On 04/14/2010 09:44 PM, Michael Dykes wrote:
Can someone help me to transpose the following attached file from Gmajor
to Fmajor? I know it must seem simple, but I am working on a larger
project with more complicated music.
Thanks.
--
In Christ,
Michael D
_
Michael Dykes writes:
> Can someone help me to transpose the following attached file from Gmajor to
> Fmajor? I know it must seem simple, but I am working on a larger project with
> more complicated music.
>
> Thanks.
First you fix the source so that it actually compiles.
Then you write somethi
Can someone help me to transpose the following attached file from Gmajor to
Fmajor? I know it must seem simple, but I am working on a larger project
with more complicated music.
Thanks.
--
In Christ,
Michael D
\version "2.12.2"
\include "english.ly"
\include "gregorian.ly"
\header {
title = "
Tim McNamara wrote:
>
>
> On Apr 14, 2010, at 11:04 PM, dflo404 wrote:
>
>> My apologies if this has been covered, but I have been unable to
>> find clear
>> instructions on how to add a coda. I'm still learning Lilypond, so
>> I'm
>> still trying to understand the breakdown of a lilypon
On Apr 14, 2010, at 11:04 PM, dflo404 wrote:
My apologies if this has been covered, but I have been unable to
find clear
instructions on how to add a coda. I'm still learning Lilypond, so
I'm
still trying to understand the breakdown of a lilypond file.
Let me explain what I want exactly:
My apologies if this has been covered, but I have been unable to find clear
instructions on how to add a coda. I'm still learning Lilypond, so I'm
still trying to understand the breakdown of a lilypond file.
Let me explain what I want exactly: I need a coda symbol to appear directly
over the ba
Thank you,
-Mike
On 4/13/2010 6:21 AM, James Lowe wrote:
Hello,
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-big-page#Tremolo-repeats
(scroll down slightly to the examples listed).
James
Michael S. Morales wrote:
Hello,
I've been having a hard time finding how to produce t
Kieren MacMillan schrieb:
Hi Marc,
Thank you for the tip, it does the trick. There is a small space between key
signature and
the following repeat bar, but I think I can live with that.
You can also fix it... ;)
Yes, that's the better option ;-)
Here's one possibility:
\versio
Bernardo Barros wrote:
> I don't know, I tried yesterday. The contents could have
> "musicglyph expressions" or something like that? "Feta
> font" was not obvious to me, but I was sleepy. :-)
It's all about the index... (:
- Mark
___
lilypo
Brett McCoy-2 wrote:
>
> On Wed, Apr 14, 2010 at 1:32 AM, dflo404 wrote:
>
>> I've tried searching for my question but I can't seem to find anything,
>> maybe
>> because I don't exactly know what to search for.
>>
>> Here is the problem:
>>
>> Whenever I use the \break command, the system tha
-Eluze wrote:
>
>
> Nick Payne-3 wrote:
>>
>> Wouldn't it be ragged-last = ##t. Ragged-right will affect all staves,
>> not just the last one.
>>
> absolutely - sorry for that quick shot!
>
Ah! It worked. Thank you both very much.
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On Wed, Apr 14, 2010 at 1:32 AM, dflo404 wrote:
> I've tried searching for my question but I can't seem to find anything, maybe
> because I don't exactly know what to search for.
>
> Here is the problem:
>
> Whenever I use the \break command, the system that is broken extends to the
> end of the
I've tried searching for my question but I can't seem to find anything, maybe
because I don't exactly know what to search for.
Here is the problem:
Whenever I use the \break command, the system that is broken extends to the
end of the page. This is what I want most of the time, but how can I
ov
Thank you Graham
I don't know, I tried yesterday. The contents could have "musicglyph
expressions" or something like that?
"Feta font" was not obvious to me, but I was sleepy. :-)
On 14 April 2010 09:38, Graham Percival wrote:
> Notation Appendix A.6 The Feta font
>
> This is given on the doc
Notation Appendix A.6 The Feta font
This is given on the doc page about \musicglyph. Why was it difficult to find?
- Graham
On Wed, Apr 14, 2010 at 1:35 PM, Bernardo Barros
wrote:
> Hi all,
>
> Where can I find in the Manual a complete list of the expressions I can use
> with \musicglyph?
> Li
Hi Mats,
> Please note that LilyPond currently tries to do something clever, namely
> incorporating standard typesetting practice on how to typeset time and key
> signatures at a bar line. This typesetting practice is specified in the
> break-align-orders property of the BreakAlignment object,
Hi all,
Where can I find in the Manual a complete list of the expressions I can use
with \musicglyph?
Like here:
c^\markup{\musicglyph #"flageolet"}
Thanks,
Bernardo
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Kieren MacMillan wrote:
Hi James,
One trick that was proposed some week ago in a similar situation, is > > to
use a grace note:
That's nice but a bit 'hacky' and not very intuitive don't you think?
+1
The KeySignature should count as a moment/column/whatever that separates t
Nick Payne-3 wrote:
>
> Wouldn't it be ragged-last = ##t. Ragged-right will affect all staves,
> not just the last one.
>
absolutely - sorry for that quick shot!
--
View this message in context:
http://old.nabble.com/How-to-stop-system-from-extending-to-the-end-of-the-page--tp28238507p282413
Hi James,
> > One trick that was proposed some week ago in a similar situation, is > > to
> > use a grace note:
>
> That's nice but a bit 'hacky' and not very intuitive don't you think?
+1
The KeySignature should count as a moment/column/whatever that separates the
repeat barlines.
Cheers,
Kie
Hi Marc,
> Thank you for the tip, it does the trick. There is a small space between key
> signature and
> the following repeat bar, but I think I can live with that.
You can also fix it... ;)
Here's one possibility:
\version "2.13.13"
mel = \relative c {
\time 3/4
\repeat volta 2 {
c
On 14/04/10 15:54, -Eluze wrote:
dflo404 wrote:
I've tried searching for my question but I can't seem to find anything,
maybe because I don't exactly know what to search for.
Here is the problem:
Whenever I use the \break command, the system that is broken extends to
the end of the page.
Hello
Mats Bengtsson wrote:
> One trick that was proposed some week ago in a similar situation, is
> > to
> use a grace note:
That's nice but a bit 'hacky' and not very intuitive don't you think?
Why doesn't the following example work or rather, I know this doesn't
work, and I can't understa
Mats Bengtsson schrieb:
One trick that was proposed some week ago in a similar situation, is
to use a grace note:
\version "2.13.13"
mel = \relative c {
\time 3/4
\repeat volta 2 {
c4 c c | c2
}
\key a \major \grace{s16}
\repeat volta 2 {
c8 c | c4 c c c
}
}
\new Voice { \mel }
Just wat
One trick that was proposed some week ago in a similar situation, is to
use a grace note:
\version "2.13.13"
mel = \relative c {
\time 3/4
\repeat volta 2 {
c4 c c | c2
}
\key a \major \grace{s16}
\repeat volta 2 {
c8 c | c4 c c c
}
}
\new Voice { \mel }
Just watch out that you include a
I don't know whether this is kind of standard notation practice,
but I have to sty as close as possible to the original score, so
I want to achieve something similar to the attached picture.
I tried to work with
\version "2.13.13"
mel = \relative c {
\time 3/4
\repeat volta 2 {
c4 c c | c
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