"James Lowe" writes:
> Hello,
>
> On 23/10/2010 17:55, David Kastrup wrote:
>
>>
>> Nobody knows anything from Alkan, in contrast.
>>
>
> I can find at least 26 people who may argue that point
>
> http://www.facebook.com/group.php?gid=7894009825
>
> Whereas there is no Grieg Facebook page.
He do
Hello,
On 23/10/2010 17:55, David Kastrup wrote:
>
> Nobody knows anything from Alkan, in contrast.
>
I can find at least 26 people who may argue that point
http://www.facebook.com/group.php?gid=7894009825
Whereas there is no Grieg Facebook page.
..after all that is a measure of popularity t
On 24/10/10 03:46, Valentin Villenave wrote:
On the other hand, does this really qualify as music? :-)
I remember a remark that the director of my conservatory once made.
A professor whom nobody really liked had just organized an "Alkan
Festival" (the only one in the world, I think), and people
Hello,
-Original Message-
From: lilypond-user-bounces+james.lowe=datacore@gnu.org on behalf of -Eluze
Sent: Sat 23/10/2010 13:19
To: lilypond-user@gnu.org
Subject: Re: vertical position of tuplet number
Werner LEMBERG wrote:
>
>
>> What controls the vertical position of a tuplet
Mea culpa! The arpeggio is *not* overlapping "legitimate" rest glyphs,
but only the glyph I substituted, that happens to jut a hair rightwards!
Still, as I'm stubborn enough to stick to that choice, your suggested
"...extra-offset..." has solved the problem in both aspects -- applying
either a p
On Sat, Oct 23, 2010 at 6:55 PM, David Kastrup wrote:
> Well, a rather nice run through Grieg's talents is the music to "Peer
> Gynt". Rather notorious is the "Hall of the Mountain king". Everybody
> knows that, really. Still quite known are "Morning mood" and "Solveig's
> song".
Well, it depe
Valentin Villenave writes:
> -- Indeed. There are many little wonders amongst his works, but
> somehow he isn't remembered as one of the "Great" composers.
>
> He thought about that for a few seconds, then he elaborated on that:
>
> -- It may be because you'll hardly find huge, towering scores in
On Fri, Oct 22, 2010 at 3:55 PM, David Nalesnik wrote:
> The Wikipedia article on Alkan mentions an F triple-sharp in one of his
> pieces, and you can see it in the musical extract given (along with a lot of
> other crazy spellings).
> http://en.wikipedia.org/wiki/Charles-Valentin_Alkan
On the
On Sat, Oct 23, 2010 at 6:29 PM, Valentin Villenave
wrote:
> Thanks a lot! You're know officially a LilyPond contributor :)
Shit. I meant "now", obviously :)
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On Sat, Oct 23, 2010 at 2:13 PM, Jan-Peter Voigt wrote:
> now I posted my first very small snippet to the LSR. A great source of
> Lily-Knowledge :-)
Thanks a lot! You're know officially a LilyPond contributor :)
Congrats!
Valentin
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On Sat, 23 Oct 2010 02:35:24 +0200, PMA
wrote:
Hi List.
I have a LilyPond score in which an arpeggiated chord tends to be
preceded by
a rest. And too often, the arpeggio glyph overlaps its preceding rest.
How can I shift horizontally -- either the rest slightly leftwards, or
the arpeg
Original Message -
From: "Sebastiano Vigna"
To: "Reinhold Kainhofer"
Cc: ; "Phil Holmes"
Sent: Saturday, October 23, 2010 9:13 AM
Subject: Re: orchestral template, please comment
On Oct 22, 2010, at 9:11 PM, Reinhold Kainhofer wrote:
My concern is that LSR search does not, at th
Alkan uses an F triple sharp in at least 2 works:
Quasi-Faust, the 2nd movement of Grande Sonate op.33:
http://www.rsabey.pwp.blueyonder.co.uk/img/AlkanGrandeSonateP31Part.gif
(lower stave, 2nd beat)
Allegretto alla barbaresca, the Concerto's 3rd movement, which is the 10th of
the studies in th
On Oct 21, 2010, at 6:18 PM, James Bailey wrote:
>
> On Oct 21, 2010, at 12:39 PM, James wrote:
>
>> Hello,
>>
>> On 21/10/2010 10:18, Henning Hraban Ramm wrote:
>>> Am 2010-10-20 um 22:06 schrieb Valentin Villenave:
>>>
> That is an awesome bug. I don't get the complaint about insane min
On Oct 21, 2010, at 12:39 PM, James wrote:
> Hello,
>
> On 21/10/2010 10:18, Henning Hraban Ramm wrote:
>> Am 2010-10-20 um 22:06 schrieb Valentin Villenave:
>>
>> >> That is an awesome bug. I don't get the complaint about insane min
>> >> spring distance, but I do get the jumping around. I wou
On Oct 21, 2010, at 12:39 PM, James wrote:
> Hello,
>
> On 21/10/2010 10:18, Henning Hraban Ramm wrote:
>> Am 2010-10-20 um 22:06 schrieb Valentin Villenave:
>>
That is an awesome bug. I don't get the complaint about insane min
spring distance, but I do get the jumping around. I would
sevy wrote:
Bonjour à tous,
Bonjour !
Je viens de découvrir depuis quelques jours Lilypond.
Je commence à l'utiliser après avoir débuter la lecture de la doc qui est
très bien faite, d'abord le manuel d'initiation et je viens d'imprimer le
manuel de notation aujourd'hui.
Je suis très heure
When you follow the procedures of the manual to create ossia staves, if the
ossia happens at the start of a system, it appears linked to the other
staves by the start delimiter...
How can I let the ossia "alone" at the start of a system?
--
View this message in context:
http://old.nabble.com/Os
Werner LEMBERG wrote:
>
>
>> What controls the vertical position of a tuplet number if I set
>>
>> \override Staff.TupletBracket #'bracket-visibility = ##f
>>
>> ? I would like to have the number within a staff and not outside...
>
>
does this match your needs?
{
\override TupletBrac
Hello Valentin,
now I posted my first very small snippet to the LSR. A great source of
Lily-Knowledge :-)
Regards,
Jan-Peter.
On 20.10.2010 21:27, Valentin Villenave wrote:
On Wed, Oct 20, 2010 at 9:47 AM, Jan-Peter Voigt wrote:
I did a short "hack" to place the lyrics on top/across th
> What controls the vertical position of a tuplet number if I set
>
> \override Staff.TupletBracket #'bracket-visibility = ##f
>
> ? I would like to have the number within a staff and not outside...
Since I've got no answer, I wasn't probably precise enough. Normally,
tuplet brackets and nu
On Oct 22, 2010, at 9:11 PM, Reinhold Kainhofer wrote:
>>>
>>> My concern is that LSR search does not, at the moment, find the snippets
>>> that go with these two erroneous headers, "Adding a laissezVibrer tie to
>>> only one note of a chord" and "Schleifer articulation mark"
>>>
Sorry, I'm co
Joseph Wakeling writes:
> On 10/22/2010 04:51 PM, Éditions IN NOMINE wrote:
>> Well, well, well, who would like to typeset some Reger ? :-D
>
> Looks like a recent (hardcoded in the C++) transposition rule rewriting
> any accidental greater in magnitude than a double-sharp or flat may have
> to b
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