2009 at 11:19:26AM +0200, Joerg Anders wrote:
> A word from NtEd developer:
>
> On Sat, 26 Sep 2009, Laura Conrad wrote:
>
>> A quick test on the same MIDI file as earlier shows that it spells Bb
>> wrong, and doesn't correct it if I edit the key signature.
>bes'4 c d
A word from NtEd developer:
On Sat, 26 Sep 2009, Laura Conrad wrote:
A quick test on the same MIDI file as earlier shows that it spells Bb
wrong, and doesn't correct it if I edit the key signature.
Hmm! I imported a MIDI which includes a simple Bb scale. The
LilyPond export gives:
\heade
It's nice now to be able to have per-Voice beaming rules, but there
seems to be a problem with the beaming defaults. See attached. The
eighth notes in the middle voice are getting all beamed together unless
an override is used.
Nick
\version "2.13.4"
#(ly:set-option 'delete-intermediate-files
Kieren MacMillan wrote:
Hi Nick,
in the second bar, using the same override does nothing to
increase the spacing between the arpeggio and the preceding note.
Hmmm... that's probably because of the multiple-voices... but seems
like maybe a bug?
What means can I use to increase the spacing
Op zondag 27-09-2009 om 14:22 uur [tijdzone -0700], schreef Jonathan
Wilkes:
Hi Jonathan,
> Not too long ago, I gave my opinion that "No fiddling" should be
> changed to "less fiddling" for the new website.
> After trying to do a quick exercise with a Schumann score, which I
> posted
Yes, but I would not have correct crotchets - in this type of void
notation crotchets are written out as quavers, with connected stems
and all, but with a white notehead.
I think I can:
1) write out everything in 3/2 and then alter manually every note <=
than a quarter to transform it in an eight
2
Kieren MacMillan schrieb:
Hi Marc,
is there a way to lower the distance between the point where a slur
starts (or ends, respectively)
and the corresponding (tab) note head *without* manipulating every
slur's control-points?
Can you increase the Y-offset?
Um, no.
I tried this by inserting
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