Dear all,
I'd like to get a direction for swung quavers at the top of my score.
What I want is:
quaver-beam-quaver = triplet[ crotchet quaver ]
if that makes sense. I've had a look through the lilypond-user
archives and it seems it wasn't possible 5 years ago:
Stefan Thomas wrote:
Dear Alexander,
look at the attached jpg-file. In my opinion the quarter-rests look strange!
Ugh. Okay, admitted.
But... it's nothing to do with \changePitch. Remove this command, and
the result looks the same.
Worse, if you add spacer rests in the second voice, no rests
Hugh Myers wrote:
the spanning text in bar 14 does not align with the first note of the
bar as I had expected. Is there a way to control this?
it starts exactly where you defined it (on the gis8) - i guess you want it
to start with the rest:
r4 \startTextSpan …
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Philip Potter wrote:
Dear all,
I'd like to get a direction for swung quavers at the top of my score.
What I want is:
quaver-beam-quaver = triplet[ crotchet quaver ]
http://lsr.dsi.unimi.it/LSR/Item?u=1id=204 lsr helps:
http://lsr.dsi.unimi.it/LSR/Item?u=1id=204
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Hi,
it seems I can't fit more than 8 systems of piano music on an a3
page, although at the bottom there is plenty of space. You can see the
result here:
http://icemserv.folkwang-hochschule.de/~finnendahl/download/lilytest.jpg
It seems the layout doesn't produce systems beyond a certain point
Orm Finnendahl o.finnend...@mh-freiburg.de writes:
Hi,
it seems I can't fit more than 8 systems of piano music on an a3
page, although at the bottom there is plenty of space. You can see the
result here:
http://icemserv.folkwang-hochschule.de/~finnendahl/download/lilytest.jpg
It seems
Hi all,
I'm so grateful for such an active community on this fabulous program!
Yesterday, I was dealing with fonts; today I'm wondering just what got into
my code. For much of the time I have been working on this file, it's taken
5 - 7 seconds to compile. All of a sudden this morning, it
David Kastrup wrote:
With the current developer version (2.13.9 or so), there are 12 systems
per page with your input file.
also with the last development version (2.13.8) there are 12 systems
per page.
there's no need to compile it, you can find it here:
ok, thanks I'll try that.
Am Friday, den 27. November 2009 um 14:31:23 Uhr (+0100) schrieb Federico Bruni:
David Kastrup wrote:
With the current developer version (2.13.9 or so), there are 12 systems
per page with your input file.
also with the last development version (2.13.8) there are
Father Gordon Gilbert wrote:
For much of the time I have been working on this file,
it's taken 5 - 7 seconds to compile. All of a sudden this morning, it
started taking up to 30 seconds, and I haven't done anything radical.
Can someone have a look at my code and see if there is something
Federico Bruni brunol...@gmx.com writes:
Father Gordon Gilbert wrote:
For much of the time I have been working on this file, it's taken 5
- 7 seconds to compile. All of a sudden this morning, it started
taking up to 30 seconds, and I haven't done anything radical. Can
someone have a look
That looks good, thanks! I'll try it out when I get home from work...
2009/11/27 -Eluze elu...@gmail.com:
Philip Potter wrote:
Dear all,
I'd like to get a direction for swung quavers at the top of my score.
What I want is:
quaver-beam-quaver = triplet[ crotchet quaver ]
On 27 nov 2009, at 13:58, Father Gordon Gilbert fatherg...@gmail.com
wrote:
Hi all,
Yesterday, I was dealing with fonts; today I'm wondering just what
got into my code.
Perhaps the font cache is getting rebuild every time you compile? You
mentioned that you were working on fonts before
Hi Orm,
it seems I can't fit more than 8 systems of piano music on an a3
page, although at the bottom there is plenty of space.
Have you tried
\paper { systems-per-page = 12 }
or similar?
Hope this helps,
Kieren.
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lilypond-user mailing list
Father Gordon Gilbert wrote:
Ah-ha! I solved the e-acute problem! I had used an accented e from my
chat program (XChat2 for Windoze), and that was what was strange. I
took a letter from OpenOffice for that and now it's correct.
On Windows you should be able to use a Ctrl+Alt+e shortcut in
Perhaps I misunderstand your reply, but bar 14(where the problem is)
has nothing to do with a rest. The text starts where (as you say) I
wanted it to. That is not the problem. What is the problem is the
continuation of the spanning text at bar 14--- here it starts outside
in the margin instead of
Hugh Myers wrote:
Perhaps I misunderstand your reply, but bar 14(where the problem is)
has nothing to do with a rest. The text starts where (as you say) I
wanted it to. That is not the problem. What is the problem is the
continuation of the spanning text at bar 14--- here it starts outside
Hugh Myers wrote:
Perhaps I misunderstand your reply, but bar 14(where the problem is)
has nothing to do with a rest. The text starts where (as you say) I
wanted it to. That is not the problem. What is the problem is the
continuation of the spanning text at bar 14--- here it starts outside
in
Lovely! Much thanks Nick--- also nice to have code to examine prior to
the point I need to roll my own :)
--hsm
On Fri, Nov 27, 2009 at 12:20 PM, Nick Payne
nick.pa...@internode.on.net wrote:
Hugh Myers wrote:
Perhaps I misunderstand your reply, but bar 14(where the problem is)
has nothing
Dear Friends: The use of the cuatro instrument in Venezuela is
traditional for tha last three centuries. One of the ingrained customs
here is to name certain chords as another, based on their sonority.
For example, a C dominant 7 is never regarded as a true Eb-Dominant
Seventh. So... how
Is there a way to repeat the text automagically with each wrap?
--hsm
On Fri, Nov 27, 2009 at 12:24 PM, Hugh Myers hsmy...@gmail.com wrote:
Lovely! Much thanks Nick--- also nice to have code to examine prior to
the point I need to roll my own :)
--hsm
On Fri, Nov 27, 2009 at 12:20 PM,
Hola, Jesús:
how complicated would be to change the name of the chord, despite
the notes included in it?
There are lots of examples/functions on the LSR to learn from:
http://lsr.dsi.unimi.it/LSR/Search?q=chord
Hope this helps!
Kieren.
___
Greetings,
I want to be able to produce hairpins of varying vertical size. Does anyone
know a command that enables this? Thanks in advance.
-Stephan
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lilypond-user mailing list
lilypond-user@gnu.org
dreamoftheshoreofanotherwo...@gmail.com wrote:
Greetings,
I want to be able to produce hairpins of varying vertical size. Does
anyone know a command that enables this? Thanks in advance.
Hi, Stephan,
try this:
\relative c' {
f1\p\ f f f\ff
\once \override Voice . Hairpin #'height
To get the text repeated on each line, you either comment out last two
lines in the function or change the override value to ##t, I can't
remember which.
Nick
Hugh Myers wrote:
Is there a way to repeat the text automagically with each wrap?
--hsm
On Fri, Nov 27, 2009 at 12:24 PM, Hugh
I just built up a new PC to replace my ~four year old HP machine. I
compared the lilypond build times on the old and new machines for the
Reubke sonata on the 94th psalm. The old machine has 4Gb RAM and some
sort of AMD dual core processor, the new machine has 6Gb RAM and an
Intel i7 920
I'll try both as needed... and let you know.
--hsm
On Fri, Nov 27, 2009 at 5:34 PM, Nick Payne nick.pa...@internode.on.net wrote:
To get the text repeated on each line, you either comment out last two lines
in the function or change the override value to ##t, I can't remember which.
Nick
Worked fine on supplied example. Does not work at all well on the
piece I'm working on. This:
\version 2.13.7
tspan = #(define-music-function (parser location text osp dirn shorten
adjBreak adjEnd) (string? number? number? pair? number? number?) #{
% set osp to 999 if spanner is colliding with
Hugh Myers wrote:
Worked fine on supplied example. Does not work at all well on the
piece I'm working on.
Function has to be called immediately before the note where the text
spanner starts. If you want a solid rather than dashed line, comment the
overrides that setup the dashed line.
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